Numerology: The Number 9
Numerology: The number 9
9 18 27 36 45 54 63 72 81 90 99
What does the number 9 signify? 9 means completion, but not a final ending.
In astrology: the number 9 is associated with the planet Mars, which is said to govern ambition, energy, and action. People born under the sign of Mars, which is associated with the number 9, are said to be confident, independent, and adventurous. The ninth sign of the zodiac, Sagittarius, is known for its adventurous and expansive spirit, which reflects the qualities of the number 9. Additionally, the number 9 is linked to the concept of karma, which refers to the idea that our actions have consequences that come back to us. This is because 9 is the result of adding up all the single-digit numbers before it (1+2+3+4+5+6+7+8=36, and 3+6=9), suggesting that we reap what we sow. Overall, the number 9 is significant and powerful in astrology, representing completion, growth, and the consequences of our actions. Moreover, in Vedic astrology, the nine planets or Grahas are believed to have a significant influence on human destiny and are associated with different qualities and energies. These planets include the Sun, Moon, Mercury, Venus, Mars, Jupiter, Saturn, Rahu, and Ketu. The Sun and Moon are considered the most important planets, as they are responsible for life on Earth and are associated with the soul and mind, respectively. The number 9 is associated with the planet Guru or Jupiter, which is considered the most benefic planet in the horoscope. Guru is associated with wisdom, knowledge, and good fortune. People who are born on the 9th, 18th, or 27th of any month are said to be influenced by the planet Guru and are considered to be blessed with good luck and prosperity.
In astronomy: the number 9 is perhaps most famously associated with the nine planets in our solar system. the number 9 has significance in the relationship between the Sun, Moon, and Earth. It is said that the Sun completes a cycle of 360 degrees in the sky in one year, which is divided into 12 zodiac signs, with each sign taking up 30 degrees. The Moon, on the other hand, takes about 29.5 days to complete its cycle around the Earth, and during this time, it passes through all 12 zodiac signs. Interestingly, the total number of days in a solar year (365.24) multiplied by the number of lunar months in a year (12.37) equals 4536.24, which can be reduced to 9. This is known as the lunar-solar cycle, and it is believed to be a powerful symbol of completion and transformation.
In mythology: the number 9 is often associated with spiritual growth and knowledge. For example, in Norse mythology, Odin hung from the world tree Yggdrasil for nine days and nine nights to gain wisdom and knowledge. In Greek mythology, nine muses inspired creativity and art, while in Egyptian mythology, nine gods presided over the underworld.
In mathematics: the number 9 has some unique properties as well. It is the highest single-digit number, and any number multiplied by 9 will always result in a number whose digits add up to 9. Additionally, the number 9 is the sum of the first three square numbers (1² + 2² + 3² = 9) and the sum of the first three cube numbers (1³ + 2³ + 3³ = 36). This property of the number 9 is known as the "digital root" and is used in various mathematical and divinatory practices.
In physics: the number 9 appears in the fundamental equations that describe the behavior of the universe, such as the nine-dimensional equations of string theory. In mathematics, the number 9 is used in a variety of numerical systems, including the base-9 system used by the ancient Maya.
In science: the significance of number 9 in science is reflected in its frequent appearance in various scientific phenomena. For instance, the periodic table has nine fundamental types of atoms, known as lanthanides. The human body is made up of nine major organ systems, including the cardiovascular, nervous, and respiratory systems. The electromagnetic spectrum has nine main categories of waves, ranging from radio waves to gamma rays. Sun and Earth: The diameter of the Sun is supposed to be 108 times the diameter of the Earth. The distance from the Sun to the Earth is 108 times the diameter of the Sun. It looks very dramatic and mysterious yet if true its indeed happy mystery. Moon and Earth: The average distance of the Moon from the Earth is 108 times the diameter of the Moon. Furthermore, there are nine planets in our solar system (including Pluto, which is now considered a dwarf planet), and the number 9 also appears in the fundamental equations that describe the behavior of the universe, such as the nine-dimensional equations of string theory. The number 9 also appears in the concept of tides, which are caused by the gravitational pull of the moon and sun on the Earth's oceans. Tides follow a roughly 12-hour cycle, with high and low tides occurring twice a day, resulting in a total of around 9 tides per day.
