My Awesome Dr.Sawyer Design

I'M FUCKING DYING

you didnt understand, and i couldnt explain.

An aquarium in Japan was closed for renovations, and their resident sunfish got depressed not seeing visitors. So the staff put some uniforms with printed faces against the tank, and it immediately recovered.

I made this comic for the literature festival ‘Québec en toutes lettres'. If you are in la ville de Québec, I believe you can find this comic displayed on a large panel or as a free postcard in these cute vending machines they’ve set up around the downtown. I don’t actually have proof of either, so if you are in Québec and you see my comic in the wild, please send me a photo!

The theme of this year’s festival is ‘climbing the light’ based on a line of poetry from Jean-Paul Daoust. My comic is a pretty abstract take on that. I was thinking about how great art can inspire people all over the world to create art, and how that art can then inspire future artists and so on, making this unending giving-and-receiving of light through our history. I was also thinking about birds (as I do sometimes), and how they do a similar thing with their songs.

The bird I’ve painted here is an Eastern Whip-poor-will, a night singer.

AAAAAAAAAAAAAAAAAAAA I LOVE HOW TF1 MAKES THE CREATION OF MEGATRON AN UNINTENTIONAL COLLABORATIVE EFFORT BY OTHER VILLAINS!!!

SENTINEL WOUNDED HIM FIRST AND REPEATEDLY TEMPTED HIS WRATH.

STARSCREAM TAUGHT HIM THAT WRATH WAS THE MOST EFFICIENT TOOL.

AND THE CHEERING HIGH-GUARD TAUGHT HIM THAT WRATH WAS VIRTUOUS.

AND NONE OF THEM WILL KNOW WHAT A MONSTER THEY CREATED UNTIL IT'S TOO LATE!!

Zuko having a connection to the spirit world but instead of it being something deep and profound, it’s just because he spent three years pre-finding the avatar running towards the first weird magical shit he saw.

the group chat when i ask whos available to hang out next week

There's a lot of conversations to be had around the current influx of Americans to Xiaohongshu (RedNote/Little Red Book) ahead of the TikTok ban, many of which are better articulated by more knowledgeable people than me. And for all the fun various parties of both nationalities seem to having with memes and wholesome interactions, it's undoubtedly true that there's also some American entitlement and exoticization going on, which sucks. But a sentiment I've seen repeatedly online is that, if it's taken actually speaking to Chinese people and viewing Chinese content for Americans to understand that they've been propagandized to about China and its people, then that just proves how racist they are, and I want to push back on that, because it strikes me as being a singularly reductive and unhelpful framing of something far more complex.

Firstly: while there's frequently overlap between racism and xenophobia, the distinction between them matters in this instance, because the primary point of American propaganda about China is that Communism Is Fundamentally Evil And Unamerican And Never Ever Works, and thinking a country's government sucks is not the same as thinking the population is racially inferior. The way most Republicans in particular talk about China, you'd think it was functionally indistinguishable from North Korea, which it really isn't. Does this mean there's no critique to be made of either communism in general or the CCP? Absolutely not! But if you've been told your whole life that communist countries are impoverished, corrupt and dangerous because Communism Never Works, and you've only really encountered members of the Chinese diaspora - i.e., people whose families left China, often under traumatic circumstances, because they thought America would be better or safer - rather than Chinese nationals, then no: it's not automatically racist to be surprised that their daily lives and standard of living don't match up with what you'd assumed. Secondly: TikTok's userbase skews young. While there's certainly Americans in their 30s and older investigating Xiaohongshu, it seems very reasonable to assume that the vast majority are in their teens or twenties - young enough that, barring a gateway interest in something like C-dramas, danmei or other Chinese cultural products, and assuming they're not of Chinese descent themselves, there's no reason why they'd know anything about China beyond what they've heard in the news, or from politicians, or from their parents, which is likely not much, and very little firsthand. But even with an interest in China, there's a difference between reading about or watching movies from a place, and engaging firsthand, in real time, with people from that place, not just through text exchanges, but in a visual medium that lets you see what their houses, markets, shopping centers, public transport, schools, businesses, infrastructure and landmarks look like. Does this mean that what's being observed isn't a curated perspective on China as determined both by Xiaohongshu's TOU and the demographic skewing of its userbase? Of course not! But that doesn't mean it isn't still a representative glimpse of a part of China, which is certainly more than most young Americans have ever had before.

Thirdly: I really need people to stop framing propaganda as something that only stupid bigots fall for, as though it's possible to natively resist all the implicit cultural biases you're raised with and exist as a perfect moral being without ever having to actively challenge yourself. To cite the sacred texts:

Like. Would the world be a better place if everyone could just Tell when they're being lied to and act accordingly? Obviously! But that is extremely not how anything actually works, and as much as it clearly discomforts some to witness, the most common way of realizing you've been propagandized to about a particular group of people is to interact with them. Can this be cringe and awkward and embarrassing at times? Yes! Will some people inevitably say something shitty or rude during this process? Also yes! But the reality is that cultural exchange is pretty much always bumpy to some extent; the difficulties are a feature, not a bug, because the process is inherently one of learning and conversation, and as individual people both learn at different rates and have different opinions on that learning, there's really no way to iron all that out such that nobody ever feels weird or annoyed or offput. Even interactions between career diplomats aren't guaranteed smooth sailing, and you're mad that random teenagers interacting through a language barrier in their first flush of enthusiasm for something new aren't doing it perfectly? Come on now.

Fourthly: Back before AO3 was banned in China, there was a period where the site was hit with an influx of Chinese users who, IIRC, were hopping over when one of their own fansites got shut down, which sparked a similar conversation around differences in site etiquette and how to engage respectfully. Which is also one of the many things that makes the current moment so deeply ironic: the US has historically criticized China for exactly the sort of censorship and redaction of free speech that led to AO3 being banned, and yet is now doing the very same thing with TikTok. Which is why what's happening on Xiaohongshu is, IMO, such an incredible cultural moment: because while there are, as mentioned, absolutely relevant things to be said about (say) Chinese censorship, US-centrism, orientalism and so on, what's ultimately happening is that, despite - or in some sense because of - the recent surge in anti-Chinese rhetoric from US politicians, a significant number of Americans who might otherwise never have done so are interacting directly with Chinese citizens in a way that, whatever else can be said of it, is actively undermining government propaganda, and that matters.

What it all most puts me in mind of, in fact, is a quote from French-Iranian novelist and cartoonist Marjane Satrapi, namely:

“The difference between you and your government is much bigger than the difference between you and me. And the difference between me and my government is much bigger than the difference between me and you. And our governments are very much the same.”

And at this particular moment in history, this strikes me as being a singularly powerful realization for Americans in particular to have.

god gives his coolest girlfriends to his most loser reddit bros

It was so important to me that Stolas was able to be sad throughout the entire episode. Usually media likes to rush a character's grief/depression/sadness. Like "Stop moping around" or "get over it already." Depression doesn't just go away. It is a persistent feeling of sadness.

His depression was also presented through various emotions/emotional states.

Lethargy

Crying

Anger / frustration

Self-blame

Not wanting company and being emotionally drained and unable to reciprocate

We even see him Smiling / Laughing which is so important because we see that he is still in there behind the sadness and tears. His laugh is not as lively as it once but he is still capable of smiling and finding joy.

His problems weren't fix in the end and his sadness didn't go away even if he has someone who loves him by his side (and even if he loves him too). And I think this is one of the best depictions I have seen of a depressed character in media in a long time.