“i Also Choose This Guy’s Dead Wife” Was Easily The #1 Funniest Thing To Ever Be Written On The

“i also choose this guy’s dead wife” was easily the #1 funniest thing to ever be written on the internet.

More Posts from Outdatedsymphony and Others

11 months ago

the fact that pro-monarchy arguments have degenerated, over the past few centuries, from “the king rules by divine right and is accountable to nobody but god”, to “uhm the royals generate a lot of income from tourism” will never stop being extremely funny to me

6 months ago

when your pet comes to you from another room, the preceding moments meant that they were alone somewhere and thought about YOU, an animal brain literally thought about you and came to you to see what you were doing. that’s love, unconditional.

3 months ago

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

11 months ago

I love kids they’re all like.. “when i grow up i’m gonna be an astronaut and a chef and a doctor and an olympic swimmer” like that self confidence! That drive! That optimism! Where does it go

7 months ago
Not My Usual Content, But I Made Something I Wanted To Share...
Not My Usual Content, But I Made Something I Wanted To Share...
Not My Usual Content, But I Made Something I Wanted To Share...
Not My Usual Content, But I Made Something I Wanted To Share...
Not My Usual Content, But I Made Something I Wanted To Share...
Not My Usual Content, But I Made Something I Wanted To Share...
Not My Usual Content, But I Made Something I Wanted To Share...

Not my usual content, but I made something I wanted to share...

Edit: Now with an ID from @a-captions-blog! Thank you for writing it!

[Art description: A Pokémon-themed comic featuring OP as a Pikachu. Long description follows.

1. The tips of Pikachu’s ears are shown with text that says, ‘I’m a Pikachu / My world is filled with lots of cool stuff. Sometimes it feels like anything is possible!’ Under this is a collage showing a Charizard, a Pidgeotto, a Nidoking, an Eevee, and an Ivysaur, all in the background as the Pikachu looks up in wonder. Text reads, ‘All sorts of types, all sorts of attacks, all sorts of Pokemon.’

2. Text says, ‘But...only two ways a Pikachu’s tail could look.’ Two boxes in the upper corners show the male and female Pikachu tails, respectively. The male has a rectangular end to his tale, and the female has a heart-shaped end to hers. Text continues, ‘So then, what am I?’ A large drawing of the narrator Pikachu is shown, with an arrow pointing to their tail, whose end is split somewhat like scissors and doesn’t match either the male or female drawing above.

3. Text says, ‘Too pointy to be [female], too much of a V-shape to be [male]. I thought there was something wrong with me.’ Under this are three cascading panels showing the Pikachu from below at an angle emphasizing their tail. The second panel shows mel further away, and in the final panel she have disappeared entirely. Text on the panels reads, ‘I felt / very, very, very / alone.’

4. Text says, ‘But then, something happened. I found others like me.’ The art shows the narrator reaching out to another Pikachu. Under this are three other Pikachu. One has a rounded tail, one has a tail that has been stitched up to be rectangular, and one has a tail with a slight spike at the tip.

5. Closeups are shown of each of the tails from the previous panel, with text that says, ‘Round tails, scarred tails, spiky tails.’ Under this is a drawing of the Pikachu all hugging with lightning coming from their cheeks. Text reads, ‘They told me nothing was wrong with me, and I wasn´t alone anymore.’

6. Text says, ‘There are many ways a Pikachu’s tail can look. I’ve heard there’s at least over 30 different variations.’ Under this are two panels. The first panel shows the narrator lying on their back on a background of male and female symbols. Text reads, ‘Some days are still hard.’ In the second panel, the Pikachu with the scarred tail is shown with text that says, ‘My friend tells me her tail used to look just like mine. It was taken from her.’

8. The narrator is shown sitting and looking upwards. Text reads, ‘Some trainers won’t accept Pikachu that aren’t [male] or [female]. They alter our tails without our consent. But things are getting better. We are making change. We’re fighting so that our tails will be left alone.’ Under this is a panel showing the four Pikachu running happily towards the right. Text reads, ‘We’re all on a spectrum. Every tail looks different; anything is possible.’

The final text reads, ‘This is a comic about intersex people.’ The watermark in the lower right says @ PostManic. \End descriptions

3 months ago

Developing Backstory: Bringing Characters to Life

Developing Backstory: Bringing Characters To Life

1. Where It All Started: The Character’s Origin

Place of Birth: Where did your character first see the world? Think about the impact of this place—was it a busy city where they had to fight for attention or a quiet village where everyone knew everyone’s business? This location doesn’t just say where they’re from; it shapes how they see the world.

