Or When They Just Completely Ignore This And Fancasts And Edits Depict Her With LONG HAIR IT PISSEDF

why you’re wrong about quitting shifting

so, you’re ready to give up on reality shifting? let me get this straight—you’re throwing in the towel because it’s “too hard” or because you haven’t succeeded yet? honestly, that’s not a reflection of the practice; it’s a reflection of your mindset. i’m not here to sugarcoat it for you. this whole “i can’t shift” narrative is not only false—it’s lazy. let’s dismantle this flawed thinking piece by piece.

1. “i can’t shift.” wrong. you haven’t shifted yet. stop acting like you’re hardwired to fail because you’re not. stop convincing yourself that it’s impossible when it’s more likely you just haven’t given it the time and effort it deserves. imagine trying to start a fire with two sticks. most people wouldn’t get a spark on the first try. does that mean fire is a myth or that they’re incapable? no—it means they need better technique, more patience, and consistent effort. shifting is your fire. just because you haven’t seen the flames yet doesn’t mean they’re not coming. every moment you’ve spent trying has been building heat; quitting now ensures you’ll never see the light.

2. your impatience is not proof of impossibility. let’s be real: you’re expecting results on your timeline, and when it doesn’t happen, you declare shifting a failure. that’s not logic—that’s entitlement. imagine planting a tree and stomping on the roots because it didn’t grow tall overnight. that’s essentially what you’re doing. you have no idea how close you might be to success because you’re too focused on the absence of instant gratification.

3. you’re underestimating your brain. your mind is adaptable, but it needs consistency to form new pathways. reality shifting involves rewiring your entire perception of existence—it’s not something you’ll master just by wishing for it. the tools—meditation, affirmations, visualization—aren’t magic tricks; they’re exercises for your subconscious. if you quit now, you’re not only rejecting shifting but also your brain’s potential to grow.

4. your perspective on “failure” is flawed. let’s get one thing straight: failure isn’t the lack of success; it’s the decision to stop trying. every attempt you’ve made so far has laid the groundwork for future breakthroughs. you think those hours scripting or visualizing are wasted? they’re not. every time you try, you’re training your mind to align with your desired reality. quitting means throwing all that progress away.

5. you’re putting shifting on a pedestal. you’re treating it like some mystical, unattainable miracle instead of what it really is: a practice. people have been shifting, lucid dreaming, astral projecting, and training their minds for centuries. the only difference is that they stuck with it. if they can do it, why not you? what makes you the exception? the truth is, you’re not.

here’s the thing: the act of giving up is far more definitive than the idea that you “can’t shift.” quitting guarantees failure, while continuing guarantees possibility. do you really want to shut the door on that possibility just because it didn’t happen on your schedule?

the bottom line is this: shifting is as much about discipline as it is about desire. your current mindset isn’t just dismissing the practice; it’s dismissing your own potential. so, stop wallowing in disappointment and start recognizing that you’re not stuck—you’re learning. if you can’t handle that reality, then maybe shifting isn’t the problem.

TSH spoilers:

I feel like we as a fandom do not talk about Henry’s symbolism in TSH enough. Like, that dude is the literal embodiment of death, and I just think it’s so damn cool. I mean, his whole obsession with language and literature stemmed from the fact that he almost died in a car accident. And then every death we see in the book (the farmer’s, Bunny’s, and his very own) is directly at his hands. The others were accomplices, sure, but Henry’s the one who takes action every time. And in Francis’s failed suicide and Richard’s near death in the epilogue, they both see Henry, not Bunny or Charles or what have you.

Henry is not only obsessed with death, he IS death. He’s the reaper who’s friends toy with their mortality all the time through drugs and booze. The reason they all admire him is not only because of his size and stature and brilliance; it’s because he’s dangerous. If beauty is indeed terror, than he’s the most beautiful of them all. They all have the life preservation skills of a fly, so of course they love Henry. And of course his actions constantly bring them closer to danger and death.

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learning lately that a lot of confidence is about owning up. like "yeah i'm a little addicted to my phone right now" or "yeah i'm not really over this person yet" or "yeah i still get pretty anxious in crowds" just saying anything at all but then following it up w "but i'm trying to get better" and being super nonchalant and unaffected. so powerful. you would literally be undefeatable in the face of even the most judgmental person. no one can judge you for things you already know about yourself and are trying to improve on. the trick is to know yourself from the inside out, to hold yourself accountable, and to actively improve every day. like that is literally the secret to never feeling like you're at the mercy of somebody else's judgment

Camilla Macaulay

The Observer

The following art contains spoilers from the book.

rotting in bed but in a richard wasting away during that first winter in vermont kind of way

i want a henry winter so bad so i can kick him a bunch

gay toe spread ^_^

Still the biggest iceberg in this field.

i have daydreamed so much about tsh that i have background lore, a family tree, an enemies to lovers timeline and a whole other book written in my head