Outdatedsymphony - Outdated Symphony

a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

kindergarten

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawnshop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

windmill

wishing well

wizard tower

self-proclaimed radical leftists: in the communist utopia that exists only in my head, everyone will work, by which i mean a full-time job in the post-industrial revolution sense. this is because work is obviously the only way one can contribute to society, and everyone who doesn't work is a parasite that will be eradicated in my Communist Utopia™. i don't even care about the products or purpose of people's labour because, as everyone knows, employment equals morality and so having a job is inherently virtuous and not having a job makes you a lazy leech who doesn't deserve to live. trust me, this is a very communist idea. i'm practically an expert because i read 1.5 tweets about marx.

what? omg why are you making this about disability, i was obviously talking about normal people 🙄 if you're disabled, you have an excuse to be a useless waste of resources who can't contribute anything 😊 in my ✨ Communist Utopia ✨, you don't have to work if you're not able to. don't worry, we'll have rigorous and dehumanising tests to determine if you're disabled enough or if you're just a lazy faker! this process is infallible and has no drawbacks whatsoever for disabled people. have you considered that maybe you're the real ableist for criticising me? 🤔 anyway, have i mentioned how much i love employment and also the taste of boot leather

Awesome! Thank you so much. I will definitely link it to you once I've edited, recorded and uploaded it all.

Hi, I'm a big fan of your fanfic entirely out of spite and I also dabble in voice acting a little. I was wondering if I could make an audio reading of your fic to sort of accompany reading it and upload it to youtube (links to fic included ofc).

It likely wouldn't be like professional quality or anything. But I wanted to ask permission before I considered uploading something like that anywhere, seeing as its your work.

Hope you have a great day and honestly your writing is incredible.

Hey there! Thank you for your interest in Entirely Out of Spite! Yes! Please go ahead and make an audio reading of the story! Once you upload it, I’d love to have the link as well.

Also, in case you need to reference my author name (and because I’ve had a lot of people reach out to me to ask), here’s how you pronounce bgtea: bee-gee-tee.

Personally your work inspires me. I love seeing how incredibly vast your library of characters is.

How they all have different experiences. It makes them feel real to me, with their style, culture, disabilities, names even being so well researched and built into the character rather than just an afterthought.

(No shade to the anon though i just think things like that are better when they are thought about earlier in character building). It's just incredible to me seeing how you build your characters and how well represented I feel seeing characters with disabilities, identities, and cultures that are apart of my life as well.

Hey, so I mean this entirely in good faith and just want to see where you're coming from.

When you draw pictures of people (OC), why do you only list their name, age, disabilities, and race (and some other stuff sometimes)? not likes or interests or hobbies or a look into their life? Is there somewhere else for me to find out more?

Personally, I don't find those to be the most interesting things about a character or a person or an object or anything like that, and I don't typically base characters around it (not saying you do, just not sure why else they take precidence over other aspects of their character)

I love your art and hope youu have a nice day!

I’ll try to answer this in the best way possible, but my wording might be off because I am more ill than usual, so bare with me.

1. Experiences with creating Original Characters is not a monolith — what you like to do with characters may not be what another creator likes to do with them. Some people never make backstories for their characters and keep them mainly for designs. Some people like to create backstories, and both of these things can exist and are okay. What you personally find interesting isn’t the same for everyone.

Even if I do have backstories for many of my characters, not all of them are even close to finished yet or even fully fleshed out, I often start with basics and go from there. If you are interested in the backstories of my characters, I have a toyhouse in which I post them.

2. Race, Culture, Age and Disability is a huge part of a lot of people’s lives, I can attest to that for myself. A lot of what I put down as “descriptors” for my characters are for people to get the absolute “bare bones” of who this character is, kind of like a bio on social media. It may not personally interest you, but Culture is a huge aspect on how people develop and think, the way people grow up and who they are around influence their thoughts, likes, dislikes, career, life choices and more. I find that many people from different cultures are often very happy at the representation of their culture being present if done respectfully, and causes a lot of happiness to feel seen.

I have a particular interest in researching humans, cultures, disabilities and diversity. You don’t have to have those interests, the same way I don’t particularly have to have an interest in “likes vs dislikes” of a character.

It would concern me if someone doesn’t care about peoples race or ethnicity, the same way it concerns me when a white person says “well, I don’t see color”, it erases the diverse experience of being human. It erases culture, experience, struggle and more. A lot of POC, myself included, find solace in knowing someone may understand a specific experience of what it’s like growing up a certain way. That we are not alone in our struggles.

And this all relates to Disability as well. Able-bodied people are not going to understand the life of a disabled person they haven’t lived in. Growing up disabled, becoming disabled later in life, in general /being/ disabled is a different way of life than the average person. We have struggles and experiences not everyone can relate to — which means by sharing this in a description of a character — it can actually tell a lot about what they’ve been through and understand.

