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Need to make

8-foot giant squid pillow.

You’ll need:

2 yards of felt

1 yard of patterned fabric (I suggest a polka dot-type pattern so it looks like suction cups)

1 medium piece of black felt, 1 medium piece of white felt (for the eyes)

white thread, black thread and thread of the same color as the felt you’re using

pins

about 5 lbs. of stuffing

a couple big sheets of paper to draw your pattern

First, you need to draw out your patterns. Here’s a basic template to get you started, although most of the measurements are reasonably fudgeable. If in the likely event you don’t have any four-foot-long pieces of paper lying around, just tape a few pieces together.

Once you’ve drawn out your eight patterns, it’s time to cut the fabric. Pin the pattern to the fabric, laid flat, and cut out the following, leaving a half an inch or so of extra fabric around the edge of the pattern:

FOR THE ARMS: 8 felt and 8 fabric cutouts of piece 1

FOR THE, UH, LONGER ARMS: 2 felt and 2 fabric cutouts of piece 2

FOR THE BODY: 2 felt cutouts of piece 3

FOR THE FIN: 4 felt cutouts of piece 4

FOR THE HEAD: 1 felt cutouts of piece 6

FOR THE EYES: 2 white felt cutouts of piece 7 and 2 black felt cutouts of piece 8

So now you’ve got all your pieces ready, it’s time to start sewing them together. I did mine by hand because my sewing machine is busted and I get a kind of Zen buzz from sewing by hand, but if you have a non-busted one I recommend that you use it as it will be MUCH EASIER. You’re going to be sewing everything with the nice side of the fabric facing in, then turning it inside out to stuff it.

THE ARMS: (To make a quilted pattern that looks like suckers, see this other post). Pin together one patterned fabric piece 1 and one felt piece 1 (with the nice sides facing the inside). Sew down around the U-shape and back up, leaving the top open. Then turn the arm inside out, stuff it (it’s easiest to do both of these things if you sort of scrunch it up like you’re trying to put on a pair of tights, excuse the non-dude-friendly reference) and sew the top closed. Do the same for the other seven arms and rejoice in the fact that this is the most tedious part. Same deal with the two long arms, they’re just harder to stuff.

THE FINS: Pin together two of your piece 4s and sew together the curvy outer edge. Turn the piece inside out, so the seam you just sewed is on the inside, and start sewing up the other side, stuffing gradually as you go along. You should end up with a triangle-ish puffy thing. Repeat for the other two piece 4s.

THE BODY: Put down one piece 3, then place the two fins you have down with the point up and the curvy side pointing in, then make a sandwich by putting the other piece 3 down on top. Pin it all together and sew around the edges with the two fins still inside, as shown. Turn it inside out and move on to…

THE HEAD: So take piece 6 and the ten arms you’ve already done. Lay the arms, fabric side facing you, out with the arms’ top seams in a line half an inch from the top of piece 6. The order should be arm arm arm arm BIG ARM arm arm arm arm BIG ARM. The legs should be almost entirely covering piece 6. Pin them in place and sew a straight line through the individual legs seams to attach the legs to piece 6.

When you pick up the other side of piece 6, you now have something resembling a really weird untied hula skirt. Sew together the two 9-inch ends of piece 6 with the fabric side of the arms on the outside, and keep it inside out for the moment.

PUTTING IT ALL TOGETHER: Fit the open end of the body through the arms (still fabric side facing out) and pull the edge all the way through the felt cylinder so it’s even with the edge that DOESN’T have arms attached to it. Sew around the diameters of the head cylinder and the body cylinder to attach them, then pull the legs down over the head and you’re almost done!

Stuff the body, then seal it off by sewing piece 5 over the open end (even if you do have a functional sewing machine, you’ll probably have to do this part by hand).

THE EYES: Sew the black circles on the white circles and whipstitch the eyes onto the head. You do this last because you can’t tell where they’re going to end up on the end product if you put them on before stuffing the body.

Chicken - a creature of innocent evil intent

🌸 so sorry for the followers who wanted Victor content 🌸 LOVE YOUR LOVE OF SCIENCE (Vulcan salutes back atcha)! Yup, I definitely get your point about how it may be impossible to apply what we know to be true in this environment to other ones. IT WOULD BE AMAZING IF SCIENTISTS ARE ABLE TO QUANTIFY/UNDERSTAND HOW OTHER ENVIRONMENTS EFFECT STUFF WITH NEW TECH. The only question I have is that if the matter becomes unrecognizable in such an environment, or changes to a certain degree, we would need some sort of deep look into the atomic structure of that object. Or maybe it'll change in a way that it never would in studied environments, (as you said, perhaps absolutely no laws here would apply in such extreme enviornments.) That is such an interesting topic to think about! Like when anthropologist try to study other cultures, they can only present what they understand about that culture through their own cultural view - which will limit them in being able to understand how the culture studied actually functions. So I'd wonder if in such enviornments there may be something going on that we don't even realize is important - or can't measure (like in anthropology if one looked at a culture and not realize the importance of cuticle length for example) So yup, I totally agree with the sentiment that a universal constant law can't exist (since for a constant would need to be unchangeable, and to the best of my non- physicist knowledge there is none) like how would anything be unchangeable? IDK my mind is kinda being blown the more I think about how nothing is ever certain we are just certain about certain things at certain times in certain places. I love how you write about science BTW! Like it's quite simple and it reminds me of my favorite biology teacher's style of writing 😂 (this was probably an odd comment - but she is an amazing teacher)

@moola-of-hula [does the vulcan salute] yo

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Do you think you could possibly help me understand the graphical relationships between a position vs time, velocity vs time, and acceleration vs time graph? My homework is one of the graphs is given and I have to sketch the other two and I'm so confused!

Certainly. The main things to realize are that

1. velocity is the slope of position and acceleration the slope of velocity2. if acceleration is constant, velocity will be a straight line and if acceleration is zero position will be a straight line.

Mostly you’ll be dealing with constant acceleration. Which means velocity will be changing, which means position will not be flat. This is what it looks like when a car gains speed, for instance:

If you threw a ball in the air, the parabola would be upside down, and the velocity graph point down, which means IT’S slope would be negative. So where would the acceleration line be then?

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Photo: Rachel Scroggins