Yuqi Fate, 240324

PROMPTS FOR PRE ESTABLISHED CONNECTIONS AND CREATING HISTORY BETWEEN CHARACTERS *  assorted dialogue for giving your characters a history and giving them past things or events to talk about, adjust as necessary

do you remember what i told you last time?

have you been doing well since i saw you?

that's not what you told me back then.

when was the last time i saw you?

you were shorter then.

i'm picking the restaurant this time.

we've known each other since we were children.

always knew i could count on you.

that time was different. this is worse.

you're not going to let me live that down, are you?

i seem to remember a conversation we had back then.

so you changed your mind about it?

do you remember our encounter in paris?

you should know me by now.

am i the only one that knows the truth?

we had a lot of help back then.

your mom told me to look out for you.

you just love bringing that back up to annoy me.

maybe don't mention my past indescretions?

this was never going to work out between us.

i told you not to get attached.

i know more about you than you think.

i was there, remember?

i'm not about to forget all the shit you put me through.

you told me you were going to try and make this work.

remember what i said to you?

the last time i saw you, things were good between us.

you never mentioned this before.

that was the longest flight of my life, and you made it worse.

can i still trust you after all that?

at least we tried to make something work.

we never discussed what happened between us.

okay, but i'm driving the car this time.

i haven't forgotten what you said last week.

i'm still thinking about your comment.

i didn't realize it was you when i first saw you.

you seem to make a lot of enemies around here.

there's not much for us to talk about.

we worked it out last time.

i know you far better than you know yourself.

we have a long history.

is that the shirt you were wearing last time?

what don't i know about you?

i haven't told them about us.

you were the only person i could go to.

you know me.

this is bigger than both of us.

i can't stand your driving.

are you taking me to the place we had dinner last time?

that's not at all what you said.

didn't we agree on that?

i thought i made it very clear where i stand.

are these the same people that came after you last time?

are you still going on about it?

can we talk about it?

staying silent about it won't help.

you're the only person who knows the real me.

this is a bad time to talk about your problems.

Also bc I trust this rpc my discord is under the cut feel free to add me and scream at me abt muses

ourmayqueen

Sera is a huge hopeless romantic and is the biggest supporter of love and is the personal hype man of anyone and everyone that she is close to that’s in a relationship or going to start one or literally anything related to it. But, it’s a double edged sword because she’s the same way in all her own relationships and expects them to all be true love which can get her hurt more times than not. But she’s ur hype man and will help you with the biggest romantic gestures

not so much personality wise but aesthetic wise Sabrina is so seraphine coded and that is why I use her. and I think thats absolutely iconic.

REASONS TO CARRY SOMEONE. ( A PROMPT LIST! )

listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.

[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.

[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.

[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.

[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.

[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)

[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.

[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.

[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.

[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.

[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.

[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.

[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.

[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.

[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.

[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.

[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.

[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.

[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.

[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.

[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.

[ FURTHER ]: sender, during an increasingly passionate make-out session with the receiver, suddenly takes them in their arms and carries them towards the bedroom to continue their evening in private.

Allow me to reintroduce myself I am Eurydice now. I’ve achieved my final form

Stay tuned guys, my pen name is changing so bear with me.

DIFFERENT KINDS OF KISSES *  send 'reverse' for the reversal of the prompt, nsfw implied

[ soothe ] sender kisses receiver to stop them from shaking

[ forehead ] sender tenderly kisses receiver's forehead

[ brief ] sender sneaks a kiss to receiver's cheek as they walk by

[ brow ] sender kisses the bridge of receiver's eyebrow

[ impossible ] sender kisses receiver as a final gesture, knowing they can't be together

[ hiding ] sender checks the area around them before kissing receiver, trying not to get caught

[ handful ] sender peppers the receiver's cheek with multiple, playful kisses

[ line ] sender draws a trail of kisses down the length of receiver's shoulderblade and up their neck

[ almost ] sender and receiver are centimeters apart, about to kiss, but something interrupts them

