Autobot Or Decepticons Evil Or Good😈😇

Autobot Or Decepticons Evil Or Good😈😇
Autobot Or Decepticons Evil Or Good😈😇
Autobot Or Decepticons Evil Or Good😈😇
Autobot Or Decepticons Evil Or Good😈😇

Autobot or Decepticons Evil or good😈😇

More Posts from Mr-moss-moss and Others

mr-moss-moss
10 months ago
Life Of A Cat Owner. Ravage Has Been Fooling Them All.
Life Of A Cat Owner. Ravage Has Been Fooling Them All.
Life Of A Cat Owner. Ravage Has Been Fooling Them All.
Life Of A Cat Owner. Ravage Has Been Fooling Them All.

Life of a cat owner. Ravage has been fooling them all.

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mr-moss-moss
7 months ago
mr-moss-moss - Behold this, my mossy mess
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mr-moss-moss
9 months ago

hit artblock right when i want to draw some other medias but robots so im using this opportunity to draw other characters even though they look off so sorry about that 🥹 1st time drawing them both

Hit Artblock Right When I Want To Draw Some Other Medias But Robots So Im Using This Opportunity To Draw
Hit Artblock Right When I Want To Draw Some Other Medias But Robots So Im Using This Opportunity To Draw
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mr-moss-moss
7 months ago
first slide, titled "how to draw some burn scars" with "some" being underlined. The text under reads "3rd/4th degree mostly, because most people on this website apparently never seen a burn survivor." below that is a red box with text reading "(all caps) all scars are different! (end caps) there is no one correct way to draw a scar. this is more of an overview than a step-by-step tutorial". the right side of the slide has three drawings, each showing a person's forearm. The text above them reads "there's many types of scars, actually". The first one shows a hypertrophic scar, with the text "draw a darker patch of skin and shade underneath to show depth. notes: it sticks out a bit, it can be slightly discolored (darker), it's not really this bright red color that people draw burns with, it interacts with the rest of the skin - you can see it pull skin inward". The second one shows a keloid scar, with the text "it sticks out a lot, much more discolored, it can be red, pink, purple, it doesn't with the rest of the skin as much - it has sharper, more defined edges". The third and last arm shows a severe contracture with the top of the hand resting on the forearm, with the text "burns make skin contract; scars affect range of motion (ROM) and can lock or limit movement, they afect all areas of the body vbut are most visible on the neck, joints, and hands". There's a fourth additional drawing showing a man's torso; he has a lighter burn scar on the far side of his ribcage, with his arm seemingly fused to it above the elbow. He has visible body hair but is lacking it on the scar itself. The several notes around it read "healed scars can also turn lighter; a burn scar has a tendency to pull surrounding structures* inward, here it makes a contracture. *-not only skin. scars affect cartilage (like in ears), nipples, etc. also notice the lack of hair on the scar".
second slide, titled "how do burns look like (for people who draw them but don't seem to know)". there's an arrow labeled "not like this (heart)" leading to a drawing of an anime girl with half of her skin being plain red and no other changes. text box below her reads "'don't worry man I watched ATLA when I was 14' type OC", with the following noted; "the Red, has fingernails despite 3rd degree burns, has eyebrows despite 3rd degree burns, has hair despite 3rd degree burns, eye is totally fine it's only fire LOL, nose and ears also fine, why is it red, more flexible than your average abled person, why is it red". below is a disclaimer reading "(one or two is fine, but why is it always all of it? burns do things, especially one as seveer as implied here)". the right side of the image shows pictures of body parts with burn scars on them, the first being a hand with a severe contraction in the fingers. the burn and contracted joints are labeled on the image. next to it is a drawn comparison between a non-burned hand with stretched out fingers, and a burnt hand with curled fingers. photo under that is of a pair of feet being held by a hand. the link below goes to "SurvivorNotVictim.com/Scar-Photos". my added text reads "not red! the scars mostly show through texture and tissue damage" and "no toenails". next to that is art of a scarred leg from the mid-calf down, it has visible skin pulling, no nails, and discolored patches of skin. text reads "some pinkness/redness can show, but it's A) not