Me @ Tamatoa /pos

Me @ Tamatoa /pos

@ellipsis-dotdotdot

me rereading a scene: omg why is she acting like that who wrote this? i wrote this.

More Posts from Mariethecakegal and Others

2 weeks ago

THIS IS SO CUTE THANK YOU <33

Page 1:
Panel 1: A small child with red hair in pig-tail braids sits at the base of a large tree. Someone off panel says, "The faeries took your child, Mary.
Panel 2: Inside a room with the child and tree visible through the window. Mary, a woman with medium-length red hair, is talking with a woman with short hair tied back with a bandana.
Mary: Not this again.
Other Woman: You remember the stories that mother told us.
Panel 3: The other woman leans forward as she speaks emphatically.
Other Woman: Of the faries that steal your baby and replace it with their own -- a changeling! Those dreadful creatures that then drain you of your energy, food, and time!
Panel 4: Mary's face is blank shock with an ellipsis over her head.
Panel 5: Mary tilts her head in confusion as she speaks.
Mary: Have you ever raised a child?
Other Woman: How do you explain the incident at the market?
Page 2:
Panel 1: Flashback, the child from the first page is crouched on the ground crying. Mary is kneeling a little ways away, watching with a concerned expression.
Mary in present day: That was my own fault. I already knew how Dana hates being around too many people.
Panel 2: Still a flashback. The child, now identified as Dana, hides her lower face in a green scarf. Mary reaches for her carefully.
Other Woman in present day: And how did you comfort her? She acts as if your touch gives her rashes!
Mary in present day: I gave her one of grandmother's scarf. She likes to run her fingers through it.
Panel 3: Back to present day, Dana sits at the base of the tree, the green scarf around her neck.
Other Woman, off panel: She sits at the forest's edge all day, listening. She's a fairy. The forest is calling to her.
Mary, off panel: She's just listening to the sparrow calls.
Panel 4: Tight focus on the Other Woman's unhappy mouth.
Other Woman: Mary, Father M says they're dangerous! he knows the fairies better than us.
Panel 5: Tight focus on the Mary's eye widening in surprise.
Other Woman, off panel: Have you ever met a fairy? Hm?
Panel 6: A tall fairy wearing a green cloak and with diaphanous wings on their back stands over a crib holding a baby. The fairy's eyes are wide as they spot Mary standing nearby.
Page 3:
Panel 1: Mary's hands are clasped, and she looks down at them.
Other Woman, off panel: That's what I thought. Go see Father M once you've come to your senses.
Panel 2: Mary stands in the doorway watching Dana standing by the edge of the forest.
Other Woman, off panel: He'll flog that dreadful creature until it tells him where your real daughter is.
Panel 3: Dana points into the forest and whistles a tune.
Panel 4: Mary is mostly hidden by the door as she watches Dana.
Panel 5: Dana's outstretched hand with her pointer finger extended.
Panel 6: A red sparrow comes to light on Dana's finger.
Panel 7: Dana pets the bird, a soft smile on her face.
Panel 8: Mary comes up behind Dana and the bird. The bird flies away, and Dana is started.
Panel 9: Dana shakes nervously.
Panel 10: Mary's eyes are wide and her mouth slightly open as she looks down at Dana.
Page 4:
Panel 1: Mary smiles softly.
Panel 2: Dana is kneeling in the grass, and Mary kneels beside her.
Mary: It seems that your bird calls have gotten quite accurate, haven't they?
Panel 3: Dana speaks into her scarf.
Dana: Her name is Fianna.
Panel 4: Mary: Does she visit us often?
Panel 5: Dana turns towards Mary and smiles and nods.
Panel 6: Mary holds a hand to her mouth in thought.
Mary: Well, that's no good. I've been a terrible host all this time.
Panel 7: The view is pointed up into the tree canopy.
Mary, continuing her speaking from Panel 6: Do you know what food she likes?
Panel 8: Mary and Dana are in identical poses kneeling and staring unto the forest.
Dana: Cake. Can I make her a pillow to sit on? She says the wood sill is uncomfortable.
Mary: Of course.
