A Tibetan skeleton dancer, taken in 1925 by Joseph Rock.
Savannen 13 / Skälsö Arkitekter
Photos © Anna Sundström
mangamia
Adut Akech at Valentino fall/winter 2018 couture
Once upon a time,
Long Ago. Away.
I met a pretty girl.
I smiled at her and she smiled back
I giggled, you’re cray.
You’re cray - she giggled, chiming with
me.
The wind blew at us
Hair blurring our face. We
smiled at it, together.
We grumbled-just a tiff. I flicked
pebbles at her. She hid,
ducking underwater
I frowned.
10 seconds after, she was
back. Patient. Together.
Said stay as I mouthed-
I lip-read her.
And smiled as she did-
She understood.
Now, she won’t be there.
I look for her
She is gone. Just my face.
It’s not the same.
It’s not pretty.
Crazy
various cicada-shaped knickknacks
[succulentlover77 / flickr]
https://www.instagram.com/p/CRANcn_Dnl1/?utm_medium=copy_link
Sad may be spectacular,
Sad may be soft,
And easy to embrace.
Sad may be sympathetic,
Sad may be funny
Found amidst dry laughs—
Sad may even be romantic.
Oh, Silence (that is golden).
Sad may be incredible
Sinuous streams (sobs)
and slow songs,
Sad may well be soulful,
But do not tell me
That sad is beautiful.
“I did not know then that identities could be lost in translation.”
—
Diksha Bijlani, “Translated Disney”
NEW Best of Button playlist! Today’s additions: Diksha Bijlani, & Neil Hilborn. Congrats poets!
Wild that we can play out alter egos on the internet and still be *authentic*