I get so mad when I see stuff like this
"This fic was ai generated—" Cool, so lemme block you real quick
SAY IT LOUDER FOR THE PEOPLE IN THE BACK
I know two men who are currently single. One is 26, and the other is 38.
I’ve spoken with both of them at length about what they want in a woman, seeing as they’re cishet and white.
They both immediately went for physical attributes. Thin, but needs to have a nice butt. Boobs can’t be too big. One likes short hair, the other likes long hair. They also went into facial features for some reason. That was the part that made me really uncomfortable as I hadn’t expected either of them to have been that focused on appearances.
Aesthetics came next. Both want ‘alt goth / witchy’ women. It should be worth noting both of these men said their potential partner can’t wear too much makeup.
Lastly came personality and interests. They both said this is the most important thing to them, but they also ‘have to be pretty’. Oh, and they need to listen.
I have some single ladies I’ve also spoken with.
It’s the opposite. They rarely care about looks. It’s about chemistry, emotional connection, feeling safe, and sharing common goals / ideals.
While I know it’s not ‘all men’ it sure as fuck is a lot of you. Also both of these men think they’re part of the ‘good cishet white liberal men’ who voted for Kamala, despite one of them not voting at all.
He’s the 38 year old. To make things worse, he’s trying to date a 24 year old. 🤷♀️ His criteria for a potential partner was also under the age of 30 because it means less baggage and they’re still ‘fun to be around’.
You don’t want to know what he doesn’t bring to the table. Either of them, rather. 😅
We do have a male loneliness epidemic, but it’s not women’s fault. We don’t owe you anything. We’re not vending machines you put tokens into and get sex out of. Male culture made by men and perpetuated by men has made men this way. And it’s your job as men to fix it, not point the finger at us and say it’s our fault for not wanting to be with you. Some of us like myself want to actually HELP you, but you guys rarely want to listen. You instead want to complain to us about our gender and how unfair we’re being by not giving you a chance.
We don’t owe you anything.
On January 20th, 2025 and forward, they’re going to try to take our rights. They may succeed.
Men have to take from us because they’ve gaslit themselves into seeing us as the enemy, despite having driven us away by their own actions centered around self interest.
“It’s not all men. But it sure is a lot of you.”
Love the animals, they're so adorable!! At the bottom it says if it doesn't sound like you but you like it, it probably describes your type and/or future partner I guess that makes sense, this is not me... Or maybe it is? I've never been in a relationship. @ Anyone But I'm genuinely curious at what @bayharborkutcher would get. You don't have to do it tho!!! Happy (late) valentines day!
I have a little belated valentines tag chain for anyone who wants to play!
link to quiz here
open tag!!
@suugarbabe @unstablereader @sensationalstardust @jemssafespace @nightsmarish @ailoda @iamgonnagetyouback @honeycaksy
I don't like tea, but I'd try that
midnight tea party
Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.
So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.
To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.
When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.
“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.
That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.
People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.
Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.
The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.
You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.
When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.
Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.
The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.
For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.
An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.
Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.
Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?
Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.
Happy Winter Solstice!!!
if anyone likes sebaciel ……. enjoy hell 😘
May that damned architect be left in the farthest pits of Satan's abode
Who was gonna tell me that FERRARI was selling clothes and shoes now????? I saw high heels HIGH HEELS on display. Who's buying this? They're supposed to be a car company smh😭😭 Guys, we need to stop brand worshipping, this is getting insane.
I FINALLY FINISHED A STORY
It's a short one (six chapters, 11 pages, 4k words) BUT I'VE NEVER FINISHED A WORK BEFORE.
Not gonna post it to tumblr but I may put out a snippet or two at some point.
Cock bondage💀💀💀 I'm cisfem, how tf am I dying from that😭
First thing you see after you zoom in is how you die
How you dying 👀
SYMBOLISM
A little shoutout to all the artworks where Ciel is literally food on a plate for Sebastian 🗣
Love them all <3
Hi, welcome!!! You can call me Runa or Mythos, the choice is yours! She/Her.Professional yapper, if I talk I'm probably going to talk a lot. I write stories... Sometimes.I cannot draw for the life of me, so any art on my blog is NOT MINE and either from online, a friend, or a reblog.
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