Family and Upbringing: What was their family like? Were their parents loving or distant? Maybe they were raised by someone other than their parents—a mentor, an older sibling, or even alone. Family (or the lack of it) is usually one of the most significant factors in shaping who someone becomes.

Society’s Expectations: What was expected of them when they were young? Possibly, they were born into wealth, with all the pressure to continue the family legacy, or maybe they were raised to be invisible in a world where survival mattered. How does this influence who they are now? Do they accept or reject those expectations?

Developing Backstory: Bringing Characters To Life

2. Childhood Events That Left a Mark

First Taste of Conflict: Think about the first time the character realized the world wasn’t a perfect place. Maybe they witnessed violence or faced betrayal. What was that moment, and how did it stick with them? This moment usually lays the foundation for the character’s emotional landscape—fear, hope, ambition, or distrust all come from these early life lessons.

Childhood Dreams: When they were young, what did they want to be? Every child has dreams—did they want to be a knight, a scholar, or even just someone who could travel the world? Did they have to give up these dreams? How does that lost dream shape them now?

Formative Relationships: Who was their first best friend, mentor, or enemy? Childhood friendships and relationships often create deep bonds or wounds that last into adulthood. Did they have a mentor who taught them everything, only to betray them? Did they lose a childhood friend that still haunts them?

Developing Backstory: Bringing Characters To Life

3. The Teen Years: Where They Start to Become Who They Are

Trials and Tribulations: What’s the biggest challenge they faced as they grew up? Was it losing a loved one, failing at something important, or maybe being forced into a role they didn’t want? These teenage years are where the emotional armor starts forming—how did the difficulties they faced shape them into the person they are now?

Education or Training: How did they learn what they know? Were they formally trained by an institution, learning everything by the book, or did they learn through experience, like a street-smart survivalist? What impact does their education or lack of it have on how they interact with others?

Teenage Bonds: Did they have a first love or a first major falling out with someone close to them? These experiences often create emotional scars or connections that they carry with them into adulthood. How does that past friendship or romance influence their behavior now?

Developing Backstory: Bringing Characters To Life

4. Key Life Events: The Big Moments That Define Them

Trauma or Loss: Was there a moment that changed everything? Think about a significant loss—maybe a loved one, their home, or a sense of identity. How does this event affect their worldview? Do they build walls around themselves or dive into relationships with reckless abandon because they fear losing more?

Victory or Failure: Did they experience a moment of triumph or devastating defeat? Success and failure leave their marks. Were they celebrated as a hero once, leading them to overconfidence, or did they fail when everyone was counting on them, leading to crippling self-doubt?

Betrayal: Was there a betrayal that shaped their adult relationships? Whether it is a friend, family member, or lover, betrayal often changes how we trust others. Do they close themselves off, constantly expecting betrayal, or try to rebuild trust, afraid of being left alone again.

Developing Backstory: Bringing Characters To Life

5. Where They Stand Now: The Present Moment

What Drives Them Today: What’s the one thing pushing them forward now? Is it revenge, the need to restore their family’s honor, or maybe even just survival? Whatever it is, this motivation should tie directly back to their experiences.

Emotional Baggage: What unresolved emotional wounds are they carrying? Everyone has scars from their past—some are visible, others not so much. How do these emotional wounds affect how they treat others, how they react to conflict, and how they move through the world.

Current Relationships: Who’s still in their life from their past, and how do they feel about it? Did they reconnect with someone they thought they’d lost, or are they haunted by unresolved issues with people from their past? Do they have any ongoing tensions or regrets tied to these people?

Developing Backstory: Bringing Characters To Life

6. Tying Themes to Their Backstory

Cultural or Mythological Influence: How does their personal story tie into the larger world’s mythology or culture? Do they carry a family legacy, a curse, or a prophecy that hangs over them? How does this influence their interactions with others and their perception of themselves?

Recurring Symbols: Are there objects, dreams, or people that keep showing up in their life, symbolizing their journey? Perhaps a recurring nightmare haunts them, or they carry an object from their past that’s both a source of comfort and pain

Developing Backstory: Bringing Characters To Life

7. Character Arc: The Journey from Past to Present

How Does Their Past Shape Their Growth?: Every character has emotional baggage that needs resolving. How does their backstory drive their arc? Do they need to forgive themselves, let go of the past, or accept who they’ve become to move forward?