In ancient Egypt: the number 9 was associated with the nine gods who ruled over the underworld.
In music: the significance of the number 9 in music is rooted in its harmonic properties. The ninth note of a scale, known as the subtonic, is a crucial note for creating tension and leading to the tonic note. This creates a sense of resolution and closure in musical phrases. Additionally, the number 9 appears in musical time signatures such as 9/8, which adds a unique and complex rhythmic texture to the music. The number 9 also plays a symbolic role in music, as seen in The Beatles' "Revolution 9," a groundbreaking experimental track that features various sound effects and spoken word samples. Overall, the number 9 adds depth and complexity to the music, both in its harmonic properties and its symbolic significance.
Nine Muses: In Greek mythology, the Nine Muses were the goddesses of inspiration in the arts and sciences, such as music, poetry, and astronomy. They were said to be the daughters of Zeus and Mnemosyne and were believed to provide inspiration and guidance to human beings.
Nine Worthies: The Nine Worthies were a group of historical and legendary figures from different cultures who were seen as exemplars of chivalry and virtue. They were divided into three categories of three: pagan, Jewish, and Christian. The pagan worthies were Hector, Alexander the Great, and Julius Caesar; the Jewish worthies were Joshua, David, and Judas Maccabeus; and the Christian worthies were King Arthur, Charlemagne, and Godfrey of Bouillon.
Ennead: In ancient Egyptian mythology, the Ennead was a group of nine gods and goddesses who were worshipped in the city of Heliopolis. The Ennead included the god Atum, who was believed to have created the world, and his children Shu and Tefnut, who represented air and moisture, respectively.
Nine Emperor Gods Festival: The Nine Emperor Gods Festival is a Taoist festival celebrated in Southeast Asia, particularly in Thailand, Malaysia, and Singapore. The festival is held in the ninth lunar month and is dedicated to the worship of the Nine Emperor Gods, who are believed to bring good luck and prosperity.
The 9th letter of the alphabet is "I", which is also the Roman numeral for the number 1. This means that "IX" is 9 in Roman numerals, which is why you sometimes see clocks or watches with "IX" instead of "IX" to represent 9.
Islam: Quran says that each and everything of this universe is counted and surrounded by numeric. The 9th chapter of the Qur'an At-Tawbah 'the Repentance', and is one of the last Medinan surahs. The number 9 is the day of Hajj. The Messenger Mohammad participated in 9 of the conquests. And nine Qur’anic verses speak about the prophet Moses. The Arabic letters of the opening in the Qur’an add up to 786=9, 786 is an Arabic numeric value that denotes“Bismillah al-Rahman al-Rahim” the opening phrase of the Holy Quran. It translates as “In the name of Allah, the Most Merciful, the Most Beneficent“. 786 is basically driven from the series of Arabic Numerology called “Abjad“. In Muslim tradition it is known to be the symbolic representation of Allah. But no Islamic scholar has so far been able to explain the origin of this number. In fact, it is not mentioned in the Quran. Ramadan: a time of fasting and spiritual reflection for Muslims, is the ninth month of the Islamic calendar.
