Love The Idea Of Having A Diary For A Character, And This Is So Beautifully Written!

Love the idea of having a diary for a character, and this is so beautifully written!

5/2

The death of winter is the birth of spring. There’s a certain melody to spring that I can’t quite capture. Is it the hum of the insects leaving their hiding spots I’ve not yet found? The chirps and caws of the animals greeting the still frigid morning? Or could it be the wind that no longer bites at my skin with a deathly cold but instead carries new life: seeds. The scenery is foreign to me now. I had grown used to the blank, muted world, where only the orange from the flames in my hearth broke through the colorless world. Spring comes every year, and yet, I grow no less used to this continuing cycle of life. I am always surprised by the way life continues after tragic deaths.

This book had sat on my desk, untouched for months. It had gathered a thick layer of dust. I stared at it many nights, knowing I had much on my mind. Still I did not write. I have grown comfortable speaking in my own head. Holding the pen is uncomfortable, the ink drips in the pages as I hesitate with my words. I will write, and need to practice what I am not used to. Before I had learned this skill I was ashamed of my incompetence. And yet, having now learned, I find many excuses not to write. My friend would find this humorous. I know that very well. But I love to see his laugh.

5/2

More Posts from Moremysteries and Others

1 month ago

This is getting so exciting! I can't wait to see wherever Veyra wants to take them. And also who else is on her team. It sounds intimidating, though it's definitely one of the few chances they have at safety.

Though I am a little confused when it comes to Veyra's description. She is originally described with white hair, and then dark hair. You may want to clarify for readers.

Chapter 5 - Mysteries.

They followed her at a distance—neither too close to spook her, nor too far to lose her in the crowd. She moved through the market with the kind of grace Jesse only ever saw in dancers or predators. Her coat was long, matte black with subtle electric-blue threading that shimmered like circuit lines when it caught the dim light. It didn’t match the worn, chaotic energy of the market; it was too clean, too calculated.

Her boots struck the ground with purpose, soles silent despite the grit beneath them. Jesse noticed the way people seemed to part for her, even without realizing it—like their instincts warned them to keep a respectful distance. She wasn’t just any local.

Lira leaned in close to whisper, “She’s not armed—at least not obviously. But look at her posture. Center of gravity’s low, hips slightly forward… Combat trained.”

“Military?” Jesse murmured.

“More likely corpo security. Or worse—ex-corpo, off-leash.”

Jesse kept her eyes fixed on the woman’s hair—a sharp, asymmetrical bob dyed white-blonde, the ends faded into an unnatural cyan that pulsed faintly under the neon signs. The back of her neck was bare, save for a glowing datajack with an old corporate logo burned into the skin like a scar that never fully healed.

She’s not hiding where she came from, Jesse thought. She wants us to know.

The woman glanced over her shoulder once—just once. Sharp eyes like twin razors. No surprise, no fear. Just confirmation.

“She knows,” Jesse whispered.

Lira nodded grimly. “Good. Makes it easier to skip the lies when the shit hits the fan.”

The woman chuckled, a soft sound that felt oddly out of place against the sharp edges of her presence. “Hopefully the only thing blowing up is going to be Omnigen, dears.”

Jesse tensed at the name. “I assume you’ve done your research?”

“Of course I have. Can’t go scouting for new team members without knowing exactly who you are.” Her voice was calm, clipped, like the decision had already been made for them.

“Team members?” Lira’s tone sharpened. “We tend to fly just the two of us. Not sure how well that’s going to fit into your little operation.”

The woman didn’t flinch. “Oh, I don’t expect that to change. Omnigen—and every other corpo snake—has eyes on you. If you suddenly had backup, they'd double their security before we had a chance to strike.”

They trailed behind the woman through a narrow alley choked with rusted fire escapes and neon reflections bouncing off puddles. The city’s usual noise faded to a distant hum, replaced by the sharp clicks of the woman’s boots echoing against the damp concrete.

Jesse quickened her pace just slightly, stepping closer. “So…who are you exactly?” Her voice was soft yet eager, the corners of her mouth twitching with the hint of a grin. “I mean clearly you know us, it feels kinda unfair not to know your name.”

The woman glanced over her shoulder with a half-smile. “Call me Veyra. That’s all you need for now.”

Lira stayed behind them, eyes sweeping over rooftops, windows, any reflective surface. She didn’t like how quiet this part of town was—it wasn’t abandoned, just… too still. “And what exactly do you want with us, Veyra?” Her fingers flexed, itching for the comfort of something familiar—like the spray can she kept clipped to her belt.

