❥ The “I Know You” Gesture
Your character remembers something tiny. Maybe their partner always peels oranges but hates the stringy bits. So they do it for them, meticulously. No grand speech. Just peeled oranges on a napkin, handed over like, I got you. It’s not flowers. It’s better.
❥ The “You Matter More Than My Ego” Move
Apologies. Vulnerable, awkward, ugly ones. Not performative, not flowers-as-a-bandage. Just a raw, honest “I screwed up. And you didn’t deserve that.” That’s romance with guts.
❥ The “I Made This With My Clumsy, Lovesick Hands” Attempt
It’s not a five-star meal. It might be an overcooked mess. But they tried. They Googled recipes, burnt a pan, and still showed up with a crooked smile and a smoke-scented apology. Intimacy lives in the effort, not the execution.
❥ The “I’m Thinking of You Even When You’re Not Around” Habit
A voice memo left in the middle of the day. A text that says, “I saw this book and thought of you.” A saved pastry because “you love those stupid lemon ones.” It’s in the thought, the noticing. The I-carry-you-with-me-even-here of it.
❥ The “You’re Safe With Me” Moment
Middle of a panic attack. They don’t run, they don’t fix. They sit. Hold a hand. Count breaths. They become a lighthouse in the fog. That’s not just romance, it’s sanctuary.
❥ The “Make You Laugh When You Want to Cry” Trick
Silly voices. Bad dad jokes. A spontaneous dance in the kitchen just to make them smile. Love doesn’t always whisper—it cackles, snorts, belly-laughs until you can’t remember what the fight was about.
❥ The “I See the You Nobody Else Gets to See” Love
Noticing the nervous tic they try to hide. The quiet resilience. The softness behind the sarcasm. Your character sees it all and chooses to love them there. Not despite their mess, but because of it.
❥ The “I’ll Go to the Boring Thing Because You Care” Sacrifice
They hate art galleries. Or jazz. Or your character’s weird book club full of PhD students. But they show up. They try. They listen and maybe even ask a thoughtful question. Not because they suddenly love postmodern fiction, but because they love you.
❥ The “Let Me Take Care of You, Just This Once” Flip
Especially powerful when it comes from your fiercely independent character. When they finally let someone in. Accept help. Rest their head on a lap and let themselves be held. Or be the one doing the holding for someone who never asks.
❥ The “I Want to Remember This” Gesture
No, not just a scrapbook. Maybe it's saving movie stubs, or voice recording a partner’s laugh because it's perfect and might not last. Maybe it's writing a poem they'll never read. Romance often lives in what we keep sacred, quietly.
❥ Bonus — The Non-Obvious Public Gesture
Holding hands in public when your character usually doesn’t. Or kissing their partner’s temple in front of their disapproving parents. Or calling them “baby” when it makes their partner smile like a fool. Public affection isn’t about performance, it’s about pride. Claiming someone. Softly, fiercely.
#twasalsomewhodecidedtohavethemsplitapartaskids #*mauivoice*yourewelcome
My characters are so happy right now :) Should I... ruin... everything?
THIS IS SO CUTE THANK YOU <33
Hello tumblr I heard you like changeling stories
Edit: If you want a physical copy of this comic!
Psst. Writer. Write that idea down. Yeah, it’ll stay in your brain forever and all, but it won’t. Write it down.
when i realize i have to write the scenes in order to get to the scenes i want to write
Things Your Character Secretly Fears (But Won’t Admit It)
(Even if they act like they’ve got it together or especially if they do.)
Being truly known (because what if they’re not enough?)
Being truly loved (because what if they’re not enough... again?)
Being forgotten.
Letting people down, and knowing they did.
Becoming their parents.
Needing help.
Asking for it.
Getting what they want, and hating it.
Being vulnerable and not being met there.
Losing control in front of others.
Letting someone close, only to be abandoned.
Never finding their purpose.
Success (because now they have something to lose).
Hurting someone they care about.
Saying something they can’t take back.
Feeling too much, and not being able to stop.
That they peaked too early.
That they’re not the main character in their own life.
Trusting someone and getting burned for it.
That deep down, they are the villain in someone else's story.
WHO ARE WE? WRITERS!
WHAT DO WE DO? WRITE!
WHEN DO WE DO IT?
And there was a silence...