Unanswered Questions from the Past: Are there any mysteries in their backstory they need to solve? Maybe they’re unaware of their true parentage, or maybe there’s a forgotten event from their childhood that will resurface and change everything.

10 months ago

cant stop thinking about this video

10 months ago

Whenever Americans use Cryillic like. That. I just. Instantly shrivel up an cry

3 months ago

Literally this, as a fellow intersex person who cant really pass for either, yk without procedures i don't want anyways. I stand by you, it's bullshit that we have to identify ourselves to the government like it's some one or the other box. Stand with us because it's not just our rights we're fighting for. It's human rights. Lets all remember that.

Feeling extremely disappointed in the community response to Trump's gender order regarding X gender markers on documents. Can y'all quit with the victim-blaming and "I'm so glad I don't have an X gender marker, I knew it was a bad idea" statements for two seconds to support those of us who are targeted by this?

I have X on all of my documents. Birth certificate, passport, ID, you name it I have an X on it. I'm intersex & trans. I'm percieved as ambiguous 100% of the time and I can't pass for shit. Stealth is not an option for me, I am visibly intersex/trans no matter what.

Having either M or F on my documents wasn't any more feasible than having an X on everything at the time I got my documents. Which I had to work my ass off to get, by the way, because I was homeless and had no documents and I needed to obtain everything from scratch, which of course is made as hard as possible to do. (How do you provide proof of identity without any identity documents? How do you provide proof of address without an address? How do you pay for any of this when you can't even afford your own groceries and you get all your needs met through local mutual aid? How do you drop anything off or attend interviews or court without transportation?)

Goddamn right I was getting an X on my documents after having to go through hell to obtain them. If I had to work that hard for them, my documents were going to be how I wanted them.

Now I'm being told the president is trying to invalidate my documents, that depending on how things go I may be held if I try to go anywhere due to my passport having an X gender marker, that we don't know the ways this will be enforced and whether I will still be able to use my documents or not, and my trans community is saying it's actually my own fault for having an X gender marker in the first place and that I was just begging to be discriminated against by having one.

I am in a very vulnerable position and I should be supported by my own community when anti-trans anti-intersex discrimination targets me and people I care about. Y'all are dropping the ball and abandoning your siblings when we need each other most.

Also, for the record, I believe that no documentation should have gender markers. However, the US requires gender markers on documentation at the moment and that fucking sucks. It seems like this will be the case for the foreseeable future. The way people have been saying "nobody should get an X gender marker because gender markers shouldn't exist" just feels very "your strategy pales in comparison to my strategy, firebombing a Walmart" and then not firebombing a Walmart. While we can and should work towards gender markers not existing in the future, people with X gender markers exist right now and maybe y'all should support us instead of constantly throwing us under the bus.


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3 months ago

Writing Notes: Magic System

The Golden Gate (detail)
Albert Bierstadt
1900

A Quick Guide to Crafting Your Own Magic System

The comforting tug of the familiar can often draw writers into the domain of tried-and-tested magic systems.

While there's a reason these archetypes endure, speculative fiction thrives on innovation.

So here are some guidelines and questions to ponder as you craft your unique magical framework:

Analyze Existing Systems: What makes them tick? Is it the laws, the setting, the cultural context? How can you take a known concept and turn it on its head? For instance, if elemental magic is overdone, what about a system based on abstract concepts like time, sound, or dreams?

Mix and Match: Combine disparate systems. Perhaps in your world, astrology-based magic is combined with bio-magic, where celestial signs grant specific biological enhancements.

Internal Consistency: Ensure that the rules of your magic system are internally consistent. If you're coming up with something new, like Brian McClellan with his “godglass,” consider the broader implications. How would such a system affect economics, politics, or social dynamics?

Ask 'What if?': Let your imagination roam by posing hypothetical questions. What if magic was a tangible, finite resource? Or perhaps it's a virus, and only those infected can wield its power?

Balance: Whichever route you choose, remember that each magical ability should come with its own set of limitations, costs, or ethical dilemmas. This not only adds depth but also avoids the pitfall of making your characters too powerful to face any real challenges.

Above all, let creativity be your guiding star.

Embrace the known, but never be afraid to venture into the uncharted, for therein lies the magic that readers will remember.

Source ⚜ Writing Notes & References

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outdatedsymphony - Outdated Symphony
Outdated Symphony

18 - system - he/him, xe/xyr

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