My dump of thing where I put all of my aus, crack, headcanons, and random things that I will forget.
290 posts
In a reverse AU, original flavor Shang Qinghua wrote a critically acclaimed novel “pathetic immortal divine way” with protagonist Shen Yuan who tripped and fell into power and a massive harem as a satirical examination of agency in women in xianxia by putting the same guileless naivety in a ML.
Loser troll/antifan Luo Bingge has dedicated his sad, unfulfilled existence to complaining it wasn’t nearly horny enough and the author focused too much on world building.
“She’s tall” why does she look exactly the same height as everyone else on that page
this is how i feel when ppl say genshin has diverse body types sorry
Took this from Instagram because this is urgent US folks.
You need to call and email your reps no matter if you live in a red or blue state. This cannot be allowed to pass.
It will prevent anyone who has ever changed their name from voting (including their last name)
🌸=^•-•^= ...mobile wallpaper LINK!
had a fascinating english class that resulted in the notes header “the forcefeminization of victor frankenstein”
been building a collection of posts from like minded individuals
I just couldn’t resist the urge to draw something based on this by @samthecookielord 😂 Isn’t that comforting 😂
@fluffbruary
Day 7 - Curls | Hand
https://archiveofourown.org/works/62659075
for your entertainment and bc i had fun compiling them LOL
shang qinghua being so sexually expressive with his desires that mobei jun is a blushing miserable mess. like either they've gotten together and now that shang qinghua is comfortable knowing he's got his man, he just lets loose with everything on his mind. and sure, mobei jun is dtf and happy to try anything shang qinghua suggests, but that doesnt mean that the way shang qinghua can just shamelessly say the most unhinged and kinky shit doesn't literally make him about to explode with fluster. or even just the mundane way that shang qinghua will grope or talk to him. just qinghua slumps down next to his husband and cuddles against his side, when suddenly shang qinghua just rests a hand on his dick and sighs wistfully "man i love the shape of you inside of me" and wtf is mobei jun supposed to do with that?! other than become very flustered and maybe bring that into reality. but also its not like shang qinghua is even coming on to him. he just likes to cuddle and grope his hubbys huge dick. mobei jun was not prepared for just how comfortable with sex, sexual topics, and touching shang qinghua would be and he is losing his mind just a little bit. alternatively, on the slowburn side of this idea, shang qinghua and mobei jun are still Just Friends, but now that shang qinghua is comfortable at his side, he lets himself say all sorts of filthy shit bc he's just like "ah guy friends can talk abt dirty shit right? half my topics with cucumber-bro are sexual in nature (bc of the fucking novel they're stuck in), half of the convos i had online were sexual in nature (bc of the novel he wrote), so it's totally normal to just talk to a bro about the intricacies of the kama sutra and shit like that lol". meanwhile mobei jun is Losing His Fucking Mind because sure, half his conversations with shang qinghua are perfectly normal things. work, travel, hobbies, and all that stuff. but then the other half is just the most filthy stuff that mobei jun never dared to imagine and its all pouring out of the mouth of the man that he wants more than breathing and He Is Not Okay Right Now
kitty!mobei jun sitting on airplanes head. i'm thinking a shapeshifting demon OR mobei jun hit with a transformation curse. anyway, modern day so either he got dumped between worlds or its just a modern au where demons just exist and humans are none the wiser. anyway, airplane is just a shitty writer who is doing his best when suddenly this cat decided "your house is my house bitch" and now he's just accepted his fate and the cat sits on his head while he writes and bothers him all day and literally kicked him off his bed. altho nowadays the cat will very reluctantly let airplane cuddle with him on the bed, but claws are always on the table. and airplane just kinda wonders if this is how everyone gets a cat bc wtf is happening and how is this his life
shang qinghua handing mobei jun a document to sign and he does so unthinkingly, bc he trusts qinghua, and a moment later shang qinghua is whooping because "AHAHAHA NOW WE'RE MARRIED AND YOU CANT GET OUT OF IT BWAHAHA" and he just doesnt have the heart to tell qinghua that there was literally no need to trick him into this, he absolutely would have done it knowingly because it's kinda funny to watch shang qinghua lose his mind over his "diabolical plot" succeeding (look as soon as airplane figured that mobei prolly wouldnt kill him for it, he was willing to do just about anything to tie that man down). mobei jun just likes how his now husband looks when he's "won"
mobei jun slumped against shang qinghua while he goes about his day and everyone watching on in confused fear as the king of the north just drapes himself all over shang qinghua and shang qinghua just keeps working as if nothing is going on. all the servants in the palace feeling deeply uncomfortable, but they can't do anything about it and shang qinghua just waves off anyone who asks about it and is the king purring?!