Biblical Symbolism: The number nine is found 49 times in Scripture. Its biblical symbolism is tied mainly to the concepts of finality, divine completeness, and judgment. It typically surfaces during pivotal moments of transformation, culmination, or judgment in the biblical narrative. In the divine order of creation, the Lord chose to create a nine-month gestation period for human beings, indicating a time of completeness before birth. The number nine often marks the end of a divine cycle or period. In the context of the Old Testament, every ninth year represented the end of one cycle and the beginning of a new one. The number 'nine' also weaves a pattern of divine judgment throughout biblical history. For instance, the prophet Hosea, inspired by God, declared that Ephraim's destruction would come to the city in the 'ninth' year. In another instance, the ninth hour was marked for Christ's death, symbolizing the largest divine judgement humanity has ever witnessed. Ezekiel 24:1-2 noted the siege of Jerusalem commenced on the 'ninth' day of the tenth month. Adding to its significance, the city's destruction commenced on the 'ninth' day of the fourth month. Nine Attributes of God: The Lord is patient, The Lord is Merciful, The Lord is Gracious, The Lord is Abundant in Goodness, The Lord is Abundant in Truth, The Lord is Loving, The Lord is Forgiving, The Lord is a God that Judges, The Lord is Just. In Christianity, there are nine fruits of the Holy Spirit, including love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control.
The number 9 is revered in Hinduism and considered a complete, perfected and divine number because it represents the end of a cycle in the decimal system, which originated from the Indian subcontinent as early as 3000 BC. The number 9 is considered a lucky number in many cultures, including in China and Japan, where it is associated with longevity and good fortune. In numerology, the number 9 is associated with spiritual growth, selflessness, and humanitarianism.
In Hinduism: The number 9 has played a significant role in Indian history, culture, and mythology. In Hinduism, there are nine planets, nine forms of Devi, and nine forms of Lord Vishnu. The number 9 is also associated with the Navratnas, which are the nine precious gemstones. According to Hindu mythology, there are nine avatars of Lord Vishnu, including Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, and Kalki. These avatars are believed to have appeared on Earth in different forms and at different times to restore balance and order. The number 9 is also significant in other Indian religions and traditions. In Buddhism: there are nine stages of consciousness. Some Buddhists carve have 108 small Buddhas on a walnut for good luck. Other Buddhists, like in Tibet and in Bhutan, they ring a bell 108 times to celebrate a new year. They believed it as corresponding to 108 virtues to cultivate and 108 defilements to avoid. Chinese Buddhists and in the Taoists 108 bead mala (called su-chu), and has three dividing beads, so the mala is divided into three parts of 36 each. Chinese astrology also believed that there are 108 sacred stars. while in Jainism, there are nine tattvas or principles of reality. The number 9 is also associated with the nine chakras, or energy centers, in the body. Nine Gems: The Navratnas, or nine gems, are considered to be powerful and auspicious in Indian culture. These include diamond, pearl, ruby, emerald, yellow sapphire, blue sapphire, hessonite, cat The significance of the number 9 can also be seen in Indian architecture and art. For instance, the famous Hindu temple, Brihadeeswarar Temple, located in Thanjavur, Tamil Nadu, was built in the 11th century and is known for its unique architecture that features nine stories, representing the nine planets in Hindu mythology. The temple also has nine entrances, nine corridors, and nine sacred tanks, emphasizing the importance of the number 9 in Hindu culture. Another example of the significance of the number 9 in Indian art is the Navarasas or the nine emotions, which are depicted in various forms of art, including dance, music, and theater. The nine emotions are Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Veera (courage), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Shanta (peace). These emotions are believed to be the essence of human experience and are often portrayed in Indian art and literature. Furthermore, the number 9 is also believed to have healing properties in Ayurveda, the ancient Indian system of medicine. According to Ayurveda, the human body is composed of nine elements or dhatus, which are Rasa (plasma), Rakta (blood), Mamsa (muscle), Meda (fat), Asthi (bone), Majja (marrow), Shukra (semen), Artava (ovary), and Purisha (feces). These elements are believed to be interconnected and affect each other, and any imbalance in these elements can lead to illness. Ayurvedic remedies often involve balancing these elements to promote health and well-being.
