I Don't Like T.swift So It Makes It So Much Worse That She Has Two Songs That Are Very Gloria. I Hate

LOCATION  BASED  SMUT  PROMPTS

TRANSPORATION 

one muse gives the other oral while they drive. 

driver uses one hand to finger the other while on a long road trip.

muses join mile high club in an airplane restroom.

in an airplane one muse has to be quiet while the other muse plays with them in their seats.

muses tease each other in the back of a taxi cab on the way home. 

while driving home after a date,  they get too impatient and pull into a parking lot to have sex. 

while driving in the middle of a forest,  our muses pull onto the side of the road for sex. 

our muses are on a road trip but a thick fog forces them to take a break.  they have sex inside the car while waiting for it to clear. 

while at the drive in theater,  muses participate in foreplay. 

while at the drive in theater,  muses forego watching the movie to have sex. 

revenge sex in someone else’s car. 

sex in someone else’s car due to impatience and carelessness. 

a quickie while parallel parked on a busy road. 

in an empty train car while freighthopping. 

in a crowded bus,  one muse sitting in the others lap purposefully and subtly grinding to get them worked up. 

in a private jet,  on the way to a business trip. 

in a private jet,  on the way to a vacation spot. 

one muse masturbates while the other drives. 

driver instructs the passenger to touch themselves through guided masturbation. 

while one muse drives,  they describe what they want to do to the passenger who isn’t allowed to touch themselves. 

NATURE

sensual sex in a secluded meadow during a picnic. 

one muse holding the other up against a tree. 

in a cabin in the middle of a rainstorm late at night. 

in a cabin in the middle of a heavy snowstorm during the day. 

in the bed of a truck in front of hiking trails. 

in the bed of a truck while stargazing. 

a plateau overlooking the ocean on a cloudy day. 

one muse has been napping in a hammock and the other wakes them by beginning to finger them. 

muses get distracted from sunbathing and start to fool around by a poolside or lake. 

inside a gazebo while it rains. 

a little ways off from a hiking trail,  hidden by thick foliage. 

mutual masturbation while camping in a tent. 

beneath the shade of trees in the middle of an orchard. 

between rows in a vineyard. 

hidden away in the dead end of a hedge maze. 

PUBLIC

in a bar or restaurant,  one muse sneaks under table to eat out the other. 

in a bar or restaurant,  muses discuss in detail what they’re going to do to each other once they get home. 

inside the stall of restroom in a bar. 

inside a single bathroom of a place of service (restaurant,  store,  club etc.)

in a hotel room,  up against the window overlooking a busy city.

a quickie in a diner restroom before getting back on the road. 

up on a rooftop where no one is supposed to be. 

inside one muses’s office. 

inside a third party’s office they shouldn’t have access to. 

inside an empty church on a weekday. 

one muse fondling the other while they’re trying to shop. 

foreplay and teasing in the dressing room of a store. 

oral performed while hidden in a storage room or closet. 

inside an abandoned house. 

hushed sex while staying in the guest room of another’s home. 

in the middle of a park late at night. 

PRIVATE

on the floor,  in front of the fireplace to warm up after coming inside from winter storm. 

one muse on the bathroom counter while the other stands. 

in front of the bathroom mirror so they can watch themselves. 

to break in a new house or apartment,  boxes scattered about and furniture newly placed. 

bent over a table while something bakes in the oven. 

on the kitchen counter with half-eaten plates of breakfast forgotten. 

one muse spread out across the top of a grand piano,  pretty woman style. 

rushed and desperate,  messy on the couch because they were too impatient to even make it to the bedroom. 

one muse riding the other while the tv plays in the background,  movie forgotten entirely. 

on the balcony in early morning,  where neighbors might see,  but no one will likely look. 

I want to know what everyone’s muses FYP looks like cause Gloria’s is : bodega cats, 90s nostalgia and dad bod thirst traps…are they also masked… no comment.

ADRIA ARJONA as Bix Caleen ANDOR | S02E03 “Harvest”

you call THAT a PLAN ? / tommy kinard @decryptids

it's  a  look  of  amplified  outrage  afforded  for  the  closest  of  friends.  two  exist,  and  ONE  STANDS  BEFORE  HER.  ❛  i'll  have  you  know,  i  blew  off  a  date  with  my  couch  and  a  new  documentary  for  this,  so  maybe  a  little  decorum.  ❜  time  was  a  currency,  a  luxury  she  didn't  have,  but  no  matter  how  weary,  she  held  herself  up.  she's  been  slacking  on  this  end,  maintaining  facetimes  and  the  occasional  run-in  through  emergency  where  they  can  spare  a  moment  between  the  chaos  to  catch  up.  ❛  and  i  don't  need  to  get  laid.  ❜  need  and  want  are  two  different  animals,  she's  only  half  lying  there;  a  want  and  a  need.

