Do You Think They Got The Idea Of Vampires Being Able To Charm People Because Of How Cute Normal Vampire

Yes

Yes

No, he just gets the money he spends on the bat stuff back

Concept: an episode of the Justice League cartoon where the MCs get sucked into a 90s teen movie… powers get reset to when they were that age.

Fall as we laugh at your misfortune

Continuing on that note I feel that there is also horror in surviving these encounters. There the death that’s awful but there is also fear in knowing that you experienced that while all others died. We live in a society we’re people are getting hurt left and right while others never can’t even imagine that pain. It hurts to know people died, or even that people live through this and we just sit here, as they do work that will probably bring us something that we won’t even think is that important, even with all the blood it holds.

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

I like the fact that all of them have good based names, and then there’s Oscar.

sometimes i think about if i ever gave mochi and lime & co actual real names

THIS IS THE BEST THING I HAVE EVER SEEN

In brightest day in darkest night, no evil shell escape my sight. For those who worship evil might beware the power, of a green lantern in the fistfight

in brightest day in blackest night something something green lantern

Don’t worry, you still driving me crazy

girl you've been running through my mind all day

Fall as we know we could have stopped it