“I want what you want,” Veyra said simply. “To burn the rot out of this city. But if we don’t get smart about it, we’ll die trying.”

Jesse furrowed her brow. “I assume that means building a team?”

Veyra nodded slowly. “A decentralized cell. One no one can pin down. You two are ghosts—they’ve already spun stories about your ‘terrorist ring.’ Let them think it’s bigger than it really is.”

Lira narrowed her eyes. “You’re talking like you’ve already made the decision for us.”

Veyra stopped suddenly, turning to face them fully for the first time. In the dim light, Jesse could finally get a better look at her—mid-thirties maybe, sharp cheekbones, a jagged scar bisecting her left eyebrow. Her hair was dark and cropped close, her leather coat having seen more years than it should have. But her eyes… her eyes burned like dying stars.

“I’m talking like I’ve been doing this longer than you’ve been breathing,” Veyra said. “But I haven’t survived this long by forcing people into fights they don’t believe in.”

Jesse tilted her head, intrigued. “Then why us?”

“Because you started something.” Veyra spoke calmly, eyes flicking from Jesse to Lira. “And because you don’t look away when the world bleeds.”

Lira folded her arms tightly. “That’s not a compliment. It’s a death sentence.”

Veyra didn’t disagree.

She simply shrugged, a faint smile creeping across her features. “And yet here you both are—following a strange woman who has a very obvious corpo past.”

“We don’t exactly have a better option,” Jesse replied, her voice firm and muscles tensed. “The apartment’s compromised, and we don’t have many alleys or markets to hide in.”

Veyra smirked, sensing the tension in the air. “Your apartment never was truly. Omnigen already knew exactly where you lived. They let you stay there to lull you into a false sense of security—until you started making too much noise. They wanted to scare you into submission, stop you from joining something bigger. Like my team.”

Lira clenched her fists at her side, her voice was ice cold. “And who says we’re joining your damn team?”

“I didn’t say you were,” Veyra said calmly. “I just figured I’d show you a place that’s safer than your busted apartment or the middle of a protest about to be gunned down.”

Lira and Jesse both froze, stealing a glance at each other.

“That…does sound like a better deal than just hoping we don’t catch another bullet.” Lira said, her voice an admission of guilt and defeat that Jesse had never heard before. Softer, more willing to submit to Veyra’s words.

Jesse watched carefully, unsure what scared her more: the bullets, or the tone in Lira’s voice.


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4 weeks ago

Ooo I loved this! It gave me the chills. It felt so visual to, I could just visualize each scene.

[2]	As a child, you bathe in the river that nourishes the town, letting its water clean you. When you emerge, you are dirty again. No, not “again”—the water has always been filthy and so have you. There has never been a time when you weren’t coated in dirt. You wonder why your mother has brought you here but you don’t ask. She will bring you back tomorrow, washing you again with her own dirty hands.

[3]	It’s Sunday again, although you do not remember a day when it wasn’t. It’s always Sunday.
[4]	Your college algebra professor stands at the front of the silent room, scrawling an equation on the board. He turns to the audience of students and asks, “how can we carve the rot from our souls when it is all that we are?” He is looking at you expectantly and you now notice that you are the only student in the room, sitting at the sole desk in its center. The equation on the board is not an equation but a statement. We are all rotten creatures. You don’t know the answer; you never know the answer.
[5]	There is no harvest this year, save for the blackberries that are always growing. You can’t remember the last time it rained, it’s been years. The river is dry and no one else is worried. The ground in town remains damp and when you question this, your mother shushes you and tells you to eat your dinner. It’s a bowl of blackberries. It’s always a bowl of blackberries and your hands are always stained.
[6]	This time, it’s Monday and you sit in college algebra, opening the exam before you. There is only one question typed on the page: “Does the filth you coat yourself in from the river cover the rot? Would a clean river absolve you?”  You look up to find yourself alone in the classroom; the professor is gone and the board is empty. When you look back down at the desk, there is no trace of the exam that had been sitting on it. The next day is Sunday again.

— An extra-narrative writing exercise based on my work, The Taste of Hallowed Earth


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2 weeks ago

Writing Update 5/22/2025

I am continuing to work on Every Hero Needs a Villain and I am super happy to announce that I'm actually making great progress when it comes to both hero and villain descriptions. Each category has six, with each hero having a villain and vice versa. I hope I've gotten a good spattering of personalities for people to enjoy this way.

Here's a snippet from Straight Shooter's, a cowboy object head:

He can inspire a state of restfulness depending on the color of his scarf. Red is for physical restfulness, purple is mental restfulness, blue is emotional restfulness, green is spiritual restfulness, yellow is instinct restfulness, and sometimes he has a rare rainbow of all these colors. Yet, to do so, he too must also achieve this restfulness for himself.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere, @writingingraves


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1 month ago

I made a song for giving you song recs for your OCs! For those who are into that, feel free to give it a follow.

