I Saw This And Had To Make The Edit

We deserved more of just Merlin

The little head tilt, the sweet voice and the tiny smile, the moment he asked Arthur:

“Don’t you?”

To Merlin, magic had always been there for everyone to see, to feel.

He is magic, after all.

For all those years, Merlin had believed what he felt was obvious, and that everyone else felt the same way. It was strange to Merlin that Arthur couldn’t understand that the forest, the animals, even the smallest, living in it, were sacred. Because life is sacred. He couldn’t grasp the reason why the knights couldn’t feel that the old Druids’ camp was haunted, and therefore didn’t believe him. He had literally heard death, and cried because of it.

“As if everything is much more than itself.”

The phrase could refer to him too. Merlin is much more than… Him.

That’s what brought his doom. He had never had the chance to truly know himself. He was either a servant, or the sorcerer of a prophecy, or a Dragonlord.

Never just him.

And in this moment we see he had missed being one with nature, breathing in the animals’ lives. He was himself again.

He was vibrating, much like anything else there living with him.

They never went deep into Merlin’s powers, they were just there for Arthur. Merlin had lost sight of what he wanted to do with them, he even forgot he was so powerful he could have overthrown Arthur himself, if he really wished to.

Merlin was the only man alive able to see Avalon.

During the knights and the king’s quest to save Gwen, Merlin met the Queen of a Queendom no one had ever even seen.

He could have killed Morgana (and did try) multiple times, although she was an High Priestess, and simply decided not to, but he had more than just the power to do so.

The Catha, the Druids bowed to him, met him in the woods, called to him.

Merlin created a telepathic connection with Arthur the first days he was in Camelot.

He survived death multiple times.

His immortality forbid him to die.

Merlin hated hunting because he could feel the animals being scared, followed; he had recognised Gwen when Morgana transformed her into a deer; he could hear the magic around him, inside objects and inside people, like a whisper, as if it was nothing; he could call lightning from the sky.

He could stop the time, or at least slow it down.

Every magical being knew him by name only. But he was not a leader, he was just different.

“Is she like me?” “No one is like you, Merlin.”

After everything he had witnessed, even Gaius knew Merlin was special and did nothing to help him understand why he was.

Merlin was the reason Aithusa was born, why Kilgharrah was free, and we were robbed of him getting to really know his powers, both as a Dragonlord and as the most powerful sorcerer to ever walk the earth.

He literally deleted himself just to be at Arthur’ side, and it hurt him. We saw it constantly. He was sad not only because everyone and everything was against him, or because he couldn’t use magic for simple tricks, but because he couldn’t really know what he could do, both as a magical being and as just Merlin.

To study his powers meant treason and death, and Merlin forbid himself to go beyond what he already knew.

His incapacity to understand, his lack of will to know, and his indecision about who he was, literally helped the fall of the great destiny he was a part of.

Merlin’s decisions, whatever he wanted them to happen or not, helped Arthur die.

Merlin’s real enemy was himself.

I know I'm not the only one who felt uncomfortable with Merlin's powers to compel dragons against their will, particularly with the show centred on Merlin trying to achieve safety and freedom for magic users.

But what if that power goes both ways? Dragonlords may be able to command dragons, but dragons can steer the course of destiny and absolutely wreck the ship.

What if dragons can cause a person monumental levels of predestined pain and suffering, absolutely crush them with the narrative and make not just their hero's journey, but the realisation of their destiny pure unadulterated hell?

Dragonlords who abused their power technically end up achieving their goals, but it's at so great a personal cost that the dragonlords of old were like "yeah, no, we're not gonna fuck with that. How about we just be friends and respect each other?"

Of course, no one was around to warn our poor boy Merlin. My new HC is that his and Arthur's destiny looked so different to the one he expected, and that he suffered so much loss on the way, because he messed with Kilgharrah.

Winter (January, Cycle of the Months), c.1404-07 by Master Wenceslas 

Trento, Castello del Buonconsiglio, Torre d’Aquilla (The Eagle’s Tower)

I also love how audio fiction has always been a highly experimental medium, and likely always will be.

