Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure

Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure
Kris And Noelle Discuss Critically Acclaimed Fps Game Half Dead 2, Their Missing Siblings, And Obscure

kris and noelle discuss critically acclaimed fps game half dead 2, their missing siblings, and obscure human musicians like claude debussy

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3 months ago

I have to upload this as a video bc you can see her think this in real time

4 months ago

thinking about how self-loathing is the core of siffrin's character. so much of siffrin's issues revolve around thinking that there is something inherently, fundamentally wrong with themself. they're disgusting, terrible, a fraud. people only love siffrin because they don't know the truth. but when they do, they'll surely hate siffrin. they'll surely leave siffrin. they'll realize that siffrin is not, and never was, worthy of their time or attention or love. it's only a matter of time.

but then loop is confronted with an alternate version of themself. and they act like a jerk sometimes, but they also show so much genuine care for siffrin's wellbeing. they try to tell siffrin to let go of the things that hurt him, they try to talk siffrin out of doing things he'll regret, they get mad on siffrin's behalf when he's wronged by others. when siffrin is in need of help, they push aside their personal reservations and hurt and complicated feelings about seeing their friends again to do what is necessary to get siffrin that help he needs.

and siffrin, though they find loop annoying, is fond of them. they care about loop deeply and see loop as someone important to them. when asked by loop to kill them, he laughs and says he doesn't hate himself so much that he would literally kill another version of him. finding out that loop was themself all along doesn't make them think any more negatively of loop. it doesn't change how he feels about them. loop is loop. they are siffrin, and they are siffrin's friend.

there's something about looking at yourself from an outsider's perspective, and not feeling any of that instinctual disgust that so often follows you everywhere you go. seeing yourself as what you are, a person. as someone who is flawed, and being able to recognize that those flaws don't make you irredeemable. realizing that you aren't as terrible as you thought you were. and that despite everything, you are deserving of love. because the proof is right in front of you.


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Big the Cat Therapist

Doodle is a result of a convo I had with a friend btw. We both headcanon that Big always knows what to say and that’s why Shadow likes him 😌.

Big The Cat Therapist
Big The Cat Therapist
Big The Cat Therapist

“You don’t have to be The Ultimate Lifeform all the time. Sometimes you can just be Shadow”

4 months ago
A comic featuring the characters Odile and Siffrin from the game In Stars and Time. Odile is a tall older woman with light skin, straight black hair pulled into a bun, rectangular glasses, and a long coat with large sleeves. Siffrin is a small, androgynous, young-looking adult with light skin and chin-length wavy white hair with the ends dyed black. He has an eyepatch over his left eye and is dressed in a white cloak.
Panel 1: The two are talking while sitting on the floor of a dark brick room with motes of magical light floating around. Odile is looking at Siffrin with a relaxed posture and a neutral face, while Siffrin is looking down and away from her with a sad expression. He asks, “What you said earlier, do you really care about...? … Never mind…” The speech bubble font gets smaller as the text goes on. He’s fidgeting with the brim of his wizard-like hat resting on his lap.
Panel 2: The camera angle shifts to point towards Odile, who’s narrowed her eyes at Siffrin with a stern expression. She says, “Siffrin,” in bold text with an angular speech bubble. Siffrin flinches and ducks his head. The camera being on his blind side means you can’t see his eye, but his eyebrows are pinched together and his mouth is pressed into a wavy line. He grips the brim of his hat harder.
Panel 3: The camera angle is the same, but now Odile’s face is softer and sympathetic. She says, “Of course we care about you,” with a round speech bubble and regular font. Siffrin’s shoulders have slumped and he looks more relaxed, but his head is still hung with a sad expression. He’s still firmly gripping the brim of his hat.
Panel 4: The same camera angle. Now Odile is reaching up to grab her own speech bubble from the previous panel. It still says, “Of course we care about you,” and it’s deforming like it’s made of cloth. Her mouth is closed, indicating she’s not actually speaking. Her eyes are sharp and intimidating, and she’s maintaining intense eye contact with Siffrin. Her posture has shifted like she’s getting ready to stand up. Siffrin has whipped around to look up at the speech bubble and his face is no longer in view. He’s leaning away from Odile slightly.
Panel 5: The camera has shifted to a high angle slightly behind Odile, who is now up on her knees looming over Siffrin. She’s gripping the “Of course we care about you” speech bubble by the tail and has it raised up behind her head, preparing to swing down and hit Siffrin with it. Her loose coat flares out behind her from the motion. Siffrin has stumbled and is lying on his side, staring up at Odile with his eye and mouth wide open in shock. He’s trying to scramble away from her while shielding his head with his arms. The hat that was on his lap is now on the ground between the two, and his cloak is bunched up awkwardly underneath him.

2024 September 14th

Do you ever wish you could beat into a character's head that they're loved? Because I sure wanted to beat Siffrin during my first playthrough of In Stars and Time. Then I thought about that figure of speech too literally, laughed at my own joke, and now here's me using Odile as a proxy to do just that. :)

I absolutely adore Odile's "you will be safe and happy and that is a threat" approach to emotional support. Her and Siffrin's dynamic in general is just chef's kiss.

Sorry about your hat, Siffrin, but it was destroying my panel composition when I tried to put it on your head.

----------

For being rusty with art I'm really happy with this! That last panel in particular was very new territory for me but I think it came out good! I'm happy with the movement between panels in general. And look at me! Drawing backgrounds!! Wahoo!!

I drew these panels incredibly out of order, so you can see my art style and amount of effort fade in and out as you read, lmao. I tried to stay authentic to the game's style, but sort of gave up and let my style bleed through on the action-y panels. It just felt right. Gives it emphasis. :P

I'm new to writing screen reader image alt text, so feedback is welcomed. Sorry again to Siffrin because I forced myself to he/him them only to avoid confusion, but it felt bad! My fellow they/he, I have wronged you.

Time spent working on this comic was...... 33 hours and 18 minutes. I blame the rust, learning how to draw these characters on the fly, and figuring out the perspective on those bricks, oh my god.

Have some close-ups of my fave panels as thanks for clicking the read-more, mwa

Odile's intense glare from panel 4.
Siffrin crumpled on the ground from panel 5.
The Archangel And His Machine, V1
The Archangel And His Machine, V1

The Archangel and His Machine, V1

yes its based on 'Ivan the Terrible and His Son'

some in-progress screenshots/behind-the-scenes under the cut~

Sketching, lineart (which was abandoned eventually, as you can see lmfao) and basic color/lighting blocking:

The Archangel And His Machine, V1
The Archangel And His Machine, V1
The Archangel And His Machine, V1
The Archangel And His Machine, V1
The Archangel And His Machine, V1
The Archangel And His Machine, V1
The Archangel And His Machine, V1
The Archangel And His Machine, V1

I created mockup poses using DAZ3D, as well as using Dotflare's 'HD Gabriel' model and Xetirano's 'V1 model' as visual references for drawing some of the details correctly.

I modelled the background by hand in Blender and aligned it with my previously-created DAZ3D poses to get the perspective correct and kinda just...slapped some colors and perspective blur on it and called it a day.

The Archangel And His Machine, V1
The Archangel And His Machine, V1

This is about 12 days' worth of work, ish. I can't remember if I worked on it every day or not.

4 months ago
SIFFRIN FIGURE FOR ART CLASS :3

SIFFRIN FIGURE FOR ART CLASS :3

Also he's holding a star it's kinda hard to see cus of the blurred background

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pinecone-with-pinecone - Changing fandoms like gloves (send help)
Changing fandoms like gloves (send help)

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