Songs For Your OCs

Hi hi! This is a blog run by @moremysteries to help you find songs for your original blorbos and original works. Please review the information below, and happy requesting.

Ask Rules

I am not comfortable with minors interacting, so begone minors!

Always assume I am not familiar with your OCs and give the relevant information for whatever you are requesting. If you plan to send me a character bio, awesome! But please point me in the right direction so I know which parts are most relevant for whatever you are requesting. (EX: Can you read the section on their teen years and give me song recs that fit?)

Yes, you can request songs for NSFW scenes. Just please do not request songs for assault scenes, as I find that too triggering. Outside of that, please let me know the vibes of the scene or the character dynamics so I know what kind of songs you're looking for.

I will rec songs for abusive relationships, but please don't send in requests asking me to do so through a romanticized lens. I am also not comfortable giving song requests for CSA or incest, sorry.

I am fine with people sending multiple requests, but please limit yourself to six requests max. I will take my time on requests, so don't pressure me.

I reserve the right to not complete any request that makes me feel uncomfortable for any reason.

What you can request

Recs for songs that fit your OCs or a certain aspect of your OC.

Recs for songs that fit a certain scene.

Recs for songs your OC might listen to based on their tastes.

Recs for songs that fit a relationship between your OCs.

Recs for songs that fit the vibes or a certain aspect of your WIP.

Recs for songs based on a playlist you already have, a song you strongly associate with the OC, wip, scene, and so on, a moodboard, etc.

Just always remember the more relevant details you give me, the more accurate the recommendations will be. For instance, "my OC is named Bill and loves dogs". That's sweet, but will their love of dogs help me find songs that suit them? I personally doubt it. A sentence like, "my OC is named Bill, and he's a sweetheart that works at the local dog shelter because he loves animals," is much more informative. This is just an example of a helpful sentence, but please give me more than just that sentence. 😅

3 weeks ago
Practical Magic (1998) Dir. Griffin Dunne
Practical Magic (1998) Dir. Griffin Dunne
Practical Magic (1998) Dir. Griffin Dunne
Practical Magic (1998) Dir. Griffin Dunne
Practical Magic (1998) Dir. Griffin Dunne

Practical Magic (1998) dir. Griffin Dunne


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3 weeks ago

I really don't want to discuss this issue in greater detail, and plan to avoid doing so in the future, but I will say this:

You can be anti censorship without silencing the voices of victim's whose experiences do not conveniently back your viewpoint. We are not tools for your arguments, we are living people with lived experiences we should be allowed to express.

Also, just like you wouldn't assume someone talking about how the teachings of the Bible hurt them means they want the Bible to be censored, you shouldn't assume someone talking about how certain media hurt them or was used to groom them automatically means they want it to be censored. I was groomed by certain media, but I am anti censorship. I want to see more human potrayels of victims in media. I am still anti censorship. These things can co exist. I am not going to suddenly stop talking about it because some brain dead idiots on the internet can not fathom nuance. I promise you it is worthwhile sitting down with yourself and examining why you assume victims are always out to get you if they don't repackage their experiences in a way that kisses the ass of your world view. We are people, we are not here for your comfort or convenience. If you are not ready to hear about certain experiences, be mature and block instead of treating us as evil.

If you are using being "anti purity culture" as a weapon to silence victims, you are just as bad as the people who use purity culture to silence victims. Being "for victims" means respecting the experiences of victims viewed as "sexual weirdos" and victims viewed as "too prudish" equally. Pressuring victims to not bring their experience to the table because you constantly assume we want to censor you is a shit thing to do.


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2 weeks ago

i loveeeeeee nonlinear storytelling. show me where we are. now show me how we got here. the end before the beginning. show me how it was inevitable or how many chances we had to change things(nothing was ever going to change). let's meet in the middle as all the puzzle pieces slide into place hell yeah that's the good shit.

1 month ago

"You don't know me. I'm not the same person anymore."

"That's okay. I'll get to know you again."


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1 month ago

I love dandelions!

*puts a dandelion in your hair*

Reblog to put a dandelion in prev's hair

3 weeks ago

Think I sent an STS ask to everyone. If I missed anyone, I apologize in advance! My brain fog causes me to forget blogs at time. And as a pro tip, when people send me asks I always do my best to send one back.

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moremysteries - There are more mysteries than tragedies
There are more mysteries than tragedies

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