My Ability To Make Everything About My Special Interest (It's Always Sunny) Should Be Studied Frfr,,,,

villain origin story

BillPaul doodles based on this idea <3

they're a little fucked up but it's fine they're gay buddies <3

🐝Hugh Honey + Vic Vinegar 🐝

i don’t think i posted this but he’s yearning :(

redbubble

The Gang being Dennis’ tether... He cuts them off, but he always comes back because, when he’s untethered…

The first trailer for Glenn’s new series, Sirens, has dropped!

Wait wait wait remember that post about how Team Starkid/the Lang brothers are going to be comparable to Shakespeare 500 years from now and it was mostly played for laughs like yeah lol you’ll need a paragraph of footnotes to explain the zefron poster but like

I don’t think that’s actually far off from how Starkid’s place in theatre history might play out and here’s why. Just hear me out

Why is Shakespeare so popular today when he definitely wasn’t the only playwright from that era? When he’s not even the only playwright from that era from England that we have surviving works from?

Two main reasons:

1) Shakespeare’s work is (relatively) universally relatable. The characters do things that are so fundamentally human. They make jokes at their friends’ expense. They complain about being awkward in front of their crush. They have daddy issues. The plot lines of the plays aren’t too complicated. The dick jokes land whether you’re watching in 1611 or 2024, and they probably still will in 2637. Shakespeare’s works are timeless because he didn’t try to outsmart his audience. He wrote about things everyone could relate to rather than trying too hard to peacock his intellect in front of the nobility. This is not true of every playwright.

2) Shakespeare was really popular right around the time England started colonizing everything in sight. Copies of his work got shipped all around the world, translated into dozens of languages, performed probably thousands of times. Setting aside the moral implications of this, the important thing to note is that Shakespeare was about the most easily accessible English playwright during a time of rapid, intense globalization.

Meanwhile, Starkid:

1) Invests hard in meaningful, relatable character arcs instead of spectacle and expensive sets or costumes. Also, lowbrow, immature humor and dick jokes that make A Very Potter Sequel funny and enjoyable regardless of if you’ve ever seen any other Harry Potter media in your life.

2) Posts professional recordings of their musicals to YouTube FOR FREE, making their shows about the easiest, best quality musical theatre you can get pretty much anywhere in the world, regardless of if your area has an active theatre scene. Proshots from other companies are rare and usually not free. Bootlegs are all well and good, but even if the video quality is alright (and that’s a big if) the audio is usually garbage. Starkid has been posting the best quality free recordings they can afford since 2009, shortly after the birth of social media, another time of rapid, intense globalization.

In short, I’m not saying that theatre historians in 500 years won’t remember any our current Broadway faves, but I am saying that in my opinion, Team Starkid is probably going to be more accessible for the general public. If you’re a 26th century English teacher trying to teach your class about narrative structure in 21st century theatre, what are you going to show your students? A bootleg of Hadestown with blurry video and garbage audio? Or the professional recording of Twisted, parts of which they will probably even enjoy, because even long after no one remembers Disney’s Aladdin anymore, your class of 26th century 16-year-olds are still going to laugh at “No One Remembers Achmed.”

the idea of Ruth as a trans allegory has me crying in the club

(SPOILERS FOR NERDY PRUDES MUST DIE GO WATCH IT ITS AMAZING)

the idea of discovering something more to yourself that you want to show the world, but feel stuck in what people say you need to be rather than what you really are hits really close to home

Max Jagerman saying “you’re a nerd cause I said so. i willed it into existence.” represents how the more acceptable, “normal” people project what someone is supposed to be onto them without considering what they truly are, to keep them in a box, a box that Ruth is trying to break out of

when Max is presumed dead, it represents those expectations being lifted off of those who were affected, allowing people like Richie to be confident in who they are and make friends

even though Ruth doesn’t know exactly what she is yet, she finds her passion for being in the spotlight at the beginning of “Just For Once”, singing about how she now knows she wants to be in the spotlight

lines that talk about her character growing old, talking about how she’s disappointed with where her life is, maybe reflects how she’s feels about growing up herself, being scared of a future where she has to live as someone she isn’t or with someone she doesn’t want to be with

her repetition of “just for once,” in the song reflects many of the thoughts that other trans people have, often imagining ultimatums like “if only I had a button that turned me into a (preferred gender)” or “if I could just wear this outfit just for one event,” or “if I could just be a (preferred gender) for one day”

“just for once I’d feel the spark that I once knew” reflects feelings of many trans people who realized they weren’t cis around high school, where Ruth is, and searched to find that feeling again, but felt trapped by expectations by parents or others

“should I flip the burgers now? should I double check it’s well done on the outside, not within?” her indecisiveness reflects one of her main character traits, that she is riddled with anxiety, a common struggle that trans people experience, her anxiety makes scenarios that even though people are starting to accept her after Max’s death, that she’d still be ridiculed, or that it isn’t right for her to be who she is

her musicality shows her in bursts of confidence, like at the end with her lengthening the last note and letting it trail off, setting it free, only to go completely silent, highlighting the duality of her confidence in her new self, and fear of change (the last note always kills me it makes me tear up everytime)

what makes it even more gut-wrenching is that she isn’t able to feel the freedom of living her dream

the trailing off repetition of “i used to dance” after talking about giving away her tap shoes, representing her surrender to anxiety and fear, giving up on her dreams of being a performer, before being killed by Max

“Life is fine, if only it were mine.”

(After some time)

Been wanting to do a comic on Wendy finding out she’s on the aromantic spectrum, specifically Lithromantic, after really liking the idea of her being Lithro. Included Stan as well since I headcanon him as Lithro as well so Wendy has someone who understands.

Been thinking about how “never getting rid of me” from Waitress is so Charlie coded