Page 5:
Panel 1: Mary asleep in her bed at night. A full moon shines through the window.
Panel 2: Dana's small hands reach up from the bottom of the panel to jostle Mary's shoulder. Mary is partially upright. her eyes wide and her hair in disarray.
Dana, shouting in all capitals: Mother wake up!
Panel 3: Dana has her arms raised as she talks to Mary, and Mary sits up in bed. Dana's speech comprises the entirety of the background surrounding Dana, Mary, and Mary's bed. Some of the words are obscured by the figures or are cut off by the border of the panel.
Dana: Fianna visited me tonight and I could tell something was wrong she wasn't hopping right I think her leg must be hurt. she wasn't flying me way she usually does and she almost crashed wall where arrived, and her song didn't sound right, it minor key and her fifths were off, I had to finish her song for her ever hap, and when I tried to pet her she flinched away something she normally does like didn't want me putting mo ew off it was all weird an blood on it! I don't know I do, and you have to h fly right now, but I'm.
Panel 4: Focus on Mary.
Dana, off panel: Please, you have to help Fianna!
Panel 5: Mary walks through the forest at night, holding a lantern to light her way and wearing a heavy cloak. A red sparrow shining with its own light flies in front of Mary, who is following it.
Panel 6: The sparrow flies between two trees.
Panel 7: Mary watches the sparrow.
Panel 8: The sparrow disappears behind one of the trees.
Panel 9: A small hand emerges from behind the tree.
Page 6:
Panel 1: A small child with long matted hair the same color as the sparrow emerges from behind the tree. Her clothes are ragged and dirty, and blood drips down her left leg.
Child: Stop following me.
Panel 2: Mary stares at the child.
Mary, thinking: A fairy…
Panel 3: Mary kneels down to the child's height and places her lantern on the ground.
Mary: Are you the one who plays with my daughter?
Panel 4: Mary smiles at the child.
Mary: She considers you a very good friend.
Panel 5: The child hunches in on herself.
Child: She's my best friend.
Panel 6: Mary and the child talk.
Mary: You can transform into lots of animals?
Child: Uh huh. I like being sparrow the most.
Mary: Do you like to fly, then?
Panel 7: The child looks down.
Child: I…I like to sing with her.
Panel 8: Mary smiles, touched.
Page 7:
Panel 1: Mary extends a hand towards the child, who is holding onto a tree for support as blood drips from her leg onto the grass.
Mary: Are your injuries alright?
Child: The forest will heal them.
Panel 2: Mary looks worried.
Panel 3: Mary takes off her scarf.
Panel 4: Mary holds her scarf out to the child, who looks at her with wide eyes and eyebrows raised in surprise.
Mary: here, to help keep you warm all night. If you'd like some food or rest, my doors are always open to you.
Panel 5: The child wraps the scarf around her much the same way Dana does.
Child: Inviting in a fairy is dangerous.
Panel 6: Mary is standing, looking down on this small child who only comes up to her hips.
Mary: Yes, well…
Panel 7: Mary heads back through the forest to her home.
Panel 8: Dana is asleep by the windowsill and clutching her scarf to her.
Mary, off panel: I think Dana would be upset with me if I didn't.
Page 8:
Panel 1: Daytime now, Mary brings a plate over to the windowsill where the child, Fianna, who is currently a sparrow stands.
Panel 2: Fianna the sparrow looks down at her meal.
Panel 3: Finna pecks at the birdseed.
Panel 4: Dana holds a pillow aloft triumphantly, and Mary smiles.
Panel 5: Fianna is comfortably nestled in her pillow.
Panel 6: Mary carries a sleeping Fianna on her pillow.
Mary, in a narration box: You're still wrong, sister.
Panel 7: Mary places Fianna next to Dana, who is asleep in bed.
Mary, in a narration box: No child of mine was ever replaced, nor were they meant to.
Panel 8: Fianna is now transformed into a child. It is easy to see how much Dana and Fianna resemble each other as they sleep next to one another.
Mary, in a narration box: I simply have tow daughters.

