Widomauk still haunts me every day of my life because it's SUCH a good dynamic and if Molly hadn't fuckin died we could have had a traumatized angsty Liam character x unhinged hedonistic Taliesin character romance and that would've been absolutely unparalleled
Why does everyone assume Vander would be rowdy, fun, cool and lenient parent while Silco would be soft and nurturing but the disciplinarian and overprotective one. Their parenting style is canonically the OPPOSITE to this.
Vander is shown on-screen disciplining his children for going against his rules. He's not particularly strict (I don't think any parents in Zaun are tbh I think children just kinda roam unattended a LOT) but he does have rules and expect them to be followed. He has that Stern Dad voice down to a science. He has that "I'm not mad I'm disappointed also you're grounded" vibe down pat, and he scolds them because he is worried about their safety. This is a man who is taking childrearing seriously. He's also shown being very soft and loving with them. His little smile when he gives Powder juice. How gently he encourages Mylo when he successfully lockpicks the cuffs. He is soft and nurturing. He is protective. He is gentle but authoritative.
Silco meanwhile allows Jinx to do whatever she wants. You can argue he disciplined her when he yelled at her for killing those enforcers but 1- she committed a literal massive terrorist attack that derailed ALL of his plans and he's acting like she stole his car or something and 2- what we see is not the same practiced discipline that we see from Vander. This is not a man who has established a relationship where he is the Parent and she is the Child and must follow his rules. He is emotional, almost childish, acting more like her friend or colleague being pissed off than her dad. He is not protective, he lets her play with bombs and do all sorts of dangerous shit. He cares about her safety, he's obviously distraught when she's hurt, but he cares about her freedom more. He lets her fuck up constantly without repercussions. He lets her dress and act however she wants no matter how poorly it reflects on him because her freedom mattered more to him than anything in the entire world-- more than his own, more than his dream, more than his life, and more than her safety. He also appears a lot stiffer when it comes to expressing affection, even though his love for her is obvious, he lacks Vander's warmth.
This isn't to say Silco would be a worse father or anything, rather that he is objectively the "fun dad" who lets his kids do what they want, has absolutely zero backbone, and isn't as good at expressing affection but makes sure his kids know they are loved by him.
What I'm saying is Vander is so obviously Primary Caregiver and I don't know how people mix the two up.
Just kidding! I do know. It's the classic Forcing Hetero Gender Norms Onto A Gay Couple! You know, because Silco is small and dainty, and small/dainty = woman and woman = mommy and mommy = "does all the parenting work" = nurturing, affectionate, strict and protective.
Meanwhile Vander is a Big Strong Masc Man we know That = "Real Man" (vomit) = father = "gets to be the raucous fun parent and doesn't have to actually do any real parenting" (again vomit)
Fav mastermind siblings
kurashikis
Rosa Diaz was my inspiration while fleshing out Tiafel and her childhood/backstory.
Thinking about how Rosa’s parents kicked her out of the house as a teenager when she couldn’t handle the pressure she was under and how they welcomed her back a decade later only to tell her that they still won’t be able to love her the way she is.
Thinking about how lonely and scared she must have been out on the streets until she woke up one day and decided to stop giving a crap about everyone except herself.
Thinking about how she’s so closed off to the people around her because she was conditioned to believe that she’ll never be a positive force in someone else’s life.
Thinking about how she put herself through college, study abroad, medical school, business school, flight school, and countless other programs on her own. Thinking about how her self-esteem must have dipped every time she realized that she wasn’t happy where she was.
Thinking about how it must have felt the first time Jake called her a friend, Amy told her she looked up to her, Charles brought her homemade lunch out of sheer kindness, Terry complimented her, and Captain Holt told her he was proud of her.
Thinking about how she hadn’t experienced those things for so long that she must have forgotten what they felt like.
Thinking about how she’s still tough and badass but more receptive to others and more willing to let them in than she used to be. Thinking about how the good in her life now outweighs the bad. Thinking about how far she has come since we first met her seven years ago.
Rosa Diaz deserves all the happiness in the world.