[ side ] sender places a kiss on the side of receiver's nose

[ tip ] sender kisses the tip of receiver's nose

[ underside ] sender leans in and places a suggestive kiss just under receiver's jawline

[ giggle ] sender starts tickling and kissing the receiver all over in order to make them laugh

[ knuckle ] sender lifts receiver's hand to their lips and places a polite kiss there

[ last ditch ] right before receiver leaves for battle, sender rushes into their arms and kisses them desperately

[ the middle ] in the midst of a battle, sender steals a second alone with receiver and kisses them to reassure them

[ dreamy ] sender and receiver indulge in a handful of slow, romantic kisses

[ darkness ] sender and receiver makeout in a completely dark room

[ ear ] sender nuzzles and kisses receiver's ear

[ recline ] sender climbs ontop of receiver and steals a kiss

[ lazy ] sender kisses receiver to wake them up from a comfortable sleep

[ dramatics ] as sender and receiver argue back and forth, sender launches forward and kisses receiver to stop the fight

[ distance ] across a large space, sender blows receiver a kiss

[ hold ] sender and receiver are hugging, and sender kisses receiver on the cheek in a tender display

[ regret ] sender and receiver start to kiss, but sender backs away in the middle of it, knowing it's a bad idea

[ reunion ] thinking they'd never see each other again, sender and receiver are reunited and run into each other's arms, sharing a kiss

[ inner ] in a heated moment, sender trails kisses along receiver's inner thigh

[ lovebite ] in the midst of kissing receiver's neck, sender changes tactics and gives them a tender little bite

[ greeting ] sender and receiver greet each other with kisses to both cheeks in quick succession

[ bunny ] sender gives receiver a bunny kiss by rubbing their noses together back and forth

[ supportive ] sender kisses the top of receiver's head

[ fingertips ] sender places light kisses to each of receiver's fingertips

[ tongue ] sender and receiver indulge in a heavy makeout that involves tongue

[ first time ] sender leans in and kisses receiver for the first time

[ final ] sender and receiver share a kiss for the very last time, and they know it's their last

[ storm ] caught in the midst of a torrential downpour, sender can't help but close the distance and kiss receiver in the rain

[ scar ] sender sees one of receiver's scars for the first time and gently kisses it

[ desperate ] the situation is dire, and sender can't stop themselves from rushing forward and crushing receiver into an aggressive, frantic kiss

[ tend ] while tending to receiver's wounds, sender gives receiver a reassuring kiss

[ stolen ] sender and receiver cross paths and can't resist ducking into a safe place to makeout before they carry on with their day

[ irresistable ] sender taunts receiver by easing closer, promising a kiss, and then backing away, making receiver chase their lips

[ lipstick ] sender is wearing lipstick, and uses that fact to mark receiver with a few lipstick stains

[ chest ] sender removes receiver's shirt and immediately rushes forward to kiss their chest

[ shivering ] sender places small kisses all over receiver's stomach

[ fake ] sender and receiver pretend to be a couple and are forced to kiss each other to blend in

[ maybe ] sender and receiver are best friends and experiment with a kiss to see where it goes

also i like to imagine the competitions she goes to in Zaun and where they musically duke it out is very much like the band battles in scott pilgrim and it makes me giggle.

I think uhhh some of you should idk maybe smooch sera but that’s just me

Thinking abt the fight in season 2 during the memorial… and how sera was 100% there to support both Caitlyn and Jayce… and how her ass 100% was helping ppl instead of getting herself OUT like any other celebrity would do. But her ass is like nah nah nah gotta save these beautiful souls! Also the pure awe when she sees cait shoot and also the pure awe when vi and Jayce both work together and she’s trying to contain her own like YOU GUYS ARE SO COOL with the sera be serious this is a HORRIFYING situation. And on that note, I genuinely think Ambessa scares the hell out of her. Her soul shows up and sera is like I like this rhythm and melody but something about it is scary despite the family undertones….