Late Night On The 6 Train To The Bronx, Empty Subway Car.

don't know where he's going don't know where he's been but he is restless at night cause he has horrible dreams

so we lay in the dark we've got nothing to say just the beating of hearts like two drums in the grey

i don't know what we're doing i don't know what we've done but the fire is coming so I think we should run

@vihilum

Pose 2x09, Life’s a Beach

“Is solace anywhere more comforting than that in the arms of a sister?” - Alice Walker.

Zoé Kravitz - Avatars réalisés par Ellaenys.

Carrie Fisher with Charlie Rose, 1994.

* 𝐑𝐎𝐒𝐈𝐄 𝐌𝐔𝐒𝐈𝐍𝐆*

𝘪𝘵'𝘴 𝘭𝘪𝘬𝘦 𝘢 𝘥𝘳𝘶𝘨; 𝘱𝘦𝘦𝘭𝘪𝘯𝘨 𝘰𝘧𝘧 𝘭𝘢𝘺𝘦𝘳 𝘢𝘧𝘵𝘦𝘳 𝘭𝘢𝘺𝘦𝘳 𝘵𝘰 𝘤𝘢𝘴𝘩 𝘪𝘯 𝘰𝘯 𝘢 𝘧𝘢𝘭𝘴𝘦 𝘴𝘦𝘯𝘴𝘦 𝘰𝘧 𝘷𝘢𝘭𝘪𝘥𝘢𝘵𝘪𝘰𝘯. 𝘪𝘵'𝘴 𝘢 𝘣𝘢𝘥 𝘩𝘢𝘣𝘪𝘵 𝘴𝘩𝘦 𝘬𝘯𝘰𝘸𝘴 𝘪𝘴 𝘯𝘰𝘵 𝘴𝘶𝘴𝘵𝘢𝘪𝘯𝘢𝘣𝘭𝘦 - 𝘯𝘰𝘵 𝘧𝘰𝘳 𝘢 𝘨𝘭𝘢𝘴𝘴 𝘩𝘦𝘢𝘳𝘵, 𝘤𝘩𝘪𝘱𝘱𝘦𝘥 𝘢𝘴 𝘪𝘵 𝘮𝘢𝘺 𝘣𝘦. 𝘣𝘶𝘵 𝘨𝘰𝘥 𝘥𝘢𝘮𝘯 𝘥𝘪𝘥 𝘪𝘵 𝘧𝘦𝘦𝘭 𝘨𝘰𝘰𝘥 𝘵𝘰 𝘣𝘦 𝘭𝘰𝘷𝘦𝘥, 𝘦𝘷𝘦𝘯 𝘪𝘧 𝘴𝘩𝘦 𝘬𝘯𝘦𝘸 𝘪𝘵 𝘸𝘢𝘴𝘯'𝘵 𝘳𝘦𝘢𝘭 𝘢𝘯𝘥 𝘰𝘯𝘭𝘺 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘯𝘪𝘨𝘩𝘵.

Like/reblog if you save any icon.

before the fall:     battle prompts.

“ we can’t save them all! ”

“ come on, quickly! get up! we need to move! ”

“ …we need a diversion. someone needs to go back there, buy the rest of you guys more time… ”

“ no! we’re not leaving you behind! ”

“ i’m out of ammo. ”

“ you’re bleeding… ”

“ i actually can’t believe we did all of that with no casualties! isn’t that amazing? isn’t… [NAME]? ”

“ i can distract them. you get yourself and the others to safety. ”

“ no arguments! we don’t have time! now go! ”“ they still have the prisoners… we can’t abandon them. ”

“ no. not we. i can’t abandon them. you need to escort the others to safety. ”

“ you stubborn jackass, i’m not about to leave you alone out here! ”

“ you forget. we’re a team now. meaning, i watch your back, you watch mine. ”

“ didn’t think i’d leave you behind, now, did you? ”

“ i… i can’t move. i’m stuck. you have to go, you know this. ”

“ shut up! this is my choice, damn you! leave me here, i have my gun, i can buy enough time for you. ”

“ don’t. as always, my darling, time is against us. go. it’s alright. i love you. and i forgive you. ”

“ they’re not going to stop. we need to make our final stand. ”

“ well… if this is my last chance to say it… i love you. ”

“ no! no, get off of me, i’m not leaving them behind! ”

“ i won’t leave you here. i promise. i’m staying with you. ”

“ you know what needs to be done. okay? i know. i know. it’s alright. i’ll be right here with you. but you need to do it now. ”

“ no! i can still save them! ”

“ i’ve lost enough friends today. i’m not losing you, too! ”

“ it’s… it’s just a scratch? ”

“ come on… in what world would i not take a bullet for you? ”

“ you idiot… you… goddamnit, where’s the medic?! ”

“ i… i know this isn’t the right time nor place, but… that was really hot. ”

“ you cannot seriously be flirting with me right now. ”

action prompts.

( as always, “my muse” is the poster of the meme, “your muse” is the muse of the person sending it in, and if you’d like to reverse the roles, add a + to the end! so [ DROP ] + would be my muse collapsing, etc. )

[ DROP ]: your muse collapses with an injury after trying to hide it from my muse.

[ INTERCEPT ]: your muse takes a shot that was meant for my muse.

[ TRAP ]: your muse is captured by the enemy while my muse is in hiding.

[ KISS ]: believing that this is their last time together, your muse pulls my muse in for a passionate kiss before rushing into battle.

[ PULL ]: your muse pulls my muse out of the sight and range of on-coming enemies.

[ SHIELD ]: your muse covers my muse with their body to protect them from an attack.

[ RESCUE ]: your muse arrives at the last minute to pull my muse from the battlefield and into safety.

[ LOVE ]: their final moments believed to be nigh, your muse tells my muse that they love them.

[ TENDER ]: your muse gently begins to bandage my muses injuries on the battlefield.

[ EMBRACE ]: after believing my muse to be dead, your muse sees them alive and well, and races to give them a tight hug.

[ UNLEASH ]: your muse unleashes their power/weapons on the battlefield, resulting in a considerable advantage to their side.

[ WITNESS ]: your muse witnesses my muse unleash their power on the battlefield, resulting in a considerable advantage to their side.

[ FLIRT ]: your muse flirts with my muse while in the middle of a battle.

[ REUNION ]: our muses reunite after the battle, embracing one another and tenderly caring for their wounds.

LAUREN BACALL in TO HAVE AND HAVE NOT (1944) dir. Howard Hawks