❛  do  you  just  need  me  to  keep  you  from  making  a  terrible  mistake  again?  cause  i  can  rally  for  that.  ❜  she  teases,  a  shoulder  nudging  tommy  as  she  brushes  past  him  in  the  kitchen.  a  smile  perked  up  tired  honey  eyes,  wine  glass  half  empty.  ❛  you  know,  you  could  have  just  started  with  what  you  wanted  to  do.  typical  fucking  pilot.  ❜  she  snickers.

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .

❛  we're  not  going  to  fight  her,  she's  the  devil.  and  you  don't  dance  with  the  devil  cause  you  get  burned.  also  in  her  case,  because  she  has  no  rhythm  and  her  hands  are  like  little  rat  claws.  ❜

holt & diaz quote starters // @washsins ( this feels like a dean conversation )

Said you need some extra magic today, you can boop the snoot under the cut!

Rico says stay hydrated, take breaks and get yourself a sweet treat

❛ i could never be the one to love you. i can only be the one that kills you. ❜ @putrefacerem

she  lets  the  silence  that  follows  stretch,  taut  and  trembling.  notions  of  self-preservation  died  with  her  girlhood;  war  reconstructed  her  into  a  walking  grave.  making  it  off  the  battlefield,  alive  meant  she's  really  only  living  on  borrowed  time,  death  lying  in  wait.  she’s  not  a  soldier  anymore,  she’s  not  even  just  a  doctor.  she’s  the  woman  who  lets  a  monster  drink  from  her  throat  and  bandages  the  bite  like  it  doesn't  mean  anything.  a  woman  who  tells  herself  she’s  doing  it  out  of  pragmatism,  routine,  a  mutual  benefit  —  nothing  more.

gloria  should  feel  powerful,  shouldn’t  she?  he  needs  her.  her  blood,  her  pulse,  her  will,  and  he  feeds  because  she  allows  it.  yet  somehow,  mínluben  is  still  in  control.  she  watches  him,  that  ruin  of  a  mouth,  those  eyes  that  look  too  long  and  hard.  like  he’s  piercing  the  depth  of  her  soul  and  measuring  her  worth  through  every  sin,  and  she  pretends  it  doesn’t  hurt.  ❛  and  why  haven't  you?  ❜  maybe  the  tragedy  is  knowing  she'd  let  him  because  when  the  teeth  pierce  skin,  it  feels  like  she’s  needed,  really  needed.  impossible  to  count  how  many  times  she'd  cursed  an  empty  sky,  demanding  a  trade  of  her  life  for  the  fallen  beneath  her  palm.  under  the  heavy  framework  of  her  grief,  to  die  as  sustenance  to  life  doesn't  make  her  feel  any  ounce  of  fear.  she  steps  closer,  haunted  honey  gaze  sought  him  out.  near  enough  that  the  scent  of  ichor  would  invade  his  solitude.  her  neck  tilts  into  the  smoke  of  her  challenge.  ❛  what's  stopping  you?  it's  right  here.  ❜

❛ your fascination with me will be your death. ❜ Leon / @washsins

a  warning?  perhaps  a  favour  spoken  by  toeing  the  line.  gloria  breathes  it  in,  lets  it  settle  in  the  space  between  them  like  smoke.  heavy,  impossible  to  ignore,  and  he’s  close  enough  that  she  could  touch  him  if  she  wanted  to.  it’s  not  the  danger  that  draws  her.  she’s  seen  worse,  survived  worse.  but  there’s  something  about  him,  all  sharp  edges  and  old  scars,  some  still  bleeding  under  the  surface.  she  recognizes  the  kind  of  violence  he  carries.  it’s  not  posturing,  it’s  not  a  threat,  it’s  a  language  she's  fluent  in.  gloria  doesn’t  know  when  she  started  needing  him  like  this.  beyond  warmth  and  safety,  but  for  the  way  his  presence  drags  her  back  into  her  own  body,  sharp  and  aching  and  real.

she’s  never  been  good  at  doing  the  right  thing  when  her  hands  are  already  shaking  with  want.  she  could  pretend  enough,  hold  up  a  reflection  of  the  goodness  she  tries  to  uphold  with  a  heart-wrenching  dedication.  how  she  falls  back  into  the  consuming  grief,  haunted  and  so  unfathomably  broken.  she  couldn't  be  repaired.  ❛  maybe  i'll  just  die  wanting  you  then.  ❜  a  smile  that  shouldn't  be  there,  but  one  that  echoes  a  sentiment  she  couldn't  place.  the  gallows  humour  dancing  across  her  lips.  ❛  or  you  could  save  me  the  heartache  and  put  me  out  of  my  misery  now.  ❜

few  could  possibly  understand  the  depth  of  it  all,  the  uphill  BATTLE  made  of  claws  and  teeth  and  admitted  spite.  ❛  hard  to  be  soft,  tough  to  be  tender.  ❜  of  standing  toe  to  toe  with  men  twice  your  size  and  coming  out  alive  and  higher  up  than  any  of  them  could  possible  imagine.  gloria  knows  she  understands.  enough  for  her  to  offer  up  the  adage  of  something  stronger  than  beer. 

lyrical sc// @w4rwhispers