More Posts from Panic-point-blank and Others
During times of war
I want to say: I only love you, And I cling to you, Like the peel clings to a pomegranate, Like the tear clings to the eye, Like a knife that clings to the wound, And like a bullet that clings to my heart,
I love you…
~ Nizar Qabbani
"Onu ölesiye seviyor musun?" diye sordular.
"Mezarımda ondan bahset ve beni nasıl hayata döndürdüğünü izle" dedim.
- Mahmoud Darwish
People keep asking me Why I have such a stern face I tell them: It’s because I have a soft heart
Nizar Qabbani (1923–1998)
Nizar Qabbani was one of the most renowned and influential Arab poets of the 20th century. He was born in Damascus, Syria, into a well-off, artistic family. His father, Tawfiq Qabbani, was a businessman and a political activist, and his mother, Faiza Akbik, hailed from a family with strong intellectual roots. His childhood in Damascus, surrounded by traditional Arab culture and the cosmopolitan currents of the time, had a lasting influence on his poetry.
Early Life and Education
Nizar Qabbani’s fascination with poetry began at a young age, and his education at the National Scientific College School in Damascus further nurtured his literary talents. He later pursued law at Damascus University, from which he graduated in 1945. While studying, Qabbani was already writing poetry, and he published his first collection, The Brunette Told Me, at the age of 21. This collection focused on themes of love and femininity, topics that would define much of his career.
Diplomatic Career
After graduating, Qabbani embarked on a long diplomatic career. He served as a cultural attaché and diplomat for Syria in various countries, including Egypt, Turkey, Lebanon, and the United Kingdom. His diplomatic work exposed him to diverse cultures and political environments, shaping his global outlook and influencing his poetry. While he continued to work as a diplomat, Qabbani never stopped writing and publishing poetry.
Poetry and Themes
Nizar Qabbani’s poetry is marked by its simplicity, emotional depth, and bold exploration of taboo subjects. His works often dealt with themes of love, sensuality, and the role of women in society. He was one of the few Arab poets who openly wrote about romantic and erotic love, which caused controversy in conservative circles. His poetry also questioned traditional gender roles and advocated for women’s rights, earning him admiration among progressive audiences. However, his themes were not limited to love. As he matured, Qabbani’s poetry became more political, particularly after the devastating loss of his second wife, Balqis al-Rawi, in a bombing during the Lebanese Civil War in 1981. He began to write about Arab nationalism, the oppression of the Arab people, and the failures of Arab governments. His poetry took on a tone of rebellion and anger, reflecting his frustration with the state of the Arab world.
Personal Life and Tragedy
Nizar Qabbani’s personal life was marked by both great love and profound tragedy. He was married twice. His first wife, Zahra, with whom he had two children, died young, leaving him devastated. His second marriage was to Balqis al-Rawi, an Iraqi woman who became a significant figure in his life and works. Balqis’s death in the 1981 bombing deeply affected Qabbani, and he wrote several moving poems dedicated to her memory. One of his most famous pieces, “Balqis,” reflects his grief and sense of loss. Qabbani’s poetry also carried the scars of personal tragedy from his early years. His older sister’s suicide, after being forced to marry someone she did not love, deeply influenced his views on women’s rights and societal restrictions, fueling his lifelong advocacy for love and personal freedom.
Memoirs
Qabbani also wrote prose, including memoirs that provide insights into his personal life, creative process, and the political landscape of the Arab world during his lifetime. His memoir, My Story with Poetry (Qissati Ma’a Al-She’r), offers a detailed account of his journey as a poet, his inspiration, and the events that shaped his works. In it, Qabbani reflects on how love, politics, and personal experiences intertwined in his poetry. In his memoirs and other prose writings, Qabbani often spoke candidly about his frustrations with Arab politics, the impact of his personal losses, and his complex relationship with his homeland, Syria. His writings reveal a poet deeply affected by both the joys and sorrows of life, committed to using poetry as a means of emotional and political expression.