shang qinghua wearing a sexy maid costume completely shamelessly while mobei jun tries to cover him up. shang qinghua thinks the costume is hilarious and he has no idea what the outfit is DOING to poor mobei jun, much less all of the very "looking disrespectfully" looks he's earning from others bc he just thinks it's funny as fuck. altho even after he learns that mobei jun is about to lose his mind over it, he's just as shameless except now he's doing it on purpose and someone send help, mobei jun is gonna have a heart attack.
mobei jun biting shang qinghua's ear when he loses an argument before storming away. like no explanation, nothing. just he loses an argument, he bites shang qinghua's ear, and he storms away in a huff. bonus if it's before they're in a relationship so shang qinghua is doubly confused as to just What The Fuck Just Happened
mobei jun waking up to see shang qinghua asleep at his side and marveling at the sight. simple and fluffy, he just loves the soft moments in the morning when he can just bask at the easy intimacy between them and how special it feels to be with the one he loves.
dimension hopping time-traveling pidw!mobei jun finds himself in the pivotal moment when he first met og!shang qinghua. he's about to intervene when he sees that shang qinghua is about to bash his head in with a rock (the same way that the original did) but then he's confused when THIS shang qinghua doesnt do it and suddenly he's aware that the mannerisms of THIS shang qinghua are completely different than the servant he once knew and he's left wondering if this is another time traveler or something else. so he watches airplane!shang qinghua rescue his younger self while following along in the background and wondering just what the hell is going on
twin au: og!shang qinghua berating airplane!shang qinghua for his horrible taste in men. the plot twist is that the entire conversation is happening while airplane!shang qinghua is seated in mobei jun's lap, who doesnt give a shit about the conversation so long as he can hug his airplane to his chest and nap. his head resting on airplane's shoulder and arms wrapped firmly around him while the brothers chit-chat about everything and anything, although mostly just og!shang qinghua hating on mobei jun bc he would like his twin back "once in a century, you clingy piece of shit" and mobei jun oculd not give the tiniest fuck. bonus if wei qingwei eventually picks og!shang qinghua up for their date or smth like that lol
binghe and qinghua plotting diabolical sexy plans for their partners together, to the quaking (horny) fear of shen yuan and mobei jun
shang qinghua bursting in after a long day of hard work and using mobei jun as a lap pillow without any regard for what mobei jun was currently doing. just mobei jun in the middle of an important meeting and now suddenly this tiny human bursts in and curls up on his lap in a huff and mobei jun continues on as though everything is totally normal and everyone else is trying not to lose their shit bc wtf
mobei jun bursting into shang qinghua's home and dragging him to bed for cuddles without any regard for what qinghua was doing. qinghua doesnt even have time to ask or pause what he's doing before suddenly he's been kidnapped to the designated Cuddle Spot where mobei jun won't let go and won't explain and oki its cuddle time i guess
airplane watching in horror as ring-style mobei jun crawls out of his computer screen. look, he's just a humble porn author, he was not prepared for one of his creations to CRAWL OUT OF THE COMPUTER LIKE THAT. he cannot be blamed for the way he screamed, tried to run away, or tried to push mobei jun back into the screen
shang qinghua casually bossing mobei jun around to the horror of those who witness it, even more horrifying when mobei jun responds with an angry glare that freezes over everything before just... doing it. secretly, mobei jun likes it. it's just embarrassing how much he likes it and thats why he's glaring. everyone else is wondering if shang qinghua has put some sort of obedience curse onto the king
shang qinghua being carried like a sack of potatos over mobei jun's shoulder while continuing a work meeting like nothing happened, an ding peak disciples having to scurry after the retreating demon lord as they take notes
mobei jun dragging airplane to bed and away from his computer, claw marks in the floor as airplane is dragged by the foot and trying to get back to his writing
kitten!mobei jun sleeping on airplane's keyboard, swatting at his hands every time airplane tries to move him.
