hey guys! let’s talk about something called narrative distance.
you’ve probably heard of it before! narrative distance is the degree of separation between the reader and the narrator or character in the story. first person vs. third person is a good way to show narrative distance: consider how “I stomped inside, the pavement burning the soles of my feet, my wet hair sticking to the back of my sweaty neck, so hot my skin felt like it was melting” feels compared to the more impersonal “Jack stormed in, his face flushed with heat”.
now let’s be incredibly pretentious and translate narrative distance to minecraft roleplay. in this sense, a regular ranboo semi-lore stream where we watch c!ranboo spill all his deepest fears while recounting his thought process would be the equivalent of first person. there is very little distance between c!ranboo and the viewer. we get to see and hear and know everything c!ranboo sees and hears and knows, and if he doesn’t know something, we don’t know it either.
a tftsmp stream would be the equivalent of third person: we see c!karl in brief segments where he doesn’t reveal any inner thoughts or conflict, and the more edited and produced format means we’re separated from the character himself and the normally first-person minecraft experience. we aren’t seeing the world through his eyes, we’re watching his life from a bird’s eye view.
narrative distance can affect how we view characters and how sympathetic we are towards them. for example, during the exile arc, the viewers are firmly in c!tommy’s shoes, seeing everything that happens to him, hearing all his thoughts, living his life in the first person perspective nonstop for two weeks. we’re so incredibly close to c!tommy that c!dream’s arrival feels like a jumpscare. for contrast, when c!quackity’s torture of c!dream is mentioned or shown, it’s sanitized by production value, editing, montages, discretion cuts, and music overlaid on top. when the viewers get to see the characters interacting, they cut in after the gruesome bits are over, and it’s at most a ten minute snippet that’s not from the perspective of the victim.
although c!dream is the victim in this situation, it’s harder to see him as such and feel sympathetic, because it’s so very impersonal. the torture is more a word-of-god concept than an actual scene, because we never see it. we get very little idea of its effects, and on top of that, c!dream doesn’t even have a perspective to watch. compare to c!tommy, whose abuse was laid out in gritty detail, and whose cc has painstakingly acted out the lingering trauma in every stream since– which happen to be mainly in an unedited slice-of-life style. and we can connect that to the difficulty in viewing c!dream sympathetically as well: we as viewers were very close to a storyline where c!dream was a villain, and very separate from the storyline where he’s a victim. which impression of the character do you think would be stronger?
narrative distance contributes to how we view villains. c!schlatt is gleefully hated, a static but well-rounded character that we don’t feel any sympathy for. the viewers are distanced from him because he doesn’t have a perspective and only shows up for plot-related events on others’ streams or for comedy bits. nobody tries to look into his motivations and nobody’s sad when he dies. we’re not close to him, we don’t understand him, and we don’t need to.
then there’s c!quackity, who we watch go from a regular funnyman to an idealistic politician to a ruthless but caring advisor to a manipulative asshole focused on power. we walk in his shoes for every step of the way, we see his motivations and fears and inner thoughts, and we feel sympathy. and then he starts to distance himself, starts to edit and produce his streams and only show certain scenes without any emotional vulnerability, and starts acting as a villain. it’s kind of genius because he’s adding narrative distance while his character becomes harder to sympathize for. but we can still understand the character and feel pity for him, because we as viewers have lived his life and we know who he is and what he ultimately wants and needs.
narrative distance. it’s pretty cool.
New sketch book
Same stupid boy kissers
so i've been thinking about risu. "personality defines one's magic" lives in my mind rent free, and i've been trying to pin down how magic reflects the personalities of sorcerers we know. risu's curse magic is especially interesting due to its rarity and the nature of curse itself. so, what can curse tell us about risu, and what role does risu play in dorohedoro? (spoilers through the end of the manga under the cut.)
risu is a low-level sorcerer and a member of the cross-eyes. not much is known about his past, besides for the fact that he used to go to the zagan magic school, he was friends with aikawa, and he had an apartment where he lived alone and grew cacti. but what else do we know about him? what's he like?
i want to start this discussion based on asu's perceptions of risu in extra evil 16, since we, as the readers - and risu himself - get to be explicitly told what asu thinks of him. risu's interactions with asu and nikaido are particularly important because, unlike with the cross-eyes or en's family, risu isn't really putting on a front here. and since asu is genuinely trying to help by offering risu advice, we know this is what he really thinks - even if his devil traits are getting in the way of his delivery.
to summarize: asu characterizes risu as neurotic, high-strung, and repressed. these evaluations seem to be at least partially correct; asu is the catalyst for both moments in the manga where risu grows to better understand his magic - the first in spell 84 and the second in 122 - and he wouldn't have been able to do this if he truly didn't understand risu. and risu agrees with him!
this is interesting when contrasted with what we see of risu in one of the first flashbacks of the series.
we know that risu has a lot of doubts about the boss and the cross-eyes, but what he's saying here is really . . . idealistic? even in spite of any doubts or worries, risu says this to aikawa - and given how earnest risu is with him, i don't think this is a lie. on top of that, risu was pretty loyal to the cross-eyes and to aikawa. this is not to imply that pessimism and loyalty are inherently at odds with one another, but the way risu talks about aikawa and his own death really doesn't scream 'i see the worst in every situation'. i don't think risu's pessimism is the whole story. so, how does curse fit into all of this? why does risu have curse magic?