Legacy
Nizar Qabbani’s poetry remains widely read and celebrated across the Arab world. He is often referred to as the “poet of love” because of his numerous poems on romance and women, but his later political works have also earned him the title of a revolutionary poet. His simple yet powerful style, combined with his boldness in addressing both personal and political issues, has made his poetry timeless. Qabbani’s works have been translated into several languages, and his influence extends beyond the literary world. Many of his poems have been set to music by prominent Arab singers, further cementing his place in Arab cultural history. Qabbani passed away in London in 1998, but his poetry continues to inspire and resonate with readers across generations, reflecting the personal, emotional, and political complexities of the Arab experience.
Write down: I am an Arab, A name without a title, Patient in a country where everything Lives on flared-up anger. My roots… Took firm hold before the birth of time, Before the beginning of the ages, Before the cypress and olives, Before the growth of pastures. My father… of the people of the plough, Not of noble masters. My grandfather, a peasant Of no prominent lineage, Taught me pride of self before reading of books. My house is a watchman’s hut Of sticks and reed. Does my status satisfy you? I am a name without a title.
Write down: I am an Arab Robbed of my ancestors’ vineyards And of the land cultivated By me and all my children. Nothing is left for us and my grandchildren Except these rocks… Will your government take them too, as reported? Therefore, Write at the top of page one: I do not hate people, I do not assault anyone, But … if I get hungry, I eat the flesh of my usurper. Beware … beware … of my hunger, And of my anger.
-Mahmoud Darwish
I ask you to agree with me
that a scar is never ugly.
Those who create scars want you to think otherwise.
But you and I have to make a pact to stand up to them.
Because from my experience,
Scars mean 'I survived'.
You say that I'm a masterpiece
that’s worth a thousand stars, a treasure, and that I am the most beautiful painting you had ever seen.
You build me a palace of illusion, in which I can only live in for a few moments.
Then, I return back to reality all alone with nothing but a few words.
Painting by - Edward Povey
Don't love deeply, till you make sure that the other person loves you with the same depth, because the depth of your love today, is the depth of your wound tomorrow.
Art by : Julia Soboleva
Orientalist Paintings
Jean-Léon Gérôme - The Carpet Merchant
Jean Leon Gerome - Pelt Merchant of Cairo
Frederick Arthur Bridgman - An Afternoon in Algiers
Osman Hamdi Bey - Islam Priest Reading Qura'an
John Frederick Lewis - The Midday Meal, Cairo
Ludwig Deutsch - The Tribute
Frederick Arthur Bridgman - The Messenger, 1879
Jean-Léon Gérôme - The Harem in the Kiosk, 1870
Frederick Arthur Bridgman - In The Souk, Tunis (1874)
Jean-Léon Gérôme - Prayer in the Mosque
John Frederick Lewis - The Kibab Shop
(The Reception) by John Frederick Lewis
Frederick Arthur Bridgman - Return from the Festival, Algiers
Gustav Bauernfeind - Forecourt of the Ummayad Mosque
Ludwig Deutsch - At Prayer (1923)
Frederick Arthur Bridgman - Young Woman On A Terrace
John Frederick Lewis - The Harem 1841
Ludwig Deutsch - The Qanun Player
Rudolf Ernst - The Carpet Seller
Martinus Rørbye - outside the Kilic Ali Pasha Mosque
Léon-Auguste-Adolphe Belly - Pilgrims going to Mecca
Amedeo Simonetti - The Rug Merchant
Eugène Fromentin - Windstorm
Jean Leon Gerome - The Whirling Dervish
Giulio Rosati - The Dance
Jean Discart - The Pottery Studio Tangiers
Osman Hamdi Bey - Young Woman Reading
Libya: From Sands of Time to Storms of Change
Beneath the blazing sun of North Africa, bordered by the ancient tides of the Mediterranean and the vast breath of the Sahara, lies a land whose story has danced with gods, kings, conquerors, and revolutionaries. This is Libya: a nation born from the dust of myth, forged in the fires of empire, and reshaped in the hands of her people.