Big stronk dude with his fuckass hammer and his stupid shoulder armor waiting on his knees for his eldritch god bf to materialize behind him and oh so tenderly penetrate his brain with his magic fingers
This is one of the sentences ever.
Since everyone is talking about that concept art of Jayce and Viktor fighting, it's useful to know that the concept artist, Suheb Zako, also posted it on their twitter with some context.
It is early concept art for a final fight between Jayce and Viktor in the hexzone sorry I'm not calling it that astral plane. There's a link in the twitter thread to an anime clip that gives you a sense of what the vibe would've been.
It's not totally clear when in the development/production process this art is from, but I wouldn't be surprised if Jayce and Viktor originally had a dynamic that was more like their game counterparts. In that case a knock-down-drag-out fight in the astral plane might've fit better. But in the final version of the show it wouldn't have worked anywhere near as well as what we got, and not just because it would have seemed out of character for what the characters and their relationship arc became in the finished show.
First of all, we already did have a knock-down-drag-out fight between them. That's the Council chamber fight scene. It would've felt like a repeated beat and that's the last thing you want in your big finale. When you have characters who fight each other multiple times, you want each fight to reflect a progression of their relationship.
Secondly, by the end of the show, Viktor is absurdly overpowered compared to any other character. Once he goes full Machine Herald he is basically a god. A conventional fight scene is just not gonna do it here. You need a twist, some way to win that doesn't involve being stronger than him. And the trump card being The Power of Unconditional Love (And Also This Time Machine Getting Chucked at Your Head) fits perfectly with the show's themes.
Thirdly, the final episode is ALL action. In an episode that's one massive battle, it takes a lot of work to make individual pieces of action stand out. (And generally, you do it not by making the fighting look Super Duper Extra Cool, but with character work.) But any scenes between the characters that are not action are automatically gonna pop because they're so different in pacing and energy from everything around them.
I haven't seen as many people discussing this set of keyframes, but the changes here are also fascinating:
Because Viktor assimilating Jayce as a battle move is almost the complete opposite of what we got in the finished show, and what we got in the finished show is so fucking good. It's one of my favorite moments in the whole damn series.
I've already written about it here, but playing it so that Jayce doesn't get surprised or overpowered but chooses to allow Viktor to bring him into the astral plane as a last-ditch effort to reach whatever is left of Viktor's humanity is sooooooo narratively sexy. (And also just. Sexy. Big stronk dude with his fuckass hammer and his stupid shoulder armor waiting on his knees for his eldritch god bf to materialize behind him and oh so tenderly penetrate his brain with his magic fingers, listen I am not making this up this is just what happens, no homoerotic fight scene could ever top this.)
It also fits with the motif of a number of characters winning their individual battles in the finale by surrender/submission/potential self-sacrifice. It fits with Caitlyn realizing that to cut the string of protective runes off Ambessa's arm she has to allow Ambessa to get within stabbing distance of her face. And of course, Jinx forcing Vi to let her go by popping the gemstone out of her gauntlet and letting herself fall with Warwick.
Arcane has fantastic action storytelling and part of good action storytelling is knowing when to have the character stop fighting each other. Seeing the early concept art is cool to see how much things evolved, but I'm glad they moved away from just trying to do an epic boss fight because what we ended up with is so much more interesting.
does that mean
she has been pGReNant bef o r e?
Caleb has a home he’s always running away from. Molly carries his home with him everywhere he goes. Caleb can’t forget and Molly can’t remember. They both woke up very recently in an unfamiliar place and they’re both still getting their bearings. Caleb takes a great amount of care to keep himself as hidden as possible. Molly takes the same amount of care to keep himself visible. It’s hard not to be scared of them, but they’re not scared of each other. And they’re fire- and ice-coded? I’m going to throw up.
Listen… this ship is really good💜✨🔥
this is so accurate i-
david tennants so funny to me cuz hes like. a very private and quiet person. and all characters they call him to do are like mr slutty mcthot
she/her, 28, ENTP, 7w8, nerdy bisexual mess. I open Tumblr twice a year to repost my current brainrot related things only to disappear again
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