#Marine Life #diving #unexpected Friendship #under Water Shrine

I feel that you summarized in a single sentence everything I want to do with my writing, and pretty much what I want to do with my life the most. Thank you so much for that.

And cheers to all people who already do exactly that, and the ones who want to join. Let's have a guild.

My contribution, I hope, is to find the ideas that matter the most and connect them in a way that is highly actionable.

As the great philosopher Uncle Iroh said: "If you look for the light, you can often find it. But if you look for the dark, that is all you will ever see."

Actually life is about waking up everyday and reminding yourself that " There is good in this world even if I can't see it. There is good no matter what happens because bad, good and neutral all exist together. There is good in the world but its just so hidden by the bad and the neutral that it's become impossible to see it but if I look hard enough, if I look into the darkness, I can find scattered lights everywhere, lighting the way. There's good in this world and there will always be good in the world. I just need to look harder." No matter what, even if you don't believe it fully. Because just acknowledging that fact helps

SOBBING

Portal 2's Turret Opera still hits soooo hard as a closing point for Chell and GLaDOS' story dude. Right after a monologue about how after everything they've been through she realizes she's incapable of killing Chell, GLaDOS has actually.. set up a perfect, inescapable death trap. She could've easily had the turrets shoot through the glass, sent the elevator all the way back down to Old Aperture or simply gassed her without letting the elevator even leave her central chamber. She basically had her. She could've obliterated her while she was still out cold from fighting Wheatley, but she doesn't. Instead, she has them perform an opera about walking as far away from science as possible. An opera that's implied to have been rehearsed even before Chell broke out with Wheatley - was she considering doing this long before Chell went out to try and kill her again?? This is very blatantly me steering into headcanon territory, but I like to think this whole room was the "REAL surprise with tragic consequences" GLaDOS spoke of. I imagine this is exactly what she originally planned to do - give her false hope by having her ride an escape elevator only for it to stop right in the middle of a massive turret ambush. She would literally treat Chell like a fish in a barrel. Quick, easy and delightfully painful. Each instance where she escaped was either due to oversight or third party intervention - so she created a situation where none of that is possible. All that would arrive to the surface and see the sun is a bullet-riddled corpse. But that's not what the elevator brings to that dingy faux shed in the end. I wonder what she's done with this room after the elevator made its ascent. Do the turrets still stand there, waiting on the off-chance the elevator goes back down with a familiar face within? Do they still sing the same song, over and over, hoping she'll hear it up there? Do they think of her, does she think of them, does she think of her? If Chell were to step back in, would GLaDOS even have the heart to let that elevator go back down? Either way, they'd still be down there, gathered for someone that may never ever come back. They'll all be faithfully standing at their usual spots in the chambers, ready to lovingly shoot her again should she be back to test forever.

Source 

Not Mine. Thought to Share.

This episode broke my heart. Seeing how they could have had it so fucking nice was more painful than all the pain in the rest of the show. Seeing who Powder could have been. Fuck.

The song playing in the background when Ekko and Powder dance is called... 'Ma Meilleure Ennemie'

Which translates to...

MY BEST ENEMY.

I'M NOT OKAY 😭

Despite the circumstances Ekko has always loved Jinx :')

#hopepunk #thank you

Hope, kindness, and compassion are skills. You can get better at them. Some people are naturally better or worse at them and sometimes something happens that makes them hard for you and that's okay. Just like coming back to work or a sport or other activity after an injury, you can slowly work up to it.

If you don't feel like you're a kind person, but you want to be, good news! You can be! It will just take some training just like any other skill.

A lot of people lack hope and you know what that's fair. But hope isn't this ephemeral thing the universe just gives you. It takes work to build a hopeful mindset. It's a skill.

If compassion is hard for you I'll tell you that it was once hard for me and now people tell me I'm the most compassionate person they know. Because I decided I wanted to feel compassion for everyone, even the people who hurt me, and started practicing.

They're skills and they are ESSENTIAL for living a happy life. If you want to be happy you have to be kind. If you want to feel joy without a cloud hanging over your head you need hope. And if you want to hurt less, you need compassion. I know you can do it. Good luck!

"It was so much easier to blame it on Them. It was bleakly depressing to think that They were Us. If it was Them, then nothing was anyone's fault. If it was Us, then what did that make Me? After all, I'm one of Us. I must be. I've certainly never thought on myself as one of Them. We're always one of Us. It's Them that do the bad things."

Terry Pratchett in "Jingo"

Truly hate the way "did this person do something that actually harmed someone" and "do they deserve to be unpersoned for it" are considered the same question