Its Come To My Attention That A Lot Of People Do Not Know How To Deal With A Hot Car In Summer. A Lot

Its come to my attention that a lot of people do not know how to deal with a hot car in summer. A lot of people will get back to their car, after hours of it being parked in the full sun, and will open the door to be blasted in the face with furnace-level temperatures, and you'll just clamber in and shut the doors and leave the windows closed and you'll start driving that thing, and you'll wait for the air-conditioning to battle and overcome the heat.

Thats. Insane to me.

The inside of a car can get up to 40°C/104°F hotter than the outside temperature. Why would anyone get inside that????? It's gonna take your air-conditioning at least half an hour to combat that and bring the temperature down to something even remotely reasonable, and in the meantime you're sitting there risking heatstroke.

Now, I understand that it's currently winter in the northern hemisphere, which is where most of this site lives, but a) I'm in the southern hemisphere and today was Lots Of Degrees, and b) y'all should read this now and commit it to memory or queue it to reblog in summer or whatever, because it boggles my mind that some of you get into a car whose interior is literally oven-hot.

So!!!! Some tips!!!!!

Get a sun visor. One of the big ones that goes inside your windshield. You will not believe how much cooler those things keep your car. Get one, use it. Leave it to bounce around in your back-seat on cooler days, but have it on hand for the stinkers. They range in price but two-dollar stores usually have them for pretty cheap.

Leave the windows of your car cracked open. It doesn't have to be much. Literally just the tiniest amount will mean that the heat building inside your car has a way to escape, meaning the interior temp will naturally be kept lower. The larger the opening, the better, but depending on the neighbourhood you're parking in, maybe it would be better to have them open just a sliver. Even the tiniest crack will help. Ever tried warming up an oven with the door open? It doesn't work well. This is the same concept. If there is a way for the hot air to escape, the inside of your car will stay a lot cooler than it otherwise would have.

If you're fancy enough to have an openable sunroof (that's the dream) then leave that open a bit as well.

Youve just gotten back to your car and opened the door, and its hot as fuck in there. Open another door, ideally on the other side of the car, and let the hot air escape. If you can open all four doors and the boot, then thats even better. A bunch of the hot air will flush out. Not all!!! But a lot. Give it anywhere from a few moments to a few minutes, depending on how much of a hurry you're in.

Get in, start the car, open all the windows. Yes, even if you hate having the windows open.

Put the air-conditioning on full blast, and make sure the recycle is turned OFF. This means it pulls fresh air from outside the car (hot, but less hot than inside) and pumps that into the car, further displacing the heat inside the vehicle.

Start driving, still with the windows down. Once you get up enough speed, the force of the air from outside coming in will blast the rest of the excess heat out of the car.

The temp inside the car will now be roughly equivalent to the temp outside the car. Still hot!!!! But MAJORLY less so, and majority more handle-able by your air-conditioner.

Put all your windows up, and switch the air-con over to recycle. This means it takes the air in the car and cools it, then spits it back into the car, meaning that with each cycle, the air gets progressively cooler a lot faster.

If you do this, your car will be a hell of a lot more comfortable a hell of a lot sooner than it would be if you got into a 60°C/140°F cabin and just.... endured that, until your aircon could overcome it.

This post has been brought to you by an Australian who knows not one but TWO people who get into 60°C cars and wait 15 to 30 minutes for their car to drop back down to a temperature that's even REMOTELY tolerable.

More Posts from Mariethecakegal and Others

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as a reader, I LOVE a slow burn

as a writer, I hate them <3

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Reblog if you support asexuals and aren’t a COWARD

RB if your blog is a safe, accepting space for asexuals!

3 weeks ago

Reblog this post to ask mutuals to tell you their weirdest theory about u

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3 weeks ago

#idkmateyoutellme

My characters are so happy right now :) Should I... ruin... everything?

2 weeks ago

So my sister is on vacation and has sent me a photo of the store she was buying clothes in.

So My Sister Is On Vacation And Has Sent Me A Photo Of The Store She Was Buying Clothes In.

I'm going to lose it.

