Whistle And I’ll Come To You (Jonathan Miller, 1968)

“You are glad to be here, aren’t you Buster?” “And how, I came off of location to be here!”

WAUW🤯🤩

via tv2sportdk instagram | 27.07.2022

I love this

Monty Python as Barbie movie posters, inspired by @oneofthebeautifulpeople’s Beatles version

Behind the scenes of True Stories (1986)

dark the netflix show and rusty lake/cube escape the games are the exact same thing

gritty northern european horror fantasy thrillers about fucked up little places, fate, religious symbolism, confusing af family trees, shady family-owned business, funny looking vintage sci fi machines, time travel and fucked up clans in fucked up little towns in the woods with goregous aesthetics ranging from victorian through 80s to modern, people dying, cave and old hotel, animals dying, a whole plethora of Torture Devices, experiments, a hard boiled detective that fucks around and *really* finds out, going to therapy but the therapist being just as fucked as you or straight up evil, cults and sacrifices, clocks, a Bad Vibes lake, a place called paradise, recurring symbolic geometry (the triquetra in dark and the cubes in rl) etc

nobody will ever convince me that these two don’t take place in the same universe (pun intended)

Brianna Wiest, 101 essays that will change the way you think

FRANZ KAFKA x JOHNSON TSANG

Letters to Felice (1912 - 1917, published 1967);

Lucid Dream Series II (2018) + Open Mind Series I (2017); sculpture, porcelain

If Stuntmen from the old movies don’t have your full respect then I just don’t know what to say to you

In my mind, it was a world between a factory and a factory neighborhood. A little, unknown, twisted, almost silent lost spot where little details and little torments existed. And people were struggling in darkness. They’re living in those fringelands, and they’re the people I really love. Henry’s definitely one of those people. They kind of get lost in time. They’re either working in a factory or fiddling with something or other. It’s a world that’s neither here nor there. It came out of the air in Philadelphia. I always say it’s my Philadelphia Story. It just doesn’t have Jimmy Stewart in it! — David Lynch (from Lynch on Lynch) 

ERASERHEAD (1977) dir. David Lynch 

{2019} (better quality version here) Marta from Alice Rohrwacher’s Corpo Celeste {2011}; from CINEWOMEN, a series of animation studies made with filmstills. (laser prints, charcoal)

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