Something I find interesting when viewing the two recent Dune movies as a whole is that initially, Paul is more than willing to use the prophecy and his visions for his own gain to convince Liet to help them, while Jessica whispers "careful!" at his side, and she later recommends they leave the planet entirely. But Paul decides they'll stay with the Fremen. Even at the beginning of Part 2, Paul is like "fuck yeah let's wage war on the Harkonnen" and Jessica is again counseling caution: "your father didn't believe in revenge." She goes through the Water of Life ceremony not because she wants to help Paul fulfill the prophecy but because she's forced to: do this or die. And even then, the old Reverend Mother had to use the Voice on her to get Jessica to drink.
That all changes when Jessica nearly dies during the ceremony. After that, Paul becomes more wary of embracing the prophecy, and she just throws herself into it. Paul nearly loses his mother (and his unborn sister) to a painful, agonizing poison - mere hours/days after losing his father and all their friends/allies to the Harkonnen slaughter - and decides it's not worth it. Meanwhile, Jessica gets a direct download of memories of millennia of oppression and goes "yeah let's burn everything to the ground."
It's an interesting, quick reversal at the beginning of the second movie, and it's great.
Ooh thank you for this great ask. I can always count on you for smart and thoughtful Jessica takes!
You make a really good observation about their reversal of positions--I had been struggling to figure out how Paul's line about "I must sway the non-believers" fit into his overall arc, but you are absolutely right that this feels like a continuation of how he talks to Liet. We're seeing the first stirrings of that little "maybe I am special" thought that later takes center stage.
For most of Part Two, Paul has several reliable counterweights pulling against that streak of arrogance and high-handedness that he's had from the beginning. Jessica almost dies drinking the Water of Life, which, like you point out, has got to make him think twice about encouraging people to believe in the prophecy. Then, he spends most of the movie surrounded by Chani and her friends and comrades, who seem the most skeptical of the prophecy and also aren't going to give his ego the time of day. And at the same time, he has an opportunity to pour his desire for revenge into collective political action that seems to be making a difference.
It's only when those countervailing forces start collapsing (the people who had started out as his equals are now becoming his followers; the Harkonnens attack Sietch Tabr and other civilian population centers, proving they are far from militarily defeated; Gurney shows up and immediately offers what seems like an easy solution to their problems that only Paul can access) that the little maybe I am special voice starts winning again.
As for Jessica, her journey doesn't get as much focus in the movie but it's also fascinating. She's a great character because she is so fucking smart at navigating power structures from what seems like an unenviable position. Did she have any choice about being sent to Caladan to become Leto's concubine? I am guessing she did not. But she sure figured out how to work that situation to her advantage. It happened that along the way she and Leto came to genuinely love and respect each other. But I'm sure she would still have figured out an angle even if that had not been the case.
In Part Two she starts out in a frankly quite terrifying position: she can undergo this unknown, dangerous ritual or die, and also possibly put Paul's safety at risk by raising doubt about whether he is the Lisan al-Gaib. But after she survives the Water of Life, she is launched into a powerful position in Fremen society and pretty quickly realizes she can use that to both protect Paul and get her revenge on the people who tried to kill her whole family. And unlike Paul, she is much more cognizant of the intergalactic power structures at work and aware that the Harkonnens themselves were a pawn in all this, so her target is the Bene Gesserit and the emperor.
I would have loved more time to explore Jessica's relationship to Fremen society and her POV in general. Because in some ways she becomes as Fremen as it's possible for her to be--she has access to thousands of years of memories of Fremen history and culture and politics; she becomes instantly fluent in the language and she is immersed in Fremen daily life in the sietch. (If there's one single thing I wanted more of, it was daily life in the sietch.) But she's still the same person she was, so she hasn't lost that ability to be ruthless and calculating and see people as forces to be manipulated. In Part One, her love for Paul and Leto provided an interesting counterweight to this that allowed us to see some moments of vulnerability from her (ie. she knows Paul has to undergo the Gom Jabbar test but she's terrified for him while it's happening). In Part Two she is so isolated for most of the movie (away from Paul; surrounded by followers who were never friends; I think we can all agree that talking to your unborn fetus doesn't really count) that we don't get a lot of these more unguarded moments from her. (I would have loved some Jessica/Stilgar action and it seems like the potential was very much set up for that, but I understand why they didn't have time.)
But in general I thought they did a great job of setting up this contradictory tension between Jessica and Paul, where they both want so desperately to protect each other and they both want revenge, but the way they each go about it ends up putting them in direct conflict with each other.
dune really explores every possible way someone can die without actually dying. paul's childhood self dies the night his father does. his atreides heritage dies when he seeks revenge. paul himself dies when he drinks the water of life. jessica the wife dies the night leto does. jessica the mother dies when she drinks the water of life. the girl alia could have become dies in the womb. stilgar dies when he becomes a follower. the fremen die when they leave their home to fight paul's war for him. the narrative treats every one of these deaths as a tragedy, as a palpable loss; the ghosts of who these characters were or could have been remain to haunt the narrative long afterwards.
(expanding on my original tags from this post)
alia atreides & marie fenring.
"in the blood" by john mayer / portrait of elisabetta gonzaga by raffaello sanzio / adeleide by hiroshi furuyoshi / fatima aamer bilal / fair rosamund and eleanor by frank cadogan cowper
Marie Fenring and Alia Atreides ( au where marie never died and they stayed as friends :// )
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since y’all liked the other drawing i made of alia and marie, decided to make another one :’)
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follow on insta; serenlas
Timothée Chalamet as Paul Atreides and Rebecca Ferguson as Lady Jessica in “Dune” (2021)
The real tragedy of Dune (which the movies did an excellent job of portraying) is that almost none of the characters we see have any real choice in what they do. The only choices they have are in how they do them.
Duke Leto must take House Atreides to Arrakis, or be declared a traitor to the Imperium and hunted down. He knows it's a trap and that the Emperor is, in the very best case scenario, setting him and his family up for a serious reversal of their fortunes (far more likely, he's outright scheming to get them killed). But he doesn't have a choice. He must go to Arrakis. He does go to Arrakis. He dies.
Paul and Jessica must flee into the desert or the Harkonnen soldiers will kill them both brutally. They must go to the Fremen for refuge or the desert will kill them. They go. They find that the Fremen have already begun to mythologise Paul. He's the Mahdi, the Lisan al-Gaib. There is no option for Paul to be a normal person here. He is either the messiah or he is a false prophet, and false prophets in a nation of true believers don't live for long.
So Paul fits himself into the mold of the myth. He becomes Muad'dib and leads the Fremen in war because they believe too much in him to let him be anything less. Is it manipulation? Yes. But because the Bene Gesserit have been manipulating the Fremen for centuries, Paul has no choice but to continue it if he wants to live.
He sees the holy war at the end of every timeline by glimpses and he fights to avoid it. To avoid it, he becomes the Kwizatz Haderach and gains the ability to fully see timelines, and thereby he makes himself that much more of the Fremen messiah and brings himself one step closer to the holy war. Every choice he makes is a choice for survival and an attempt to avoid that war, the war he cannot escape because every step he makes along the path to survival is one more step towards the war. He has no more choice in what he becomes than his father had in whether or not he went to Arrakis.
The only people who ever had a choice were the Emperor and Gaius Helen Mohiam. They made their choice, to exterminate House Atreides, and thereby they took everyone's choices away, including their own. Once they sent House Atreides to Arrakis, the entire plot was inevitable.
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