3 weeks ago

THIS IS SO CUTE THANK YOU <33

Page 1:
Panel 1: A small child with red hair in pig-tail braids sits at the base of a large tree. Someone off panel says, "The faeries took your child, Mary.
Panel 2: Inside a room with the child and tree visible through the window. Mary, a woman with medium-length red hair, is talking with a woman with short hair tied back with a bandana.
Mary: Not this again.
Other Woman: You remember the stories that mother told us.
Panel 3: The other woman leans forward as she speaks emphatically.
Other Woman: Of the faries that steal your baby and replace it with their own -- a changeling! Those dreadful creatures that then drain you of your energy, food, and time!
Panel 4: Mary's face is blank shock with an ellipsis over her head.
Panel 5: Mary tilts her head in confusion as she speaks.
Mary: Have you ever raised a child?
Other Woman: How do you explain the incident at the market?
Page 2:
Panel 1: Flashback, the child from the first page is crouched on the ground crying. Mary is kneeling a little ways away, watching with a concerned expression.
Mary in present day: That was my own fault. I already knew how Dana hates being around too many people.
Panel 2: Still a flashback. The child, now identified as Dana, hides her lower face in a green scarf. Mary reaches for her carefully.
Other Woman in present day: And how did you comfort her? She acts as if your touch gives her rashes!
Mary in present day: I gave her one of grandmother's scarf. She likes to run her fingers through it.
Panel 3: Back to present day, Dana sits at the base of the tree, the green scarf around her neck.
Other Woman, off panel: She sits at the forest's edge all day, listening. She's a fairy. The forest is calling to her.
Mary, off panel: She's just listening to the sparrow calls.
Panel 4: Tight focus on the Other Woman's unhappy mouth.
Other Woman: Mary, Father M says they're dangerous! he knows the fairies better than us.
Panel 5: Tight focus on the Mary's eye widening in surprise.
Other Woman, off panel: Have you ever met a fairy? Hm?
Panel 6: A tall fairy wearing a green cloak and with diaphanous wings on their back stands over a crib holding a baby. The fairy's eyes are wide as they spot Mary standing nearby.
Page 3:
Panel 1: Mary's hands are clasped, and she looks down at them.
Other Woman, off panel: That's what I thought. Go see Father M once you've come to your senses.
Panel 2: Mary stands in the doorway watching Dana standing by the edge of the forest.
Other Woman, off panel: He'll flog that dreadful creature until it tells him where your real daughter is.
Panel 3: Dana points into the forest and whistles a tune.
Panel 4: Mary is mostly hidden by the door as she watches Dana.
Panel 5: Dana's outstretched hand with her pointer finger extended.
Panel 6: A red sparrow comes to light on Dana's finger.
Panel 7: Dana pets the bird, a soft smile on her face.
Panel 8: Mary comes up behind Dana and the bird. The bird flies away, and Dana is started.
Panel 9: Dana shakes nervously.
Panel 10: Mary's eyes are wide and her mouth slightly open as she looks down at Dana.
Page 4:
Panel 1: Mary smiles softly.
Panel 2: Dana is kneeling in the grass, and Mary kneels beside her.
Mary: It seems that your bird calls have gotten quite accurate, haven't they?
Panel 3: Dana speaks into her scarf.
Dana: Her name is Fianna.
Panel 4: Mary: Does she visit us often?
Panel 5: Dana turns towards Mary and smiles and nods.
Panel 6: Mary holds a hand to her mouth in thought.
Mary: Well, that's no good. I've been a terrible host all this time.
Panel 7: The view is pointed up into the tree canopy.
Mary, continuing her speaking from Panel 6: Do you know what food she likes?
Panel 8: Mary and Dana are in identical poses kneeling and staring unto the forest.
Dana: Cake. Can I make her a pillow to sit on? She says the wood sill is uncomfortable.
Mary: Of course.
Page 5:
Panel 1: Mary asleep in her bed at night. A full moon shines through the window.
Panel 2: Dana's small hands reach up from the bottom of the panel to jostle Mary's shoulder. Mary is partially upright. her eyes wide and her hair in disarray.
