No Longer Being Puppet

A drawing from a few weeks ago.

‘respect ur elders’ why cause they’re old? I can outrun them, outsmart them, outmaneuver them. 

prison is fucked up regardless but the fact that you can do a prison sentence for copyright infringement is especially insane to me. you deserve to lose your autonomy because we might have potentially made money from that thing. i imagined you did a crime against me so now one day you'll have to hear your son ask his mother who you are.

H̶̡͎̺̖͍͊͂̇͐̈́͝ḛ̴̺͗̑̊̽͌͘ḽ̴͎̮̤͙̻̦͊̓̃̈̐͋͜l̵͔̥̈́̑̕ǫ̶̞̦̪͔̮͒ͅ ̷͕̀̆͑͝C̷̮̓̑͒̀̔h̴̟̪̲̬͕͎̆̓̓͐̂̉̚͝ͅa̶̫͆̎̍̊̍̇̈́̍ṣ̵͇̤͙̣̬͛͌̈e̶̟̾.̴̠̬̓͑̉

When I tell you I was screaming when I saw him,,,,it's been so long

(i hope this'll show up in the tags i've been dead on here for a few years haha,,)

love transmasc terezi analysis [thumbs up emoji] i read her as tmasc nonbinary but that might be me reading too much into the way she often forces herself into binary choices to her detriment OR has them forced on her (heads tails symbolism, the game over timeline vriska choice, dave vs karkat as 'romances to pursue', and more recently the way she acts as outsider and agent to both rose and dirk in beyond canon, the two forces of progenitor masculinity and femininity on deltritus). i think it's interesting how she views servitude to the empire as aspirational and i think that is definitely got some gender stuff going on there given preexisting reads of the caste system as misogyny. if you'd ever like to expand more on terezi as transmasculine, i'd love to hear it!

i don't think you are reading too deep into anything lol once upon a time it was pretty standard to remark upon the pointed androgyny of terezi's design so idk why i was getting yelled at for pointing it out just now. I never thought to connect this to her role as balance-keeper though.. if you think about it even the fact that her coin is called a "Cae[s]ar" but depicts a female figure seems emblematic of the illusion of dichotomy it offers

I've mentioned before that in general I'm less interested in figuring out what a character 'is' than I am in identifying how they relate to and participate in gender as a hierarchy of power, so I don't know if I would call the following a "transmasculine" read of Terezi per se. But it is a read on how I think Terezi plays masculine gender roles, or - to be crude - 'role plays' as male. So I definitely think it lends itself to interpretation of Terezi as a character with a masculine or androgynous identity

Expanding on what I first tentatively approached in this post and briefly followed up with my (apparently controversially) vague commentary on Terezi's clothing, my conception of Terezi's relationship to gender is largely informed by her relationship to the Knight role, which she implicitly tries to emulate when she role-plays as Redglare (the Knight of Mind) and which - as we understand it via Dave - is tied up in all these gendered expectations of heroism. Her proximity to gendered/hemospectral power absolutely plays a part too, though: the heroic Knighthood Terezi enthusiastically associates with being a legislacerator (see: the 'back in the day we could just kill criminals on the spot' shit) is really just systemic violence she is allowed to participate in by the blueness of her blood. But what she's apparently blind to is that - as you say - participating in that violence is subjecting herself to the violence of those higher on the patriarchal hierarchy. It's obvious to us, viewing Redglare's story as a cautionary tale about Terezi's fate, that the legislacerator is little more than the Grand Highblood's slave in the form of an attack dog; meanwhile Terezi obliviously treats Gamzee like a fascinating little oddity to play her games with, and is thus totally blindsided when he flips the script on her and reminds her of her place. Masculinity is a pool she's thrown into the deep end of, and Gamzee holds her head under the water with a grin.

Latula's bizarre struggle with the 'cool girl' persona is just Terezi and Redglare's complex of empowerment-disempowerment magnified to the ridiculous. The 'cool girl' finds acceptance among male peers by shedding off those cultural residues of femininity which are seen as undesirable, but for all her efforts can never truly become 'one of the boys' - for her gender transgression she is placed simultaneously outside of and beneath both classes. The gag about Latula not wanting to be "left hanging" even positions failure to be recognised as 'cool' ('like a boy') as a matter of life and death!

Emotions through color by Asia Gondek

siffrin

Knights

Hatsune Miku but Hello Charlotte (Hello Miku)