going to be a consistent color, B) other aspects of the scar still show up. Remember the body is 3D and skin pulls accordingly (more or less); scars form toward the ankle because it sticks out". at the bottom of the image is a portrait photo of Marzieh Ebrahimi, an Iranian woman with a chemical burn on one side of her face, smiling. Text next to her reads "a scar can be more defined in one place and less in another (forehead/chin); the skin is darker and less saturated, not red; Marzieh's scar is more visible because of her eye and nose than the discoloration". Next to that is a simplistic portrait drawing of her recreating the picture. Note reads "just some darkening of the skin, lighter and darker lines to imply skin pulling, and attention to some basic effects of burns (e.g., scar on eyebrow ridge = no eyebrow) looks more like an actual burn than the red paint thing".
Third slide, titled "skin grafts". On the right is a photo of a white woman posing with her scars visible to the camera, the source is linked as SurvivorNotVictim.com/Scar-Photo. Text reads "one of the most common visible kinds of skin grafts is the mesh one", with an arrow pointing to the woman's arm, where her skin has a mesh pattern. There is a drawn comparison of non-burnt skin and skin with the mesh graft for comparison. Text box reads "it leaves a specific kind of texture in the skin. Grafts sometimes have stronger highlights than other parts of the skin (you can see it on both photos)". Under that is a photo of Kenny Matthews (@IKenDawg), a Black man with burn scars. There is a text box on the right that reads "skin grafts will usually be thicker than the rest of the skin and thus can stick out; they can be discolored (both darker or lighter, more yellow or red, more/less saturation, etc.) and have a visible start and end. It applies to all skin colors BTW". Below that are two portrait drawings, one of a Black man with a large, darker skin graft on his cheek, and a white woman with yellowish grafts on her jaw and nose.
Fourth slide, titled "nose and eyes". The left side features various nose drawings, while right and bottom show different kinds of eyes. The text in the nose section reads "Usually if nose was visibly burned, it will be seen on the nostrils and septum". The first nose drawing shows someone with pale skin and nostrils pulling strongly downwards. Second one shows a person with darker skin and fourth degree burns; his eyes are covered by skin and the external parts of the nose are largely gone, leaving the red internal part visible. Text attached reads "With very severe burns, the external part of the nose can be removed. In this case the nose will be red because the insides of the nose are red". Third drawing shows a white man with burns below his eyes; his septum is completely gone, and the nostrils pull to the sides. Attached text reads "Nostrils can also pull to the sides, making the nose wider. Sometimes the septum will be absent if burns were severe enough. That generally causes some degree of asymmetry". Last nose drawing shows someone with a lot of keloid and hypertrophic scars on his face, with one of them formed around their nose. Text attached reads "Nose can also pull to one side. The constricted nostril can then be very flat". There's a simple sketch underneath that shows a nose with symmetric and asymmetric nostrils from below. Eye section. The first text box reads "Eyes are not affected as often as you'd probably assume (mostly because blinking and all) but eye damage is frequent in chemical burns (as opposed to thermal)". First drawing features a darkskin person with burns on their forehead and around their left eye. The skin pulls their eyelids upward and to the side at a 45-degree angle, resulting in the red of the eye showing on the sides. Attached text reads "Eye pulls out and up, so the red parts show accordingly. The eyelids themselves are stretched, eye is fine". Second drawing is of an Arab man with a chemical burn on the left side of his face. He's missing his eyebrow and eyelashes on that side. He has ptosis and his actual iris is blurrier while the white part is redder. Text reads "Here eyelids pull down so the eye looks like it's drifting up". Third drawing shows a person with tan skin and severe burns. They have no hair of any kind, and their nose bridge is significantly pushed to the side. Their right eye is wide open with a red shiny eyelid at the bottom, their iris pointing extremely outward, and blood vessels showing. Their left eye looks very small with swollen eyelids and partially opaque iris. Text reads "The redness you can sometimes see is a result of chronic