Other disabled people may not understand what life is like for another disabled person — I have had numerous asks and messages by other disabled people and able-bodied people alike telling me they are happy to see representation of a specific disability, or that they discovered a disability through my artwork and they were able to research it or even apply it to their medical training. This is a huge reason for why I do what I do.

I’m glad this is a question in good faith — Thank you for liking my art, and i hope you have a good day as well.

If you have anymore questions, I have an FAQ:

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Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver. 

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists. 

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone." 

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.” 

Physical Description

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please. 

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics I 

Writing & Description Guides

WWC Featured Description Posts

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

On November 7, 2024, Denmark used a racist, culturally biased "parenting competency" test to remove a 2 hour old baby, Zammi, from her loving indigenous Greenlandic Inuit mother, Keira, because her native language, which uses minute facial expressions to communicate, will not be able to "[prepare] the child for the social expectations and codes that are necessary to navigate in Danish society." This test had been recommended not to be used at the federal level before this happened but certain municipalities, including the one this happened in, chose to continue to use it regardless. Not only is this blatantly racist but also violates multiple declarations and conventions that Denmark has signed that protect the rights of indigenous people.

Please sign this petition to help Keira to get her baby back.

Urgent ‼️ essential 🙏‼️🇵🇸💔

It’s so important to take a look please 😔🙏🙏

Hello my friends I’m Huda from Gaza, a woman trying to save her first baby and trying to protect him by all means😔 I have made two previous campaigns and I have been facing so many problems in both of them so A friend of mind made me a new link to help me get needed help and donations 😔💔

I have been vetted previously by @dlxxv-vetted-donations in tumblr and @molly shah on blue sky and @barbara on X. Here are screenshots for the vetting and verification

I hope you could help me and vet my campaign again plz @dlxxv-vetted-donations @90-ghost @gazavetters 🙏😔🙏

Please share, and donate as much as possible my friends to save my baby from death and help me buy my baby basic needs please 💔😔🙏🇵🇸‼️

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i'm not a lesbian as far as i know and i already have a wife but thanks tumblr

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Vetted by : @gazavetters

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@ot3 @mangocheesecakes @good-old-gossip @dragon-master-kai @vakarians-babe @prinnay @neptunerings @paper-mario-wiki @newsfrom-theworld @a-scary-lack-of-common-sense @magnus-rhymes-with-swagness-blog @buttercuparry @westaysilly @sunflowersmoths@nieyaoevents @finalgirlabigailhobbs @normal-thoughts-official @flower-tea-fairies @mephal @mothfishing @theaethernetconnection @90-ghost @gaza-evacuation-funds @northgazaupdates2@treeen@keikuri@archivist-goldfish @loook-back-at-it @lookineedsleep@a-scary-lack-of-common-sense@ot3 @reminded @neechees @ankle-beez @paper-mario-wiki @khanger@treesbian @pigswithwings @mobiused @poss-um @possiblythebesteyesintheworld @noble-kale @a-shade-of-blue @chokulit @neptunerings @heydreamchild @dlxxv-vetted-donations @segamascott @autisticmudkip @shadowedskies178 @rowansugar @t-800terminator-blog @greggorylee @wellwaterhysteria @theleechyskrunkly @notlikingbestgirl @inkxplashes @ragtoons @blackcherri-stuff @ajloun @@irangp @sayruq

@appsa @sar-soor @sayruq @stuckinapril @heritageposts @neptunerings @feluka-blog-blog @malcriada @queerstudiesnatural @rizzyluke @determinate-negation

@tamamita @serial-unaliver @vampiricvenus @punkitt-is-here @2spirit-0spoons @paper-mario-wiki @omegaversereloaded @nyancrimew @90-ghost @beserkerjewel @ot3 @killy @prisonhannibal @aimasup @anneemay @dirhwangdaseul @neechees @memingursa @b0nkcreat @certifiedsexed @afro-elf @11thsense @sawasawako @vamprisms @girlinafairytale @spacebeyonce @skipppppy @beetledrink @schoolhater @3000s @annevbonny @fools-and-perverts2 @dailyquests @evillesbianvillain @wolfertinger666 @taffybuns @valtsv @postanagramgenerator @feluka @fairuzfan

A lot of leftist accounts are suspiciously quiet on the section 504 lawsuit, proposed medicaid cuts, and the "make America healthy again" executive order.

I know other leftists are not the enemy but if we don't have able bodied allies and general population support, there's no hope of pushing back against these ableist policies. These big accounts ignoring a massive minority at risk is scary. The current admin is the problem but there's no hope of a solution without allyship.

We need visibility. We need allies.