||; Is It Just Me Or Tumblr Not Letting Me Follow People?

OOC; Anybody knows @maelindas new account? I wanted to roleplay with them, but I didn’t have the time to like the post about their new blog.

“ Will you quit talking like that?! I’m not leaving you behind! “ {This just screamed Piper to me. Hope that's alright :) }

𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

"If there is ever a chance for you to get out of this place, please take it." Leo knows his wife doesn't want to hear that, but he wasn't sure if he'll make it when the opportunity comes around. The reason for this problem was because a Darklighter tries to kill them and Leo wasn't about to let Piper get hurt so he takes the Darklighter's arrow that was heading her way.

As soon as the arrow makes contact with his body, he could feel the poison doing its job. His energy was declining as he sat next to her. So far there wasn't anybody or anything trying to attack them, but he wasn't sure that it would stay like that. "You need to get back to your sisters so you can vanquish the Darklighter."

𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!

DIALOGUE PROMPTS.

“ can you hear me? hey… [NAME], can you hear my voice? “

“ come on… wake up. please… please wake up… “

“ oh! oh, thank god! i thought we lost you… “

“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “

“ go, go! save yourself! i’ll buy you some time! “

“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “

“ hey, how badly are you hurt? can you move? you think you can walk? “

“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “

“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “

“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “

“ will you quit talking like that?! i’m not leaving you behind! “

“ what the hell are you doing here?! i told you to get out of here! “

“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “

“ i’ll get blood on your shirt… “

“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “

“ i know we almost died just now, but… am i the only one who’s hungry? “

“ we need to get you to a hospital… “

“ hey, come on now… you’re okay. you’re good, right? “

“ i must be hurt pretty bad if you’re being this nice to me. “

“ quit playing the martyr. we’re not leaving you behind. “

“ you know, i hate to be the negative voice, but… did… did we just lose? “

“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “

“ back-up isn’t coming. is it? we’re on our own, right? “

“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “

“ i don’t give two shits about the back-up; i’m just happy you’re alive. “

ACTION PROMPTS.

as always, add a “+ REVERSE” to switch the roles!

[ CARRY ]:     having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.

[ TILT ]:     the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.

[ PULL ]:     sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.

[ WAIST ]:     sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.

[ BACK ]:     sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.

[ HAIR ]:     while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.

[ TEND ]:     sender begins to care for the receiver’s injuries.

[ LEAN ]:     the wounded sender leans against the receiver for physical support.

[ SUPPORT ]:     the sender encourages the wounded receiver to lean against them for physical support.

[ PUSH ]:     the sender gently pushes the receiver back to lie down so they can check them properly for injuries.

[ COAT ]:     sender removes their jacket and drapes it around the shoulders of the trembling receiver.

[ BLANKET ]:     just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.

[ AWAKE ]:     the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.

[ TOGETHER ]:     when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )

[ BANDAGE ]:     the sender sits down across from the receiver and begins to bandage their wounds.

[ DRAG ]:     unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.

[ TOUCH ]:     the sender nudges or touches the receiver to check and see if they’re alright after the attack.

[ CLEAN ]:     the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.

[ PRIORITY ]:     when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.

[ PROMISE ]:     before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.

[ BROKEN ]:     after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?

[ TRAPPED ]:     after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.

[ RESCUE ]:     the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.

[ FOUND ]:     after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.

[ HOPE ]:     just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.

[ CLING ]:     having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–

[ TEARS ]:     having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.

[ SACRIFICE ]:     knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.

Continued from; x @rebelliouscupid

"Helping doesn't include punching people." Leo sighed as he watched his niece cross her arms. This was definitely Phoebe's daughter and boy was there going to be a lot of problems in the future. Punching the man wasn't a way to shut the guy up in the whitelighter's opinion.

A sigh escaped from his lips as he moves to the refrigerator and get some ice to put in the nearby rag before going towards her, handing her the rag. "Put this on your eye since its swelling." Leo didn't say anything for a few minutes, thinking about whether he should tell her mother or not. "I won't tell your mother if you promise to not do it again."

rebelliouscupid​:

“He was being an asshole, and now he isn’t. Seems helpful to me.” 

Parker scowled as she took the rag. Despite that, the cold helped lessen the pain as she pressed it gently against her eye. It didn’t really matter one way or another if her uncle told her mother or not, she’d be busted the moment she showed her face. Assuming someone else hadn’t already ratted her out.

“No one said anything when PJ punched someone in the face.” PJ punched a demon in the face. Parker punched a mouthy witch who was shittalking Cupids and Whitelighters for not fighting demons. She personally thought they were both deserved. After a moment, Parker let out a deep sigh. ““Fine, I won’t do it again.” 

She was absolutely going to punch his smug smile off his face again.

"Parker, how are you supposed to help the world or people if you're just going to punch someone because of what they said?" Leo leans against the counter and groans as he rubs his temples. The next generation is completely different from their parents. Phoebe will have a talk with her and probably punish her. "Pj was probably punished as well still there are ways to handle things."

There is a moment when Leo felt that he was getting too old trying to teach the new generation how to handle magic and conflicts. They are not like their parents and this was going to be a challenge. "Thank you, how about ignoring them or sass them like your aunt." Leo chuckles as he remembers his wife's sarcastic comebacks throughout the years."

‘ i feel like we should stop him , but then again i also just kinda wanna see what happens . ’

(    *    & .    —    THE  UMBRELLA  ACADEMY  SENTENCE  STARTERS .

The whitelighter rests his hands on his hips as he looked at his niece and sighs. "No we are going to stop him, he is going to get himself killed if we don't help him." The man needed their help to get his girlfriend back from a bunch of demons.

He told them they were attacked on their way home and kidnapped his girlfriend. He managed to get away and bumped into them. The guy wasn't happy about waiting while Leo looked for answers which is why he was gone now, going after the demons. "Want to help your dear old uncle out?"

||; I’m the mood to turn this into a multimuse blog.

                     ❛  𝒕𝒉𝒆  𝒘𝒓𝒐𝒏𝒈  𝒕𝒉𝒊𝒏𝒈  𝒅𝒐𝒏𝒆  𝒇𝒐𝒓  𝒕𝒉𝒆  𝒓𝒊𝒈𝒉𝒕   𝒓𝒆𝒂𝒔𝒐𝒏                                                𝒊𝒔  𝒔𝒕𝒊𝒍𝒍  𝒕𝒉𝒆  𝒘𝒓𝒐𝒏𝒈  𝒕𝒉𝒊𝒏𝒈.  ❜        𝘪𝘯𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘵  &  𝘮𝘶𝘵𝘶𝘢𝘭𝘭𝘺  𝘦𝘹𝘤𝘭𝘶𝘴𝘪𝘷𝘦   𝑷𝑯𝑶𝑬𝑩𝑬  𝑯𝑨𝑳𝑳𝑰𝑾𝑬𝑳𝑳  𝘧𝘳𝘰𝘮   𝘾𝙃𝘼𝙍𝙈𝙀𝘿 .

OOC; I haven’t been here in a while, yikes! Sorry about that, but I’ll be active this week, I hope.

ooc. Hello! I’m new to the Charmed fandom on here and decided to make a Leo. If you are interested, please reblog this! :)