I’m sorry if no one’s explained this to you before but a content creator telling you that their work isn’t for minors and it’s not their responsibility to jump through hoops to keep it from you is an adult looking out for kids. they’re modeling good boundaries and setting the expectation that you’ll engage with the online community like a person and take responsibility for your choices. if you cannot understand that you need to look out for yourself and take people seriously when they say their work isn’t suitable for young audiences then you are not ready to be unsupervised on the internet.
girls when they remember that sam winchester was groomed in one way or another by just about everyone in his life whether they were even aware if it or not with the end goal of him giving up his autonomy to bring about the end of the world . girls when sam winchester has both been blatantly sexually assaulted but also metaphorically assaulted and his whole storyline is about feeling impure and feeling like his body, like his life, isnt his . girls when sam winchester never asked for any of it . girls when sam winchester partakes in unhealthy coping mechanisms to try to twist the impurity in him into something good . girls when sam winchester is still full of love and kindness despite his trauma, despite his rage . girls when sam
I bring a sort of "it's wrong to hate people based on how or where they were born" vibe to political discourse that apparently right wingers and left wingers both don't really like
People will claim to be a fan of some thing and then hate all of the themes and motifs and story lines and plot lines and protagonists and antagonists like man I don’t think that you actually like it here
electra, sophocles (trans. anne carson) // enough, suzanne buffman // letter to my rage: an evolution, lidia yuknavitch // the ghost is dead, long live the ghost, mara avoth // the importance of being earnest, oscar wilde // i didn’t always salivate over skeletons, blythe baird // persephone the wanderer (ii), louise glück // sharp objects, gillian flynn // the carnivorous lamb, agustín gómez-arcos (trans. william rodarmor) // how to wear your mother’s lipstick, warsan shire.
“father, forgive me my drunk inheritance: forgive the stairs that collapsed beneath the weight of me: forgive the third floor window that tried to swallow me into the night’s mouth: forgive the bodies i swallowed like broken teeth: the knees i spent trying to summon god in my own mouth: forgive my DNA strands for they are sculptors of brief suicides in this body: i’m trying to love the shattered window of myself: the hands: the rocks:”
— Tonight’s Cantab feature is local poet and scientist George Abraham! Come get a copy of their just-released chapbook The Specimen’s Apology (Sibling Rivalry Press). This is from their poem “apology,” as published in Tin House.
when internet people are like “i love gothic literature but i hate anything that discusses incest, sexual violence, oppression, misogyny, abuse, torture, gore, murder, or death”
it's insane seeing ppl saying that moffat is only good at writing when he's not the show runner, and then only using 11's era as an example....did we all collectively forget series 8-10?
believe me, there's much to criticize with moffat's writing--im not saying there isn't. the man has high highs and low lows. but ignoring the 12th doctor's era in these conversations makes me so sad considering how it's got some of the best episodes of new who.
i think it's also worth considering that moffat being on multiple projects at once probably had a bigger impact on series 5-7 than people think.