conjunctivitis, it's not an open wound situation. Here the right lower eyelid is missing so it looks like it's red and shiny. The left lower one is turned outward and it causes corneal scarring, which results in parts of the eye looking white(r) and the eyelids to swell". The bottom section features four eye adjacent conditions and their characteristics. The first one shows a person with one of their eyes missing and an empty pale-red socket visible. It's titled "Enucleation". Text underneath reads "If the eye is as badly damaged as in 90% of OCs with burns then they will get it removed. Despite popular perception there is quite literally nothing 'gore' about an eye socket. The redness/whiteness is the same thing as on your eyelid when you pull it. The empty socket has a much smaller opening and is very flat in comparison to a full socket. If the character has a protruding brow ridge, the shadow will fall on the whole area". Second one features a dark-skinned person's eye, which is brown with a white spot on the lens. Text reads "Cataracts is a condition of the lens, so it affects the lens by making it to appear clouded. Causes blindness". Third one shows an eye of a pale person; it's slightly red with blood vessels visible and the irid is blurry with a large opaque spot in the middle. Text reads "Corneal scarring causes pain, red sclera, and the opaqueness that can happen over the whole eye, not just lens. Also causes blindness".
Continuation from the previous slide. Last one shows an eye with the upper eyelid fallen down. Text reads "Ptosis is caused by nerve damage more than anything else. It makes the eyelid fall down, but does not affect the eye itself. Can technically make someone unable to see if the eyelid doesn't open". Fifth slide description starts from here. It shows a three-step process of drawing the skin texture. First step shows a patch of light skin, titled "get a base". Second step puts various brown lines of different sizes on the skin, largely going from the upper left to bottom right, spreading out on the right. Text reads "Draw slightly darker lines of various lengths to imply contractures". There’s a second, smaller drawing, first with the lines going in similar direction and the other with the lines all pointing different ways and going over each other. Text above them is "try to keep them going in a direction that makes sense" and "not just random strokes" respectively. Third step adds some shadows and highlights on the scars. Text reads "add subtle shading to show texture changes, can also add highlights". Below that is a small drawing of a patch of skin with a red line going through it; one side is shaded and one isn't for comparison. The upper right has a drawing of a man shown from the back; he has burn scars on his left shoulder. That shoulder is less muscular than the right one, and he has keloids and grafts visible. Text underneath reads "You really don't have to draw 10000 lines to show the contractures. A few smaller and some bigger ones do it just fine. Remember that you can ad keloids, hypetrophic scars, and graft discoloration!".
sixth slide, titled "other things to think about". it features a few different burn survivor characters and the text "no two burn survivors are the same". first one is a Black woman with a burn just on her face and neck, empty eye socket, and no ear, wearing a very wide-brimmed sun hat. note next to her reads "sun protection". below her is a white man with scarring on the side of his head, including two large keloid scars. he's missing a lot of hair on his scalp. underneath him is a drawing of a Latino man with short black hair and contracture scars on his forearm, fusing it around the elbow; he's wearing a large compression glove on his hand. in the center of the image are two women; a South Asian young woman wearing a pastel hijab using crutches with a visible prosthetic leg, and a Black woman with short pink hair and all four limbs amputated using a powerchair. The first woman has no actual burns visible while the second one has her stumps covered in distinct discolored scars, but they're both smiling at each other. text between them reads "burns can result in amputation, either because of the initial damage or infection. sometimes burns are visible, sometimes not so much". under them is a portrait of a white woman scratching her neck with her remaining fingers. she's completely bald with scars on her head, face, and hand. her eye is slightly red with a discolored white part in the middle of the iris. text next to her reads "research actual symptoms of burn scars (like scratching) (like sun protection), etc."