shang qinghua having an oral fixation so he's always chewing on something while he thinks and it's sort of driving mobei jun insane. just shang qinghua mildly chewing on the end of a brush while he's thinking and why are so many of the objects that shang qinghua thoughtlessly puts in his mouth phallic?! HE IS NOT READY FOR THIS. mobei jun strugglign with the horny thoughts of "if he wanted, i'd let him suck on my cock while he's thinking" and just losing his fucking mind
mobei jun casually braiding shang qinghua's hair while shang qinghua hunches over paperwork
mobei jun carrying airplane under one arm and airplane!shang qinghua under the other arm with the self satisfaction of a man who has double the man he loves (bonus points for airplane to have a significantly different character design than shang qinghua)
mobei jun glaring with the hatred of a thousand suns whenever shang qinghua looks at him but whenever shang qinghua looks away, he looks soft and besotted. sha hualing is gonna vomit at this tsundere motherfucker
airplane wearing a hamster kigurumi wrapped up in mobei jun's arms
mobei jun casually stealing shang qinghua's melon seeds until shang qinghua loses his temper (but thats victory for mobei jun, secretly he was just trying to get his husbands attention)
title: nonviolent communication
tags: post-canon and post-airplane extras, fluff and humor, humor, or attempt thereof, established relationship
rating / word count: Gen / 842 words
relationships | characters: moshang | mbj, sqh
summary: shang qinghua asks a question that’s been plaguing him. mobei jun is all too happy to answer — even if he thinks the question is a stupid one.
“Why do you even like me?” Shang Qinghua asks in the wake of Mobei Jun’s confession. “Why must Qinghua pose such a stupid question?” Mobei Jun answers, tone light and affectionate despite his words. “I don’t just like you. I told you, I love you.” “Yeah, I don’t get that either.” “What is there to be confused about?” He takes Shang Qinghua’s face gently into his hands and lays featherlight kisses all over. “Besides, what is not to love?”
note: this is a direct sequel to ‘say what you mean, mean what you say’ a few days give or take after the confession scene at the end part of the final chapter, but this can be read as a stand-alone.
Things that Witch!Wei Wuxian knows: his next job is going to be a pain in the ass, he needs to figure out what (if anything) he's going to do for his twenty-two birthday, he has a video call with his sister tonight to discuss the mural he's going to paint in Jin Ling's nursery, and that the little bunny he just picked up from a dingy alley is definitely not a normal animal. No animal has bright golden eyes and a pissed off expression quite like this one. Will he still take it home? Of course.
Things that Witch!Wei Wuxian maybe knows: half a dozen purification potions and some talismans for repelling nightmares will likely do, he wants his siblings to be there, his nephew definitely won't get a peacock, he can't just upload a picture of the bunny to the MagiNet and hope that no one comes knocking with the intention of sacrificing the little guy—yeah, he checked—in some strange ritual. So he tells Jiang Yanli and trusts her to spread the word to sensitive people. Meanwhile, he makes sure the bunny is warm, full and rested, and only threatens to eat him a few times. Who can blame him! It's so fluffy, it triggers his cute agression. Also, it could easily be made of cotton candy. No one can really know with magical animals.
Things that Witch!Wei Wuxian definitely doesn't know: his job is about to be interrupted by a strange ass man accusing him of stealing his familiar, that is going to be interrupted by his brother calling him because guess what! His nephew is being born, and the little bunny that has been sleeping in his bed and hearing every thought that crosses his head and following him into the shower is actually a shape shifter. And not even any shape shifter: Lan Zhan, Wei Wuxian's old high school crush that turned him down so many times his story still gets told in the School of Magic for Young Practitioners. One Hundred and Thirteen Rejections Wei Wuxian, that's him.
Right up until Lan Zhan accompanies him to the hospital along a magically stunned Su She, who apparently had drugged him to make him stay in his animal form and try to force a familiar bond—which, yes, it's as heinous and illegal as it sounds. Dude is so going to jail. But whatever. The important part: why is Lan Zhan by his side while Wei Wuxian is holding Jin Ling for the first time? And why is he going home with him after? And why is he... confessing... his love for Wei Wuxian... and saying he wants to be his familiar...?
Oh. Oh.
And so they magically bound their souls for eternity. And Su She gets his wand broken as well as his hand by Lan Xichen!