Origins in the Whispering Sands
Long before cities rose and borders were drawn, the land we now call Libya was home to prehistoric peoples who left their mark in the rock art of the Tadrart Acacus, carvings of giraffes and hunters that tell of a greener Sahara, long vanished. By the Bronze Age, Libya was not one land, but many tribes. Chief among them were the Meshwesh and the Libu—nomadic Berber peoples who grazed their herds along the Nile’s western flanks. Egyptian scribes would scrawl their names in hieroglyphs, sometimes as foes, other times as mercenaries or neighbors. Though they lacked pyramids or written chronicles of their own, the Libyans lived rich oral traditions, passed from elder to youth beside desert fires. Their tongues were early Berber, ancestors to the Amazigh languages spoken to this day.
The Libyan Pharaohs of Egypt
In one of history’s great ironies, these wandering tribes—once dismissed as desert raiders—would wear the crowns of Pharaohs. Around 945 BCE, a chieftain of the Meshwesh named Shoshenq I seized power in a divided Egypt. He founded the 22nd Dynasty, becoming the first Libyan Pharaoh. He was no usurper in chains, but a ruler accepted by Egypt’s priests and people, a man who walked the sacred halls of Karnak and marched his armies as far as Jerusalem. For over two centuries, Libyan dynasties ruled parts of Egypt. They wove themselves into Egyptian culture, marrying daughters into temple lineages and honoring the gods of old, while maintaining their tribal roots in the Delta’s tangled marshes.
Under Greek, Roman, and Islamic Rule
Time, ever the patient sculptor, wore down Libya’s independent spirit. By the time of Herodotus in the 5th century BCE, Libya had become a vague term for "all lands west of Egypt." The Greeks founded Cyrene in eastern Libya, a shining jewel of Hellenistic culture. Later came the Romans, who tamed the coast and named it Tripolitania and Cyrenaica. Great cities bloomed, like Leptis Magna, where Emperor Septimius Severus—a Libyan by birth—would rise to rule the Roman world. With the coming of Islam in the 7th century CE, Libya joined the rising tide of Arab civilization. Arabic took root, and Berber tribes embraced the faith, blending it with ancient customs in a uniquely North African tapestry.
From Ottoman Sands to Italian Chains
From the 16th to 19th centuries, Libya was ruled by the Ottomans, often in name more than presence. Local rulers like the Karamanlis in Tripoli built their own dynasties, their corsairs feared across the Mediterranean. But in 1911, the old world shifted once more—Italy invaded, snatching Libya from Ottoman control. The Libyans resisted fiercely under leaders like Omar Mukhtar, the "Lion of the Desert," whose guerilla war against Mussolini’s fascists became legend. Though captured and executed in 1931, Mukhtar’s spirit ignited a flame that would not die.
A Brief Bloom: The Kingdom of Libya
After World War II, Libya was stitched together from three provinces and granted independence in 1951 under King Idris I. For the first time in centuries, Libya was sovereign. But beneath the crown, discontent stirred. Oil wealth enriched a few, while many remained poor. In 1969, a young officer named Muammar Gaddafi led a bloodless coup, ending the monarchy and beginning one of the most controversial reigns in modern Arab history.
Gaddafi's Rule and the Gathering Storm
For 42 years, Gaddafi ruled with a blend of charisma, brutality, and eccentric philosophy. He styled himself as the "Brother Leader", preached his Green Book, and funded revolutions abroad. At times a pariah, at times an ally, he kept Libya's oil flowing and dissent smothered. But the winds of change were rising. When the Arab Spring swept across the region in 2011, Libyans—long repressed—rose in revolt. The uprising turned into a brutal civil war, drawing NATO intervention. In October 2011, Gaddafi was captured and killed. His fall was cheered, but peace did not follow.
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