REBLOG IF YOU'RE A HUMAN AND YOU USE EM DASH

Trip to Wistman's Wood - December 2024

Certified Irish person here with my own tried and test resources for learning Irish! Disclaimer, I am not fluent but you could call me a lifelong learner.

General Info

I could say a lot here but I'll start with some general info. I encourage anyone interested to go and look up these things and learn more, you'll be well on your way if you do!

We refer to the Irish language either as Irish or as Gaeilge.

It's taught as a mandatory subject in schools in the Rep. of Ireland from primary all the way to secondary level. In my opinion however, while there are genuinely good teachers out there, the syllabus leads a lot to be desired, many are backing its reform. Most of us have a similar level of Irish unless we have an Irish speaking background or have put in a lot of effort.

Irish has a different alphabet to English, some letter combinations will sound different than expected to English speakers, e.g., bh is a 'v' sound. We also use accents called fadas: á, é, í, ó, ú. The YouTube Channel Gaeilge i mo chroí is great for these kinds of explanations (see below).

We have a unique sentence structure: verb, subject, object.

There are 11 irregular verbs. All others have a predictable structure.

There are special mutations known as séimhiú and urú, these create differences in words depending on the situation/sentence structure. For example, Dublin in Irish is 'Baile Átha Cliath,' but if I wanted to say I live in Dublin it's 'táim i mo cónaí i mBaile Átha Cliath.'

There are three different counting systems, you'll find a good explanation here. Once you've read this, there are plenty of YouTube videos that teach you each one.

We don't have proper words for yes and no. Positive and negative replies to questions will use the verb back at the question asker.

There are three primary dialects but we tend to understand each other alright most of the time!

Online Resources!

I promise you Irish isn't dead, there's a lot to get your teeth into!

Get used to how it sounds! TG4 is the name of our national Irish language TV station and the Irish is usually very clear. I'm partial to documentaries myself, I recommend Fíorscéal (general topics) and Domhan an Dúlra (nature). It's all available online but you'll likely need a VPN to access it. I can also recommend a Raidío na Life, a radio station based in Dublin. You can listen back to shows of your choice or listen live.

Bitesize Irish: They have short explanation and pronunciation videos on YouTube, interspersed with some culture. On their website they also have a free learning challenge called Gaeilge Gach Lá (Irish Everyday), they will email you every day with a small assignment for a calendar week and send you a newsletter every week thereafter. This is highly beginner friendly and mostly gets you used to the idea of daily practice and effort. For those who really want to get stuck in, they have some paid resources including connecting you with other learners so you can practice.

Gaeilge i mo chroí: A really great all-rounder of a YouTube channel. They explained some grammar rules that I'd never quite got my head around in school.

Úna-Minh Kavanagh: I cannot sing Úna's praises enough. I'm sure my knowledge of her only scratches the surface of her achievements but she's translated Among Us into Irish, she streams games in Irish (she's Yunitex on Twitch), she forages in Irish and she teaches you how to use existing online resources and communities in your learning journey. She really specialises in the "how" of learning the language today. She is also a published author and she speaks out against racism in Ireland.

Online dictionary: foclóir.ie

Similar resource to the above with more explanation and pronunciations in the three dialects for learners: teanglann.ie

Books:

Gaeilge gan Stró! by Éamonn Ó Dónaill at beginners level and Gramadach gan Stró by the same. These books helped me return to Irish as an adult and are geared towards adults.

These books and other physical resources can be bought from siopa.ie, which ships worldwide.

Courses:

Gaelchultúr, the publishers of Gaeilge gan Stró offer group online courses. There are others but this is one I've tried myself. They use Gaeilge gan Stró as their course book.

Well, this post was longer than I expected it to be but for any of you who decide to give Irish a go, go n-éirí libh!

Knight, naked and dirty from running in the woods for several months talking to a local hermit: so yeah, therapy has been going really well for me recently

Spin the wheel and whoever you get, you have to fight in one to one melee combat. You can't run away.

if you need a refresher on who you got, The Arthurian Name Dictionary by Christopher W. Bruce and The Arthurian Companion by Phyllis Ann Karr has you covered.

i recently became possessed with the idea of a merlin series rewrite that would follow more closely the legends in some aspects. i'm not exactly sure how one would pull it off but i already ordered a copy of le morte d'arthur to refresh my memory

something something uther dies from an illness while arthur is still a child and how that's gonna affect things?

but, i still want merlin and arthur to be the same age

so balinor is gonna take on the role in events that occurred pre arthur's birth where merlin's figure was involved?

i really love-hate the story about ygraine in the legend. adds so much trashinnes to uthers character. so fitting.

uther literally got hots for a married woman, got pissy offended when she left in the night because of his creepy behaviour and waged war against her husband because of that.

and than he impersonated her husband and slept with her. which is really SA. and then when her husband died, in that same war, he was like "well guess you'll now have to marry me". what a disgusting creature.

i can go on and on

due to personal reasons, AAAAAAAAAAAAAAAAAAAAAAAAAAAH

I really feel like le morte darthur lends itself to a the green knight 2021 esque interpretation a little too well

The horror of Eric Carle

Becoming a dad has really been a reminder of all the half-forgotten books that got me interested in horror: the ones that I will definitely share with my kid (The Minpins) and the ones that I probably won't (Not Now, Bernard)

And then there's Eric Carle, and now it's all coming flooding back - the very first time in my life that I experienced terror. Seriously, what the fuck is this?