The Procgen Mansion Generator produces large three-dee dwellings to toy with your imagination, offering various architectural styles and other options. Each mansion even comes with floorplans:
https://boingboing.net/2019/07/12/random-mansion-generator.html
Fatigue Pad Thai
Catastrophize Benedictine
New discourse: it's actually predatory to date someone with a different star sign than you, because the differences in your personalities means you'll never be able to have exactly the same life experiences, thus leaving a knowledge and power gap between the two of you which will inevitably lead to an abusive relationship!
also if you're a Sag and you're dating a Taurus, that means you're secretly seeking a May-December relationship, which is age gap coded!
Too many beds
Accidentally kidnapping a mafia boss
Really nice guy who hates only you
Academic rivals except it’s two teachers who compete to have the best class
Divorce of convenience
Too much communication
True hate’s kiss (only kissing your enemy can break a curse)
Dating your enemy’s sibling
Lovers to enemies
Hate at first sight
Love triangle where the two love interests get together instead
Fake amnesia
Soulmates who are fated to kill each other
Strangers to enemies
Instead of fake dating, everyone is convinced that you aren’t actually dating
Too hot to cuddle
Love interest CEO is a himbo/bimbo who runs their company into the ground
Nursing home au
Somebody on my TikTok asked about ways to make a villain who is technically unintelligent (i.e. probably not smart enough to play 3D chess with or come up with insane plots to trap your protag) unsettling and it really gave me something to think about!
1.) They have an unrelenting persistence: Without the intelligence to know when to quit, they'll keep firing at something until it gives way. This can create a sense of dread, because they will always keep coming, no matter what happens.
2.) They're completely detached: Because they're too unintelligent to have a sense of empathy or morality, they might cause harm without realizing the gravity of their actions, and they'll never understand why what they did was bad...because they quite literally can't!
3.) Lacking logic = no chance of reasoning: If they're technically too low IQ to understand basic logic, then good luck reasoning, bargaining with, or manipulating them. They might be stupid, but that stupidity could protect them from potentially being influenced by their foes, thus potentially making them much more dangerous.
4.) No sense of emotional regulation: Without the intelligence to regulate how they feel, your villain could be prone to flip-flopping emotions with very little warning. They could go from joyous, to forlorn, to violent in one fell swoop, with very little provocation, and their foes might never see it coming.
5.) Or, maybe they're REALLY in touch with their emotions: Without intelligence to worry about, you can use that space to toy with their emotional core, and how they process their own and other's feelings. They might be so in touch with the idea of emotions that they can use those of their foes against them. Or, they consciously use their own as fuel for their actions.
6.) Weaponized innocence: Why have an dumb angry brute as a big bad when you can have one that's far more innocent-minded? With a childlike approach to everything they do, from their actions to their goals, a villain can become much more unsettling when characters (and readers) realize that nothing they're doing is inherently malicious; they just don't know better.
7.) They have goals that change with the tide: Because your villain might not have the intellect to really understand the concept of objectives, any goals they might have could seemingly change at any moment, which can leave their foes scrambling to pin down their next move.
8.) Most of the destruction they cause is accidental: Because they might not be intelligent enough to regulate themselves physically, whether that's through their raw power or something of a more magical nature, the might attempt to approach things from a logical, more refined angle...only to leave a trail of unintended destruction in their wake.
9.) Put your characters in a moral dilemma in your villain's regard: If your villain is too dumb to really comprehend the gravity of what they're doing, is it fair to harm them? Giving your villain's foes a chance to answer that question, perhaps as your villain is laying waste to the countryside, can build on just how horrifying your villain actually is.
10.) Harmless now, dangerous later: It might be interesting to build into their unsettling factor by starting them off as a pitiable, almost pathetic presence in the story before it becomes increasingly clear that despite not having many lights on upstairs, a mix of some of the previously mentioned traits come out to make it clear that they are indeed a threat.
As always, happy writing <3
1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.
2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.
3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.
4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.
5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.
6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.
7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.
8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.
9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.
10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.