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Screenshot that reads, "In a 2022 survey of the burn community, Phoenix Society for Burn Survivors found 59% ranked 'burn survivors & the media: changing the portrayal of the survivor' as a top need for support."

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

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mr-moss-moss
9 months ago

my best content

My Best Content
Tags
tales of arcadia trollhunters draal the deadly nomura trollhunters trollhunters draal draall trollhunters
551 notes View Post
mr-moss-moss
9 months ago
first slide. top right reads: There are many types of cleft lip. unilateral (on one side), bilateral (on both sides), and complete (self-explanatory), incomplete (self-explanatory), and post-surgery (there is no cleft), no-surgery (there is a cleft). next to it is a photo of Joaquin Phoenix with no facial hair captioned "Joaquin Phoenix has it BTW (unilateral + incomplete)". below that are four drawings captioned "Examples". They're all the same bust sketches but with different mouths and noses. The first one is Unilateral + complete (post surgery). Text box reads "teeth can sometimes be slighly visible, scar present, tip of the nose points downward, if they had surgery you won't be able to tell half the time if you aren't looking for it, easier to tell from the nose than the lip/scar TBH". Next to it is one captioned "unilateral + complete (no surgery). Text reads: "teeth are visible, upper row of teeth goes with the shape of the lip, tip of the nose points other direction". Third one is "bilateral + complete (no surgery). Text reads: "two front teeth visible but they go to the sides, upper lip split into 3 parts: one attached to the columella and two to the outer nostrils, nose and nostrils are wider". the last one is "unilateral + incomplete (no surgery)". text reads: "teeth can sometimes be visible but mostly no, nose can sometimes be flatter + wider on the side of the cleft, doesn't go into the nostril."
second slide. the title reads "Drawing a character with cleft lip post lip surgery". the caption reads "some people also get rhinoplasty (nose surgery) but I won't go into it because it just gives you a "regular" nose and I don't think this needs a tutorial IDK". Below that are three drawings from the neck up. First one is of a woman with a faded cleft lip captioned "it's not always very visible". Second is of a Latino man with a gap in his moustache and slightly visible teeth, captioned "teeth can show". Third is of a Black woman with a large keloid scar, captioned "keloid scars sometimes happen". under those is a section called "what it can look like" with "can" in all caps and underscored. text reads: "cupid bow higher on the side of the cleft, nostril lower on the side of the cleft, actual scar, pulling from the scar creating a small opening right below it, nose pointing downwards and/or towards the scar". the drawing next to it has all these differences highlighted. note below it reads "if it's bilateral: the lip and nostrils can still be asymmetrical, the lips would probably be parted in the middle if at all". the last drawing at the bottom shows a person from the side-view and highlights the nose and lips. Text reads: "from the profile, the upper lip pokes out less". a note in the bottom right reads: "note: the scar is surgical. in most cases, it will be poorly visible, and in adults, faded. in some people it's honestly invisible, but it can also be reddish or paler than the rest of the skin. facial hair doesn't grow on scar tissue no matter how visible the scar is."
third slide. it's the same as the previous one, but for characters with no surgery. the three drawings show a Black man with an incomplete cleft lip showing his teeth, a white woman with a complete cleft, and a Black girl with a bilateral complete one. the section below shows a person with a bilateral cleft from the side, as well as a close-up on the mouth itself. text reads: "the middle part protrudes further than the nose (generally), nose and middle part are on a similar angle, when the mouth is closed the upper lip goes into the lower one". a note under the drawing reads "(the mouth here is slightly open to see everything from the side)". a text box under both drawings reads "incisors can be more hidden or visible (same with gums) and they can be straight or go to the sides. the actual lip is usually invisible on the middle part because it's often on the more inner side. it can look like the profile above but it's not as common". a section next to that one shows a person with an unilateral cleft lip and misaligned teeth on a 3/4 angle. text box reads: "upper teeth go towards the nostril with the cleft" and "the higher the cleft the more they will do that. compare the chara in top left vs the one above this text box."
fourth slide. it's titled "ok but what else". below that are two busts, one of a person without a cleft lip and the second of a person with a repaired cleft but no visible scar. caption reads "how to draw the subtle differences". text continues "distance between nose and upper lip is shorter, nose more down turned (can be much more than I drew TBH), lip pulls upward below where the cleft was. This way it's still visible even when there's no easy-to-see scar." the two drawings have all these differences color-coded. section below features the same drawings, but this time they show a character with a complete unilateral no-surgery cleft. first one shows the skeleton underneath, second has skin on. text reads "in a no-surgery uni complete cleft lip, think of the rows of teeth not as two horizontal rows but more of a triangle. the upper teeth are parted into 2 sections and they don't meet, but can overlap in the actual cleft spot. they don't go into the nostril BTW." a small note reads "gums are dark red and teeth are blue so you can tell which is which" and the drawing is color coded accordingly.
fifth slide, titled "the chibis the cartoons etc." with a header "(by someone who doesn't really draw in that style I'll do my best though). it shows two chibi drawings - one of a girl with a bilateral no-surgery cleft lip, second of a girl with a unilateral post-surgery one. they each have instructions below. for the first one, it shows a horizontal 3 with an additional bump, captioned "you can do this shape (it's kinda nose shaped?", next step draws two squares to the middle part, captioned "add teeth to the middle part, boom no nose needed." second drawing has its first instruction as "draw a basic smile, don't bother with subtle differences TBH just simpify it", followed by "draw an anime girl fang upside down, remember that the lip follows the shape. you can throw in a scar too."
sixth slide, titled "other types of clefts + things to consider for the character". it features two drawings: one of an East Asian woman with a cleft going from her lower eyelid to the corner of her mouth, and second of a South Asian woman in a headscarf with an indent in the middle of her eyebrow. she also has strabismus and her cleft eyebrow is very wide. they're captioned with cleft type 5 and 10 respectively. a text box reads "these are called Tessier clefts and they're like cleft lips but on different parts of the face. There's 14 of them in total and they can be comorbid with cleft lip and palate." the last section has no drawings and just a text box titled "info that you might find useful: most people with cleft lip worldwide didn't have surgery, most people in wealthy countries get surgery as babies, some people choose to get cosmetic revisions rhinoplasties etc. when they're older (most don't), first cleft lip surgery was in 390 BC, most people with a cleft lip have a cleft palate as well, don't call it a fucking 'hare lip' it's offensive and weird".