Hello tumblr I heard you like changeling stories

Edit: If you want a physical copy of this comic!

3 weeks ago

Watched Thunderbolts* and then drew more Magus/Adam Warlock

Watched Thunderbolts* And Then Drew More Magus/Adam Warlock
Watched Thunderbolts* And Then Drew More Magus/Adam Warlock
Watched Thunderbolts* And Then Drew More Magus/Adam Warlock
3 weeks ago

Hello bugborg fandom! I present you with a short drabble.

Knowhere. 4 days after the abduction of Kevin Bacon.

“You knew.”

“What?”

“You knew the whole time, Nebula.” Mantis paused, deep in thought. Then finally, all those questions bubbled to the surface and formed one word. “How?”

Nebula was getting annoyed. “Again, knew what? I don't read minds, bug.”

“That Ego is my father.”

“Was,” Nebula corrected. Mantis flinched. Her antennae flickered a bit.

“I told you yesterday,” Mantis continued. “But I could sense…guilt. Remorse. Nervousness. You already knew.” 

Nebula stiffened. “It wasn't hard to guess. Ego didn't have a single other being living on his planet. He murdered all of his previous children and their mothers, makes sense he'd spare the most useful one.”

Mantis's eyes widened for a moment. “Yes, that was why he wanted to find Peter.”

“I'm not talking about Peter, grasshopper.”

“It's Mantis.”

“Let's just say that we've got one thing in common.”

“What is that?”

Something resembling a smile twitched on Nebula's lips. “We both had total dicks for fathers.”


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2 weeks ago

@ellipsis-dotdotdot I would like to know..

Reblog if you want your followers to tell you which fictional character you remind them of.

3 weeks ago

USERNAME LORE GIVE IT TO ME NOW YOU ALL


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2 weeks ago
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants
A Chimera Occurs When Genetically Distinct Tissues Co-exist Within The Same Plant. The Mutant Plants

A chimera occurs when genetically distinct tissues co-exist within the same plant. The mutant plants exhibit different sections of color on a flower. In some cases, the color presented is a reversion to the flower’s ancestral form.

3 weeks ago

kudos to writers with dialogue-heavy works, I got mad respect for y'all. love using dialogue as a tool, but my default settings are non-verbal (dialogue) and non-stop yapping (description).

2 weeks ago

random book idea

• Esmeralda is a stunning golden-era showwoman and singer. She's all short pixie cuts gelled and glittered with glam, calf-exposing glittery dresses with a slit halfway down the skirt, and black heels. In the early 1960s, she's untouchable.

• Francisco is a top-notch criminal who steals from the rich and gives to the poor. He's quick, witty, light on his feet, and always red-handed but always wearing gloves. 

• Esmeralda’s been divorced from Francisco for twelve years, ever since her second child Ava was born….if ‘born’ is the right way to put it. They had drifted apart; Esmeralda chasing success and Francisco being drafted into the war between the so-called heroes, magical humans with a somewhat toxic humanitarian facade- and the wearh, blood-sucking villains who rule the lands underground. 

• In Francisco’s absence, Esmeralda made a deal with William, a wearh with whom she has a bit of a history, to transform her pet bird into a living child- she just wanted to feel as though she had a purpose again- especially after the authorities had sent her son Arlo off to his designated “training center,” a school designed to harness children's powers and prepare them to become successful heroes as they reach adulthood. 

• Esmeralda just didn't understand why they had to take him at two.

• Arlo is an independent, solitary, shy kid. He grows up in books and maps and rules, always following, always on the sidelines. He wants nothing more than to break free. 

• Ava is different. Esmeralda’s hidden charm, she learns at one and a half to hide in the garage whenever any car pulls up in the driveway, and to only go to the market early in the morning, before the shops officially open. She's brilliant, social, energetic, loves inventing and designing anything and everything she can get her hands on. With a creative, fast-moving mind, she loves exploring and yearns to see the world and meet everybody who lives in it. 

• Ava meets Arlo, once a summer, only for a month. September is the hottest month of the year, but the two children always run around outside from before the sun peeks above the horizon, to long after dusk when the tiny “glowbugs” create a spectacle of sunny spots through the forest behind the house.

• Those were the good days. But then one night- in December- Ava hears a knock on her window. She almost doesn't recognize the boy hanging by two paralyzed hands on her windowsill. Arlo hadn't visited the previous year, claiming he'd been too busy in a rushed, chicken-scratched letter. He had been thirteen at the time; now he was fourteen. Considering the fact that she hadn't seen him since he was twelve, her age at the present, she had been expecting a very different boy. A boy with untied shoelaces and a missing molar or two, not a tall and lanky kid with a deep voice and long bangs that hid his eyes. 

• He says he doesn't have much time. Much time before they catch him, the people who had taken his dad and forced him to kill- or worse, the people who were trying to kill his dad. He says he wants to run away, and he has been collecting for years and now possesses every map that's ever been reprinted or even sketched once. 

• With Ava hungry for adventure and Arlo desperate for escape, they formulate a plan beneath spilled candlewax and messy scribbles of possible paths on worn-out maps. And thus, their adventure ensues.


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mariethecakegal - Bingo-Bango!
Bingo-Bango!

I'm just here for Loto

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