As always, GO WRITE SOMETHING TODAY! <3
My zine on vending for the first time! I wish I hadn't waited so long to start and now hopefully others can start too!
svsss modern au where shen jiu becomes self aware and realizes that they’re in a romcom world.
it’s not a slow realization, more of a sudden awareness and then suddenly everything around him made so much more sense. all of the kissing couples he’s had to walk around on rainy days, the dramatic declarations of love that would occur in the office, the sheer number of bumbling, new interns who would trip and drop documents at the feet of important senior workers, etc.
shen jiu has a crisis about this for approximately two days before slapping himself and being reassured about the fact that he is, in fact, not romcom couple potential. he’s what some have called “a bitch from hell” and he is proud of it. his family is incredibly wealthy yet thankfully completely clean in all the ways that matter. he will be safe from the romcom machinations that his world runs on even if it tries to drag him in kicking and screaming. and he went on with his days content with his distance from it all.
he did not account for shen yuan—his dearest, idiot twin brother.
he should have accounted for shen yuan.
because his brother, lovable despite how much of a bumbling, foul mouthed fool he was, was the perfect material for a modern day romcom. and perhaps shen jiu was an even bigger fool for not realizing it until danger was imminent.
and then liu qingge, famous mma fighter, his nemesis, meets shen yuan and shen jiu just barely holds himself back from ripping the man’s throat out with a combination of his teeth and sheer force of will when the brute’s face erupts into a red flush the moment he makes eye contact with shen yuan.
the shrill, inhuman noise that escaped his mouth in that moment was enough of a distraction for him to be able to grab shen yuan and drag them both to the relative safety of his apartment.
it’s then that shen jiu swears to never let shen yuan get dragged into the machinations of this romcom world, especially not when it wants to bind his twin to that idiot of a brute known as liu qingge.
it really is a shame that the world never listened to shen jiu’s wishes.
because no matter how much he tries to keep the two of them apart from one another, liu qingge somehow ends up meeting with shen yuan at least once a day. it’s maddening enough to drive shen jiu into a stress induced tea-brewing session that shen yuan said tasted bitter—border-lining on burnt.
it’s only when shen yuan starts blushing around the brute as well that shen jiu decides that extreme measures needs to be taken. it comes in the form of the trio of high schoolers that shen yuan has been tutoring: ming fan, ning yingying, and luo binghe.
after much persuasion and bribery (mostly bribery) the three agreed to join him in his mission to keep the two apart.
only, any attempt at foiling the budding romance only seems to spur it on more??? the world seems to be twisting their attempted sabotage into a romantic gesture/opportunity???
putting random, disgusting ingredients in the coffee that shen yuan made for liu qingge? shen yuan trips, spills it on the brute’s shirt, and it leads to them going on a semi-date where shen yuan buys the brute a new shirt.
replacing the rare book that liu qingge was going to gift to shen yuan with fifty shades of grey? shen yuan was thrilled to be able to tear it apart with words and later on with an actual fucking sword that liu qingge just had apparently.
the trio of minions he’s recruited had apparently had their own romcom situations happening in the background with him being none the wiser. (luo binghe attached himself ferociously to an older student named gongyi xiao, ming fan found himself in a rivals-to-lovers situation with liu qingge’s apprentice yang yixuan, and ning yingying found herself being seduced by liu qingge’s sister because of course she did)
shen jiu feels like he’s going insane.
and amongst all of this insanity, it genuinely threw shen jiu for a loop when he found his heart begin to thump when he reunites with his childhood friend, yue qi, who went from a cute and dependable older friend to a handsome man and oh fuck—
-After being the victim of bardic slander one too many times, your character decides to get even. Only thing is that they have no musical talents and no one wants to work with them due to the fact that their reputation is in ruins. (Bonus if they are a member of a party, and none of them have any musical talents either, or else they refuse to help)
- Character conned an entire nation into believing they are the living embodiment of their patron god. This wouldn’t be too much of a problem, but character suddenly gained divine powers that grow stronger the more they are worshipped…
- The Knights and Knaves puzzle, only you are one of the door guardians. Which one? That’s for you to find out!
- What does an adventurer do when the innkeeper evicts all the mysterious strangers, hooded quest givers, brooding recruiters, and people-who-just-stand-in-the-corner-for-atmospheric-purposes?
-You’re a time traveler who has erased all the Bad Things in history. When you attempt to return to the present, the Time Police arrest you and charge you with setting things back to the way they were. (Why should you cooperate? Well, your meddling has had such a disruptive effect that a great many things, including yourself, no longer exist. You have only a set amount of time before you disappear forever.)
- A great Big Adventure/ Quest with a Medieval-esque feel, but everyone who is directly involved are mice living in an industrialized city (post 1780 or equivalent)
We are going to bake a rainbow cake!
