instagram list of ulzzang boys - like or reblog if you use ♡
zin_uk
ekyooooooom
come2david
hi880515
96._.bo
esc_studio
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ironjagang
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fill.blue
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godo.sh
_lolkkkk
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jiwonhyuk
kangmeen
taemeen
ys88_
5_hoon
kwo_on
___ushy_26
babykumsung
axxdam
1ove_it4
dmddksldii
coke3cake
chaqomenius
woongbi_
hyukiki
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Bleeding:
Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.
It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.
Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.
blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.
it’s slow. use this to your advantage! more sad writer times hehehe.
Stab wounds:
I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.
also, bleeding takes FOREVER to stop, as mentioned above.
if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)
whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites
Concussion:
despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.
if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.
Fever:
you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.
ACTUAL SYMPTOMS:
sluggishness
seizures (severe)
inability to speak clearly
feeling chilly/shivering
nausea
pain
delirium
symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.
ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.
fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.
keep writing u sadistic nerds xox love you
ALSO I FORGOT LEMME ADD ON:
YOU DIE AT 85F
sorry I forgot. at that point for a sustained period of time you're too cold to survive.
pt 2
also please stop traumadumping in the notes/tags, that's not the point of this post. it's really upsetting to see on my feed, so i'm muting the notifs for this post. if you have a question about this post, dm me, but i don't want a constant influx of traumatic stories. xox
An antihero - a central character who lacks the characteristics an audience associates with a conventional hero.
They are ambiguous protagonists—complex characters who have a dark side.
Despite a flawed exterior, a history of bad decisions, and even a questionable moral code, an antihero is ultimately guided by good intentions.
Despite their flaws, antiheroes are realistic characters that readers can relate to. Here are four tips for creating a great antihero for your story:
Create a main character who is complex. Think of how you would write a traditional hero. Create your antihero by giving them the opposite attributes. If a hero is an idealist, your antihero is a cynic. Make them mysterious so their character is revealed bit by bit. A great antihero has flaws just like a real person. But despite an antihero’s weaknesses, their good side is illuminated as the story progresses. These contrasting qualities make an antihero more complex and interesting.
Give your antihero internal conflict. Every great antihero has an internal struggle driving their actions. Before you begin writing, sit down and flesh out the character. What event is the source of their internal struggle that informs their behavior in the story? As you write, slowly reveal your antihero’s backstory to let readers know what makes them tick.
Don’t confuse your antihero with the antagonist. For the antiheroes with misguided morals, the ends justify the means. They can explain away the bad things they do if the result is ultimately good and they emerge a hero. When writing an antihero, you can bring them to the edge of evil, but they’re never as evil as the true villain of your story. Unlike an antagonist, an antihero ultimately believes they are acting for a noble cause. Some characters, like the DC Comics character Harley Quinn, alternate between being an antihero and an antagonist, depending on the context.
Use supporting characters. In the TV show The Sopranos, antihero Tony Soprano had his therapist, who showed Tony’s vulnerability and made the audience have a soft spot for a guy who ordered a hit as easily as he ate a bowl of pasta. Create a side character who can illuminate your antihero’s redeeming qualities. The best antiheroes are the ones readers can’t believe they’re rooting for.
Think about the rough-around-the-edges antihero Han Solo compared to the traditionally heroic Luke Skywalker. Antiheroes go against the grain and are often social outcasts who operate by their own rules. Here are different antihero archetypes found in fiction:
The pragmatic rebel: The pragmatic antihero is a realist. They might associate with both good guys and bad guys and take whatever action they deem necessary to accomplish their mission. Their morals are, for the most part, good, but they won’t hesitate to do what’s needed to be heroic—even if that means taking out a few bad guys. They won’t intentionally cross a line unless it’s for the greater good, and they may still follow the steps of the hero’s journey.
The unscrupulous antihero: This is the antihero whose morals fall into a grey zone. They have good intentions but are driven more out of self-interest rather than the greater good. They can be cynical and have a jaded view of the world. Their actions are often dictated by past traumas and inner conflict, revealed through their backstory. They don’t think twice about how they achieve their goal and who they need to push out of their way, and they sometimes even enjoy the dark side. Annaliese Keating, the antihero played by Viola Davis at the heart of the show How to Get Away With Murder, is cutthroat and morally compromised, but her motives begin to make sense as the audience gets a deeper look into her inner life.