Dana, shouting in all capitals: Mother wake up!
Panel 3: Dana has her arms raised as she talks to Mary, and Mary sits up in bed. Dana's speech comprises the entirety of the background surrounding Dana, Mary, and Mary's bed. Some of the words are obscured by the figures or are cut off by the border of the panel.
Dana: Fianna visited me tonight and I could tell something was wrong she wasn't hopping right I think her leg must be hurt. she wasn't flying me way she usually does and she almost crashed wall where arrived, and her song didn't sound right, it minor key and her fifths were off, I had to finish her song for her ever hap, and when I tried to pet her she flinched away something she normally does like didn't want me putting mo ew off it was all weird an blood on it! I don't know I do, and you have to h fly right now, but I'm.
Panel 4: Focus on Mary.
Dana, off panel: Please, you have to help Fianna!
Panel 5: Mary walks through the forest at night, holding a lantern to light her way and wearing a heavy cloak. A red sparrow shining with its own light flies in front of Mary, who is following it.
Panel 6: The sparrow flies between two trees.
Panel 7: Mary watches the sparrow.
Panel 8: The sparrow disappears behind one of the trees.
Panel 9: A small hand emerges from behind the tree.
Page 6:
Panel 1: A small child with long matted hair the same color as the sparrow emerges from behind the tree. Her clothes are ragged and dirty, and blood drips down her left leg.
Child: Stop following me.
Panel 2: Mary stares at the child.
Mary, thinking: A fairy…
Panel 3: Mary kneels down to the child's height and places her lantern on the ground.
Mary: Are you the one who plays with my daughter?
Panel 4: Mary smiles at the child.
Mary: She considers you a very good friend.
Panel 5: The child hunches in on herself.
Child: She's my best friend.
Panel 6: Mary and the child talk.
Mary: You can transform into lots of animals?
Child: Uh huh. I like being sparrow the most.
Mary: Do you like to fly, then?
Panel 7: The child looks down.
Child: I…I like to sing with her.
Panel 8: Mary smiles, touched.
Page 7:
Panel 1: Mary extends a hand towards the child, who is holding onto a tree for support as blood drips from her leg onto the grass.
Mary: Are your injuries alright?
Child: The forest will heal them.
Panel 2: Mary looks worried.
Panel 3: Mary takes off her scarf.
Panel 4: Mary holds her scarf out to the child, who looks at her with wide eyes and eyebrows raised in surprise.
Mary: here, to help keep you warm all night. If you'd like some food or rest, my doors are always open to you.
Panel 5: The child wraps the scarf around her much the same way Dana does.
Child: Inviting in a fairy is dangerous.
Panel 6: Mary is standing, looking down on this small child who only comes up to her hips.
Mary: Yes, well…
Panel 7: Mary heads back through the forest to her home.
Panel 8: Dana is asleep by the windowsill and clutching her scarf to her.
Mary, off panel: I think Dana would be upset with me if I didn't.
Page 8:
Panel 1: Daytime now, Mary brings a plate over to the windowsill where the child, Fianna, who is currently a sparrow stands.
Panel 2: Fianna the sparrow looks down at her meal.
Panel 3: Finna pecks at the birdseed.
Panel 4: Dana holds a pillow aloft triumphantly, and Mary smiles.
Panel 5: Fianna is comfortably nestled in her pillow.
Panel 6: Mary carries a sleeping Fianna on her pillow.
Mary, in a narration box: You're still wrong, sister.
Panel 7: Mary places Fianna next to Dana, who is asleep in bed.
Mary, in a narration box: No child of mine was ever replaced, nor were they meant to.
Panel 8: Fianna is now transformed into a child. It is easy to see how much Dana and Fianna resemble each other as they sleep next to one another.
Mary, in a narration box: I simply have tow daughters.

Hello tumblr I heard you like changeling stories

Edit: If you want a physical copy of this comic!

3 weeks ago
Kicks Rock .. Me Adn My Friend :-)
Kicks Rock .. Me Adn My Friend :-)

kicks rock .. me adn my friend :-)

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mariethecakegal - Bingo-Bango!
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