Complex and Ambiguous Morality: Morally gray characters exhibit traits and make decisions that do not fit neatly into the categories of 'good' or 'evil'. Their actions and motivations often blend aspects of both.
Humanized Flaws: They possess human flaws, which make their actions and decisions relatable and believable. These flaws often drive their complex behavior.
Realistic Motivations: Their motivations are multifaceted and realistic, often stemming from personal experiences, traumas, or societal pressures.
Adds Depth: These characters add depth and richness to the narrative, providing a more nuanced and realistic portrayal of human nature.
Creates Tension and Conflict: Their unpredictability and complex morality create tension and conflict, driving the plot and engaging the audience.
Reflects Real Life: By portraying characters with both good and bad qualities, stories can reflect the complexity of real-life moral decisions.
Walter White from Breaking Bad: Initially a high school chemistry teacher diagnosed with cancer, Walter turns to manufacturing methamphetamine to secure his family’s future. His descent into criminality and moral compromise makes him a quintessential morally gray character.
Severus Snape from Harry Potter: Snape’s actions and allegiances are ambiguous throughout much of the series. His ultimate loyalty and sacrifices reveal a deeply complex character motivated by love and regret.
Blend Virtues and Vices: Give your character a mix of admirable qualities and significant flaws. This balance helps create a sense of realism.
Motivations Over Actions: Focus on the character’s motivations rather than just their actions. Understand why they make certain decisions, even if those decisions are morally questionable.
Consequences and Growth: Show the consequences of their actions and allow for character growth or regression. This evolution keeps the character dynamic and engaging.
Empathy and Engagement: Morally gray characters can evoke empathy from the audience, as they see parts of themselves in the character’s struggles and decisions.
Moral Reflection: These characters prompt audiences to reflect on their own moral beliefs and the complexities of right and wrong.
Discussion and Debate: The ambiguous nature of morally gray characters often sparks discussion and debate, making stories more engaging and thought-provoking.
By understanding and effectively using morally gray characters, storytellers can craft richer, more engaging narratives that resonate deeply with their audience.
Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:
1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.
2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.
3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.
4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.
5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.
6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.
7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.
8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.
9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.
10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.
11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.
12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.
13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.
14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.
15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.
16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.
17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.
18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.
19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.
20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.
These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.
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Abandonment: Characters who have been abandoned by loved ones or caregivers can evoke sympathy from readers.
Betrayal: Being betrayed by someone close can create deep emotional wounds that make readers empathize with the character.
Loss of a Loved One: Whether through death or separation, the loss of a loved one can be a powerful emotional wound.
Rejection: Characters who experience rejection, whether in relationships or by society, can be relatable and evoke empathy.
Abuse: Physical, emotional, or psychological abuse can create complex wounds that shape a character's personality and behavior.
Neglect: Characters who have been neglected, especially in childhood, can evoke sympathy from readers.
Failure: Experiencing a significant failure or loss can create emotional wounds that make characters more relatable.
Guilt: Characters who carry guilt for past actions or decisions can be compelling and evoke empathy from readers.
Shame: Feelings of shame can create internal conflict and make characters more relatable and sympathetic.
Injustice: Characters who have experienced injustice or unfair treatment can evoke strong emotions from readers.
Trauma: Characters who have experienced traumatic events, such as war or natural disasters, can be sympathetic and relatable.
Loneliness: Characters who feel lonely or isolated can evoke empathy from readers who have experienced similar feelings.
Fear: Characters who face their fears or struggle with phobias can be relatable and evoke empathy from readers.
Self-doubt: Characters who struggle with self-doubt or low self-esteem can be relatable and evoke sympathy.
Identity Crisis: Characters who are grappling with questions of identity or struggling to find their place in the world can be sympathetic.
Addiction: Characters who struggle with addiction can be complex and evoke empathy from readers.
Betrayal of Trust: Characters who have had their trust betrayed can be sympathetic and relatable.
Unrequited Love: Characters who experience unrequited love can be sympathetic and evoke empathy from readers.
Isolation: Characters who feel isolated or disconnected from others can be relatable and evoke sympathy.
Fear of Failure: Characters who struggle with a fear of failure can be relatable and evoke empathy from readers.
Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
1000 Follower Post
2000 Follower Poll
Writing Fantasy