curse magic is considered rare. it's not well-understood by any characters, and especially early on, only asu and dokuga seem to have any understanding of how it works at all. curse is activated after risu is killed and remains active until the curse is 'complete.' after curse merges with risu after his revival, when someone tries to kill or harm risu, curse will activate, taking over risu's body and reflecting all attacks.
curse is angry and violent, and it is so overwhelming that risu has no control over it at all. faced with this, risu rejects the idea outright; this is all he knows. he's gotten so used to being controlled by his anger for so long that he can't comprehend any other options. he assigns everything to his anger. he's angry at everything, and he only acts because he is angry.
something that really stuck out to me is when risu says he's 'pissed off for making [him] kill.' it's unclear if he's angry at the cross-eyes or at curse, but it's really indicative that he doesn't want to be violent - he's been forced into it due to the circumstances of this world and his place in it. curse is not a representation of some inner desire to hurt or harm others; there's something else going on here.
(a brief aside, but this is the only time we're shown anything from risu's life before the cross-eyes, the magic school, and aikawa. he's younger - he looks about shin's age from his backstory ten years ago? so, let's tentatively call risu 18-ish here, placing this about 6 years ago, which should comply with canon. he's injured and alone - there's no mention of parents or any other caretakers. with how vague this information is, it's difficult to draw any definitive conclusions. one possibility is that risu was abandoned by his parents. i say this because a flashback of risu alone is paired with the the thought that others, specifically powerful sorcerers like the en family, look down on him, and there are multiple severed heads in the same shot, who are clearly not en family members or other cross-eyes. it could be that his family were powerful sorcerers who left him alone due to his 'weak' magic, and perhaps he himself killed them, which is why their heads are floating and detached. but i digress.)
asu says it best: curse is only part of risu. curse protects risu. it is not just risu's anger, but also what that anger is hiding - perhaps feelings of hopelessness, isolation, betrayal, etc. curse is a literal and physical obfuscation and reflection of risu's identity and feelings. risu needs to learn to control curse not because anger - or any of his other negative feelings - are bad. it's because he doesn't understand where they come from or why, and as a result they consume him. this is why risu's realization has him literally being freed from a physical trap, because risu is now the one in control, even if he lacks mastery. risu is angry, but that is not all he is; risu is angry, and that is okay.
risu actually has strong thematic ties with both caiman (the protagonist) and nikaido (the deuteragonist):
risu and curse's relationship parallels aikawa and hole's: a magic user with low/no smoke output possessed by a violent entity that is controlled by strong negative feelings and obfuscates their past.
curse foils nikaido's time magic: risu is controlled by dangerous magic that he has no control over while nikaido refuses to use time magic because she perceives it as dangerous and uncontrollable; both have realizations about their relationships with magic (with asu's help), and learn how to use their magic as part of their character arcs.
curse is a physically painful, like aikawa's headaches and nikaido's devil transformation.
risu, nikaido, and caiman all struggle with their identity: both how society perceives them and how the see themselves. all of them have complicated relationships with their magic, and they feel like they do not 'truly exist,' at least in part due to this.
also, risu is a big player early on in the story, if not arguably the most important one, especially when it comes to the mystery of derohedoro. risu's curse is the means through which caiman and nikaido can hunt sorcerers and is also the en family's first major lead in their investigation. risu is what brings caiman and the cross-eyes together. risu goes back in time with nikaido to learn the truth of caiman's past. risu is the one that kills aikawa. risu offers to restore caiman's original face at the end of the series. (i could go on!)
risu isn't rich or extremely powerful or a genius, but he feels important because he was aikawa's partner; their partnership is what gave aikawa's existence as a sorcerer legitimacy, and their bond persists through the entire series. risu may be a 'nobody' when compared to characters like en and nikaido, but he was somebody to aikawa, and that identity is consistently given the weight it deserves.
Haha went to Barnes of Nobles and drew on this thingy
*tips hat* m’laria
MILES NOOOO LOOK OUT FOR THAT PEBBLE ON THE CONCRETE oh god oh fuck it’s too late nooo miles :(
I’m sure someone thought of this already, but my sister gave me this idea awhile ago and I finally executed
if I have to see one more mcyt x reader post, I’m flipping. I just want to see cool analysis about c!wilbur and c!tommy please just stop. these mcyts don’t want to be shipped with their fans. that’s weird. I kind of get it when you write about the creators who allow you to ship them with their friends (like dnf), but you aren’t their friends. Some of them have explicitly stated that shipping themselves with you is a no-no. These ccs don’t know you. They will most likely never get to know you on a personal level. And to the ones who write w/the minors, I see you. You’re disgusting and gross, even if you claim it’s platonic <3 and even if you’re a minor yourself. That doesn’t excuse anything. gonna be tagging the tags I see it in the most, sorry :/. it is tagged negative, so if you have that tagged blocked you won’t see it
alfred gave them the sheets
TOH SPOILERS
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Luz thinks they are slowly getting along but in reality they don't.
They try their best though.
Any digital art I do is done by finger on my phone / twt:Nix_nada /ig: _nix_nada
235 posts