Carle's most famous book, The Very Hungry Caterpillar, is in its own way uneasy and strange (the caterpillar's voracious and growing hunger is presented ambiguously both as an unavoidable and natural process of change and something greedy and grotesque; the caterpillar appears to devour its own place-of-birth and then feels good about it) but it flies under the radar by being very unCarle-like. The caterpillar is largely tiny and cute, we get plenty of colourful close-ups of tasty-looking food, and there are only two pages and a cover which feature Carle's favourite preoccupation: giant animals with irregular, scissor-cut eyes staring unhappily at the reader as they threaten to grow larger than the page itself.

I genuinely remember feeling deeply unnerved by Carle's first major piece of illustration work, Brown Bear, Brown Bear, What Do You See?, written with Bill Martin Jr., but only now do I understand why. Holy shit, I have so many questions.

Brown Bear, Brown Bear, What do you see? I see a red bird looking at me.

Why is the rhyme-scheme so frantic and breathless, like it's being chanted out during an escalating ritual somewhere deep in the forests? Why are the animals - textured via collage as if half-carved from wood themselves - staring directly at us, the audience, before then revealing that they're actually looking behind us at something else which is staring back at them in turn? Why do so many of the animals look so fearful and haunted as they acknowledge the vast web of visibility which exists between them?

Why does the 'white dog' page - perhaps the only-genuinely-friendly-looking animal - briefly plunge us into night-time, creating the impression that these creatures are somehow watching each other across spans of time and space, when Carle is fully capable of just drawing an outline around the dog?

Why is the teacher's neck extending like a xenomorph's tongue as she glares with narrowed eyes down at the children (what horrible act have they caught her doing?) Why is the cover of follow-up Polar Bear, Polar Bear, What Do You Hear clearly depicting a Tuunbaq stalking the reader?

What seems remarkable and bizarre is that Carle, a talented artist, deliberately chooses to draw animals for infant readers which are neither cute nor charming but which consistently embody the internet joke about hares - feral wilderness prophets who've glimpsed the truth of the universe and gone mad - and has made a stunningly successful career out of doing so.

Carle's beasts know something terrible that they do not fully understand, and which they are incapable of sharing with us.

I'll avoid the crass temptation to draw serious biographical inferences here (Carle believed he had PTSD from an adolescence spent in Nazi Germany, and his works were inspired by his childhood walks with his father, who returned home psychologically shattered by his own experiences as a Soviet prisoner-of-war) and just say that there is something wonderful, awful and innocent in the fact that perhaps the most popular baby-book artist of all time, when asked to draw a goldfish, would respond with what is clearly a monstrous open-mouthed leviathan rising up from black depths to devour us all.

Look at this horrible fucking thing. It rocks.

Thanks @liviapeleia for tagging me, your wip excerpts made me very curious to know what's next :D!

Rules: you will be given a word. Then you share one sentence/excerpt from your wip(s) that starts with each letter of your word!

Tagging @breadkween, @achillesuwu and @futurepastme if you're interested! Your word should you choose to accept it is FISH!

Livia you gave me 'myth.'

M

“Merlin is a-” 

But he knew, he had known for a long time. 

Across from him his servant looked like a startled hare, wide-eyed, gaunt in the dim light. The thing they had not been saying had almost been said. Did Merlin think that just because it was said aloud that suddenly Arthur would change his mind, have him executed? 

Instead he made a show of sagging in relief and Merlin hesitated and then sagged with him. 

Y

“You’re lying. You have something you must do, something that might help me. Maybe it'll turn the tide of this battle.” 

“Arthur-”

“Whatever you're about to say, let it be the truth for once. I need to hear it, finally hear it. How many years has it been? We never spoke about your magic, not once, not really, not like we should have.” 

“My-?” 

“It’s said now, I don't care, not anymore. I can't go into this battle without you, not unless I know it’s for a good cause and not unless I know that you’ll be safe.” 

T

“The spitting, what's that then?”

“To ward off curses! Anyone can do it!”

“The asphodel?” 

“The dead need appeasing!” Merlin threw his hands in the air and then towards Arthur. “You’ve seen the ghost of your father, you've fought the undead!” 

Arthur was throwing his hands too now. “The cabbage leaves? Prophetic dreams have to be sorcerery?!” 

“Yes but not the kind you get from cabbage leaves!” 

H

He is the custodian of our stories, the golden age we brought about together and he’ll be the custodian of the stories after I’m gone, learn them from him, help him to hold them and share them, I think some days he might find them too heavy to carry.

He’s the most powerful and the most precious thing to ever walk this Earth, it would be a tragedy too immense to imagine or bear thinking about if he lost what made him human. But more than that, I ask you to do this, to pass on this message to those who come after you because I love him and I cannot do all of these things myself.