The Ninth Wave (details), 1850 Oil On Canvas Ivan Aivazovsky

The Ninth Wave (details), 1850 Oil On Canvas Ivan Aivazovsky
The Ninth Wave (details), 1850 Oil On Canvas Ivan Aivazovsky
The Ninth Wave (details), 1850 Oil On Canvas Ivan Aivazovsky
The Ninth Wave (details), 1850 Oil On Canvas Ivan Aivazovsky

The Ninth Wave (details), 1850 oil on canvas Ivan Aivazovsky

More Posts from Pointe-of-no-return and Others

7 years ago
Alexander Girard Exhibition Brochure El Encanto De Un Pueblo 

Alexander Girard Exhibition Brochure El Encanto de un Pueblo 

7 years ago
ELLIDAEY ISLAND - ICELAND

ELLIDAEY ISLAND - ICELAND

Finally, some peace from the neighbours…

13 years ago
Inside The Light House

inside the light house

6 years ago
Black Dog, Elsa Stubbé
Black Dog, Elsa Stubbé
Black Dog, Elsa Stubbé
Black Dog, Elsa Stubbé
Black Dog, Elsa Stubbé
Black Dog, Elsa Stubbé

Black Dog, Elsa Stubbé

7 years ago
Sam Francis (American, 1923-1994), Untitled, C. 1973. Gouache And Watercolor On Paper, 24.8 X 47.6 Cm.

Sam Francis (American, 1923-1994), Untitled, c. 1973. Gouache and watercolor on paper, 24.8 x 47.6 cm.

7 years ago
Gyokusen Mochizuki (1834-1913),  Black Bull.  Ink, Colors And Gold On Paper. 

Gyokusen Mochizuki (1834-1913),  Black Bull.  Ink, colors and gold on paper. 

7 years ago
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)
Rinko Kawauchi, Ametsuchi Series (2012-2013)

Rinko Kawauchi, Ametsuchi series (2012-2013)

What inspired me was a dream I had one day. It was of scenery so amazingly beautiful that it made me almost scared. I woke up thinking how beautiful it was. I wasn’t sure if that location really existed, but if it did, I wanted to visit it. About six months later, I saw what I saw in my dream on TV. The location did exist. I found out that was I saw was called noyaki. It is the practice of protecting a grassland by burning a field. It has been done for about thirteen hundred years. Without noyaki, a field would turn into woods. Beautiful grassland cannot be maintained without burning the field once a year. What amazes me is that it doesn’t happen naturally but is maintained by human intervention. I am very much interested in the flow and cycle of human practices. It is not only the theme for Ametsuchi but also a foundation of all my work.

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