tutorial for drawing characters with cleft lip! sorry that it's mostly unilateral-centric but it makes up the vast majority of resources and photos. still tried to get tips for drawing bilateral clefts in though.

please keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People : )

if you draw any characters using this feel free to tag me!!

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mr-moss-moss
1 month ago
mr-moss-moss - Behold this, my mossy mess
Tags
mha bnha boku no hero academia yagi toshinori my hero acedamia all might toshinori yagi crying laughing oh mine god i need my inhailer
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mr-moss-moss
7 months ago
@silverglimse-productions Sorry It Took So Long! I Just Finished The Season. Gunmar Controlled Jim For
@silverglimse-productions Sorry It Took So Long! I Just Finished The Season. Gunmar Controlled Jim For
@silverglimse-productions Sorry It Took So Long! I Just Finished The Season. Gunmar Controlled Jim For

@silverglimse-productions Sorry it took so long! I just finished the season. Gunmar controlled Jim for you

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mr-moss-moss
10 months ago

My feelings for THW can be summarized in this one video I made last night in a manic frenzy

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mr-moss-moss
8 months ago
I Did A Redraw Of That Comic Edit. I Thought It Was Funny To Do It With Them

I did a redraw of that comic edit. I thought it was funny to do it with them <3

(I was playing around with some brushes)

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mr-moss-moss - Behold this, my mossy mess
mr-moss-moss
Behold this, my mossy mess

WARNING: SPOILERS FOR TFONE Current hyperfixations; Transformers and DC (animation specifically) Please interact w me about them, I would love the company, excuse the mess. :> :]

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