being self-taught in any type of practice will eventually lead to you having to seek out formal learning resources to bridge what you think is a trivial knowledge gap and realizing that you've been operating similarly to that french guy who went about his daily life unknowingly missing 90% of his brain
yes ! definitely agree 100% on the sentiment that stp does a great job at portraying traits to be neutral. even in the way the shifting mound chooses her words, there's a noticeable neutrality in which she views and describes her vessels' experiences. it was something that really stuck with me when i was watching a therapist playing the game and pointing it out !
I think what I’m seeing with the Slay The Princess fan base is that not enough people recognize that ALL the voices are a neutral force. Both positive and negative in their own ways.
I’ve seen people talk about Smitten showing love just as a thing, and I just saw a post talking about Paranoid needing to be written in fan content with his more negative side as well as his capabilities, but it’s actually like that for all of them! The voices are, quite literally, reflections of The Long Quiet— and they are their definition in every way it can be.
Smitten loves, and sometimes that love happens to hurt because he just wants what’s best for the Princess but she wants the same for tlq so it spirals and no one is happy.
I was thinking about Hunted, especially in the Den, where he is instinct and that instinct is to survive, but when he sees someone else also fighting to survive, he looks out for them and works as a team.
Cold is notorious for brushing off any emotions and with the mirror he will tell the decider that you don’t need to comfort the other voices. But he’s pushing for numbness so that it hurts less, so that you can handle it easier, so you aren’t paralyzed by guilt or by the decisions you have to make.
Opportunist is constantly changing his mind, trying to be on the “winning” side, and this causes him to be a jerk, pull the knife on the princess when it suits him and if you don’t want to hurt the princess he’ll then try to play it off. But he’s also got ways to keep you safe, know when something will turn on you because that’s what he would do, and he just wants the safety and security.
I could write them all out to be honest, but it’s about just taking their names at face value because that is literally what they are, and Slay the Princess does a really damn good job at portraying these traits as completely neutral. And it’s a game about perception, so depending on what choices you make, these neutral traits will seem more positive or negative, and I really think that’s a great message that can be done so so well and I honestly love it.
"it's all in your head" correct! unfortunately I am also in there
Yves Olade, from Bloodsport; “When rome falls”
[Text ID: “You look like you’ve eaten the sun, like / you drank so much sunlight you’re drowning in it.”]
“Get his ass” Is so unreasonably funny to me. A huge win for the English language. Today’s version of “seize him” imo
im taking my time reading it, though, bc i dont wanna speed through it and miss details. i've been poring over every single line like a madman
i don't think i've ever liked a book this much, and this fast the same way i'm so enamored by the picture of dorian gray after reading just the preface and the first chapter. it usually takes me a couple chapters to get a feel of a book, but with tpodg? im so fucking hooked HWJAKSBSJ
"that trope is so overused in fanfiction"
no. i have never once looked at fanfic and thought "i wish there weren't so many amortentia Aus" "i wish they didn't always have that Oh, Oh moment" "i wish there weren't so many jokes alluding to canon"
in fact, i want more. make more silly little jokes about reg drowning. give me the oh moment again.
i will read the same trope over and over again, that's what fanfiction is for