@thejaycorn @thestarfishface Tell Me That First One Isn't A Rough Draft Of Sparks!

SHY AFFECTION PROMPTS—

Walking side by side, the back of their fingers brushing—too shy to initiate hand-holding.

Teasing the tips of person B’s hair between their fingers, watching their fingers, unable to meet B’s gaze.

Subtle acts of service: opening a door for them, covering cornered edges when the other bends down to pick something up, purchasing something of the other’s interest.

”You look—uh, good. You look good.” Stammering, trying to appear confident when complimenting the other. Cue the throat clearing and avoidance of eye-contact.

Hesitant smiles and blushy cheeks.

Person A about to say something before thinking against it and closing their mouth.

Agonising slow-paced romance.

Person B sticking by person A’s side while they’re sick and stuck to bed rest, despite A’s warning of getting them sick too.

Thoughtful picnic dates.

Almost confessions.

”I care about you, and I want the best for you.”

Friends to lovers.

Looking for each other in social settings.

“You mean more to me than that.”

”Come on, we’re friends.” “Are we really?”

Angsty confessions after built up feelings being hidden.

Everyone can see it but them.

“We’re just friends!” “With how B is looking at you now? I don’t think you’re just friends.”

Starry night skies, damp grass, and deep talks about life.

B learning about A’s body insecurities and finding that it’s their favourite part of them.

Love-fuelled kisses under whispering nights.

So deeply in love that it almost makes their friends uncomfortable to witness.

Feathery forehead kisses.

Neither of them raise their voice—a love so gentle and kind that it makes your teeth rot.

Either one has social anxiety and the other orders for them at cafes and restaurants, or both of them do and one disregards their own anxiety and steps up.

Late nights cuddled up and quiet giggles.

”You’re everything I’ve ever dreamed of.”

”I want our kids to have your eyes.”

Inside jokes that literally no one understands.

BAN ON CONVERSION PRACTICES IN THE EU. GO SIGN IT. DEADLINE IS FUCKING MAY 17. WE'RE STILL MISSING 800.000 signatures. FUCKING DO IT.

eci.ec.europa.eu

European Citizens' Initiative

Give your support !

YO WRITERS

Stop what you’re doing right now and go write 3 sentences of your story.

Every time you see this, write 3 lines.

Reblog so other writers will do the same, let’s finish these damn stories.

Most of the boys have already been claimed, but the originals of these lovely ladies (and Fjord) are still available on my online store! I’ll have prints soon, but the originals have fun sparkly bits >:3

Wild concept that shouldn’t be wild and the coldest take ever: disabled adults are *adults* and not just children trapped in adult bodies

Disabled adults have sex

Disabled adults do drugs

Disabled adults curse

Disabled adults get piercings and tattoos

Disabled adults can make adult decisions and act and behave like adults because we are adults

It’s just so weird for people to constantly infantilize me all because of my mobility aids when I’m not a child!!!

Life advice for the ages. Those doing wrong want you tired and hopeless. But stay angry. And when a chance is in front of you: bite back. Digital plans for a real linocut. I'm anxiously awaiting a press to make this stuff possible with my RSI in my hands.

My first art fair is on Sunday and I’m freaking out 🥲

(P.S. pop by if ur in nyc)

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.