明 佚名 (舊傳)夏珪 《長江萬里圖》 (前半卷)|River Landscape After Xia Gui by Xia Gui, Metropolitan Museum of Art: Asian Art
John Stewart Kennedy Fund, 1913 Metropolitan Museum of Art, New York, NY Medium: Handscroll; ink and color on silk
Yes
#bighero6 #christmassongs https://www.instagram.com/p/CXYKhfNL11b/?utm_medium=tumblr
In cosmic bloom 🌸🌙💫
¡OMG! 😍
Artist: Carol Acevedo
https://www.artstation.com/carolazevedo
Relief from the tomb of Bakenrenef, wall from small room with texts and niches, Metropolitan Museum of Art: Egyptian Art
Rogers Fund, 1911 Metropolitan Museum of Art, New York, NY Medium: Limestone, paint
http://www.metmuseum.org/art/collection/search/623394
I love this picture.
“They are among the most famous and compelling photographs ever made in archaeology: Howard Carter kneeling before the burial shrines of Tutankhamun; life-size statues of the boy king on guard beside a doorway, tantalizingly sealed, in his tomb; or a solid gold coffin still draped with flowers cut more than 3,300 years ago. Yet until now, no study has explored the ways in which photography helped mythologize the tomb of Tutankhamun, nor the role photography played in shaping archaeological methods and interpretations, both in and beyond the field. This book undertakes the first critical analysis of the photographic archive formed during the ten-year clearance of the tomb, and in doing so explores the interface between photography and archaeology at a pivotal time for both. Photographing Tutankhamun foregrounds photography as a material, technical, and social process in early 20th-century archaeology, in order to question how the photograph made and remade ‘ancient Egypt’ in the waning age of colonial order.”
— Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive, by Christina Riggs
Look who’s got a spooky new Darkrai costume for Halloween!
It’s time to begin again.
I write on Wattpad username meganrivera056 and I love books movies and history
82 posts