Matilda (1996) Dir. Danny Devito

(msg): i don't know how it could when your daughter is more upset about this then i've ever seen her. him showing back up really messed with her. put her too close to him. (msg): he regrets things i think, i mean i don't care he did what he did. (msg): no thanks. i don't want to right that ride again.

@iconiic continued from here.

(msg): i wish i could understand paul's reasoning for this. (msg): frankie is upset, she saw the promo. (msg): she did smile over the comment about me and raising kids and he knew nothing about it.

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Reblog this if your IMs and/or Discord are open 24/7 for plotting.

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she's a flight risk on the run.

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✱˚｡⋆ ↪ 𝐌𝐀𝐊𝐈𝐍𝐆 𝐃𝐄𝐌𝐀𝐍𝐃𝐒 . ( a collection of dialogue prompts based on varying types of demands &. requests . adjust phrasing as necessary . this prompt WILL likely be updated in the future . )

don't say a word .

don't leave me here .

meet me at our spot tonight .

follow me and stay close .

don't beg , it's pathetic .

can you ( tie / zip ) this for me ?

stop lying to me . tell me what you did .

put that down , you don't know what it ( is / does ) .

get out of my sight .

stop pretending you know what's going on .

find a first-aid kit . quickly !

don't get yourself killed .

leave them to me , just go .

just admit that you love me .

just admit that you hate me .

come here , let me look at you .

( name ) , don't make me do this .

drop your ( weapon ) .

stay here and wait for my signal .

don't just sit there , move .

take this and run , don't let anyone have it .

pretend you're my ( partner / girlfriend / boyfriend ) .

don't look , you'll give us away .

don't say another word .

stop pretending like you care .

go make sure the coast is clear .

take this with you . it's a good luck charm .

don't tell anyone about this .

if anybody asks about today , lie .

stop looking at me like that .

tell me you love me .

just kiss me , already .

keep your eyes on the road .

stop crying and calm down .

come with me . there's so much we could do .

wear the ( dress / tie / item ) i gave you tonight .

show me how you like to be touched .

hold my hand .

kiss me , make it look real .

look at me . how many fingers am i holding up ?

will you marry me ?

just slow down for a minute . what's going on ?

take a deep breath , you need to calm down .

get out of here , ( name ) !

draw your weapon .

go rest . i'm not asking .

take a step back .

give me a straight answer .

be polite to our guests .

look me in the eye and say that again .

put your feelings aside for a moment .

keep close to me .

here , let me see that .

look up at the sky .

get out of here , i don't want to see you right now .

stand up , this isn't over yet .

close your eyes and count to ten .

smile for the camera !

keep your head down .

( name ) , let me past .

listen carefully to what i'm about to say .

don't just stare , come in .

stop laughing , this isn't funny .

take this and hide it .

don't make a sound .

put your hands up .

quit causing problems everywhere you go .

just admit that you don't know what you're doing .

stop right there , i mean it .

don't say that name aloud .

just trust me , okay ?

stop acting so childish .

call the police . now .

tell me you love me , even if it's not real .

take a good hard look .

stop the car , ( name ) .

don't make eye contact .

stay out of trouble .

just do it already , we've waited long enough .

hold me tight , and never let me go .

finish what you started .

tell me what you know .

just stay away from me .

turn around . slowly .

don't be scared .

put it down before somebody gets hurt .

stop pretending , i'm tired of the pretending .

grab me my ( item ) , will you ?

don't make assumptions .

put this over it to stop the bleeding .

get to safety !

wipe that look off your face .

secure the area .

keep an eye on them .

look at yourself in the mirror .

run . run and don't stop .

eat . you haven't touched your food in days .

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mami.

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He steps closer, and she doesn’t even hold her breath—still calm, still rational. She’s testing him, but maybe he’s testing her too. He could advance like a predator, but she’s been around monsters before. This? This isn't a monster. A genius, perhaps, and maybe a little mad—but Moxley isn’t a monster.

"I have to see if you're worthy of burning for," she states, voice steady. There's no hint of doubt in her words. It's in her DNA—this certainty. She would burn with anyone, if the cause was worth it.

"I've always known I'd burn. But for what? That’s for me to decide. When I do, there will be no turning back—I'm in, completely... one hundred percent. But there’s only one chance. So I have to be sure."

continued from here || @combatzoned

"Oh, I have no doubt standing there well the world is burning and being burnt yourself wouldn't be a shock to you. But what happens when the kickback comes? When they don't fall to your ideas and ways? When they raise up and engulf you?" Her hands coming up as if to mimic flames that would threaten him to swallow him whole. "Are you willing to die for the cause? Just you, I know you don't care about anyone else." her head tilted a little to the side, "or am I wrong, please correct me if I am."

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hired by lucha underground hired for not only her beauty, but the fact she was bilingual and not afraid of snakes. she took on the character named nagaina which was the female cobra in rikki tikki tavi, because she didn't want to give up the pandemonium moniker to a company.

she wore very little clothing, pretended that she was actually a snake who could control men with her bite, and had a little stable. it was fun accept for freezing during takes. but that was were she learned to fly so to speak, taking a number of aerial moves that she still uses today.

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Hangman, I'd love to follow up with you, with what we saw last week. It seemed like maybe you were maybe in pursuit of Swerve Strickland?

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