Financially, it has a low barrier for entry, a low point of diminishing returns, and a relatively small potential market. It's basically impervious to being taken over by giant studios - even the "big" networks like RQ would be considered indie in the film or game dev industries. With the exception of the BBC, they tend to dip their toes into audio fiction, figure out quickly that, although it's beloved by its fans, there isn't that kind of money in it, and proceed to leave us alone forever.

Then there's the fact that it propagates largely by word of mouth. Audio dramas owe everything to obsessive nerds forcing nearly everyone they know to listen to that podcast they just discovered.

So it's more about the thing being actually good, plus a decent amount of luck and persistence.

There's no optimally marketable success formula being relentlessly enforced by gatekeeping jellybean-counters because they don't exist here. So people make whatever they want. So it draws people to it who are looking for something different. And the cycle feeds itself, and the medium gets weirder (in a good way).

It may very well ALWAYS remain the wild west of storytelling.

So listeners tell your friends about that podcast!

And creators, make the weird thing! There are no rules! It can be an hour long or Breaker Whiskey short, or Re:Dracula all over the place length. It can be another tape recorder framing or another voicemail framing or basically just an audiobook. It can be any genre or blend of genres. This creative space gives us the opportunity to be our own target audience in a way rarely found elsewhere.

If you enjoy the thing you're making, odds are somone else out there will enjoy it too. I've already found this to be true, and my time as an audio fiction creator is still just beginning.

Peace and love on every planet, y'all!

Leaving them in silence, lower me down

|| Merlin x Arthur ● T ● WC: 315 ● No Warnings ||

Summary: The day after you both run out of words: a board of splinters, your sheaf of lifetimes, and near a dozen languages canyon between you. // When Arthur returns, he and Merlin no longer speak the same language. Inspired by ‘Words Are Dead’ by @mightybog.

Rebecca Sugar cooked with "Character whose entire existence is devoted to the service of another character who's now dead and now they have no idea what to do with themselves except live." I love that shit. I forged myself into a tool for you and now you're gone. I'm sniffing this like a bloodhound

Flamberge Greatsword: Ideal for fending off multiple opponents and longer polearms like spears or pikes. It relies on momentum and dexterity to flow around its wielder, filling the space between with death.

We were robbed honestly

Imagine if you will a curse gone wrong-

We get the whole castle and town exploding into song, and a refrain and melody developing that echoes through the rest of the songs, maybe asking if things will ever return back to normal

There's an opera style back and forth between Uther and Gaius about the cause of the curse and whether it's dangerous, they don't resolve anything

Uther tasks Arthur with rooting out the cause, and it's a kind of call and answer, with Arthur following Uther's orders

We get Morgana, terrified her magic will be found out. Her song transforms into an "I want" song, maybe she wants fairness, maybe revenge, maybe power

The knights have a barbershop quartet thing going on and we love that for them

Merlin finds the cause, and maybe the curse is ultimately deadly although it seems innocuous enough. Maybe people are already starting to feel the ill effects. He needs help, but he just has to get someone to believe him. Cue his moment to sing, appealing to Arthur and the knights his voice turns out to be so sweet and heartbreaking (see Colin Morgan's work with PJ Harvey) and to his surprise everyone rallies around

We get a song with Merlin, Arthur, the knights and maybe others like Gwen and Gaius working together to fix the problem, the song builds to a crescendo and stops short the moment the spell is seemingly broken

It cuts to the next day and some normal speech indicates that their efforts worked. But Arthur hovers just outside this chambers because Merlin is cleaning inside and is singing as he works, his singing finally resolves the melody. Arthur laughs quietly and enters the room

The End

merlin should have had a musical episode

Sorry I'm late, I got added to the Wild Hunt last night and ran and reveled with them for what felt like 100 years plus a day until I landed the killing blow on a stag with bronze antlers then suddenly woke in my bed, willow leaves in my hair, a nameless song echoing in my ears, and my hands still bloody, so yeah, totally missed my alarm and stuff.

Finished this art for @liviapeleia as part of the @merlin-gotcha4gaza event!

I absolutely adore your story https://archiveofourown.org/works/57536806 and I hope you like the my little drawing inspired by Merlin answering the door and seeing Uther :)