A hero by any means necessary: The titular antihero protagonist of the television series Dexter (as well as the novel it’s based on, Darkly Dreaming Dexter by Jeff Lindsay), borders on being a villain. Antiheroes like Dexter Morgan justify their behavior because it results in something that benefits society, even though their actions are questionable—and sometimes even psychotic. For example, Dexter might have good intentions as a vigilante serial killer of other killers, but his deeds are those normally associated with an antagonist.
Walter White is the main character of the TV series Breaking Bad.
As a man dying of cancer, White begins to make and sell methamphetamine to save money to support his family after his death.
As the series progresses, Walter White’s character arc is dramatic as he moves through the ranks of antihero archetypes, crossing every moral line and almost assuming the role of villain.
Told from any other point of view, Walter White would be the antagonist of this series but instead he is an antihero.
Source ⚜ More: References ⚜ Writing Resources PDFs
Many of the great villains that oppose classic heroes fall into a handful of villain archetypes:
Anti-villain: The anti-villain is a villain archetype in which the bad guy has a sympathetic motivation or appealing characteristics. In the same way that an anti-hero is ostensibly a good guy with villainous or immoral tendencies, an anti-villain may have justifiable, noble goals or even a good side. Example: Hannibal Lecter in The Silence of the Lambs (portrayed by Anthony Hopkins in the film version).
The beast: A classic villain whose goal is to terrorize and attempt to defeat the main character, the beast is a literal monster. This type of villain cannot be reasoned with and is often found in the horror or science fiction genres. The whale from Moby Dick and the shark from Jaws are examples of this type of villain.
The bully: Bullies serve as simple, straightforward opposition to the protagonist. This character archetype is sometimes marked by a backstory that explains their mean and oppressive tendencies, such as a childhood marked by abuse or insecurity. Other times, they are simply mean for the sake of being mean. Examples include Nurse Ratched from One Flew Over the Cuckoo’s Nest and Fletcher from the film Whiplash.
The machine: The machine is similar to the beast, with one major difference: It is a technological construct and is therefore lifeless and incapable of pain, fear, and emotion. The machine can often be found in science fiction thrillers—like Ultron in Avengers: Age of Ultron or Arnold Schwarzenegger’s robotic killing machine in The Terminator.
The mastermind: The mastermind opposes the protagonist by overseeing a brilliant, diabolical master plan. They are a gifted schemer and evil genius who attempts to defeat the protagonist mentally as opposed to physically. Great villains in the mastermind tradition include Hans Gruber from Die Hard and Lex Luthor from the Superman series.
Evil incarnate: This villain personifies evil itself, offering little in the way of character development or backstory. This type of evildoer serves as an obstacle to the hero’s journey and is primarily found in fantasy and superhero genres. Examples include Sauron from The Lord of the Rings, Darth Vader from Star Wars, and the Joker from The Dark Knight.
The henchman: The henchman exists to do the dirty work of someone else, usually the mastermind or another major evil character in the story. They are functionally the sidekick of the main villain. Though they usually lack the villain’s brains, they make up for it in brawn. Examples include Boba Fett from Star Wars and the monkeys from The Wizard of Oz.
The fanatic: The fanatic’s villainy is driven by an extreme ideology. Oftentimes, they are propelled by religion or a twisted moral belief that gives them fuel to carry out their twisted mission. The serial killer John Doe from the movie Seven is a true villain in the fanatic tradition.
When it comes to writing villains who transcend cliches, there are 4 techniques that can elevate your writing:
Make sure your villain has a strong connection to your hero. A true villain is inextricably connected to the hero and aids in the hero’s character development.
Make them a worthy opponent. A great villain is a strong and worthy adversary to your hero, directly opposing the hero archetype of your protagonist. The villain shouldn’t be weak and easily beaten, nor should they be so powerful that they can only be defeated by random chance. In the Sherlock Holmes stories, Holmes’s arch-nemesis Moriarty is a brilliant criminal mastermind. Having a villain who is equal in skill and intelligence to your hero will raise the stakes of their encounters, creating a credible threat to your hero.
Put yourself in your villain’s shoes. When it’s time for your villain to act, put yourself in their place. Think about challenges or hardships that might tempt people to act out or behave badly. How do you react to bad things? Tap into those emotions and try to apply them to your villain.
Consider your villain’s motivation. Why does your villain want to rule with an iron fist? Why do they want to put the damsel in distress? As with your main character, determining your antagonist’s motivation can help you unlock other aspects of their character, such as their goals and their personality.
Source ⚜ Writing Resources PDFs ⚜ Villains
we need to see him in other clothes than his uniform
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Mohammed is dying... and I'm living his death every moment 💔
They told me: There's an operation.
They said: There's hope.
What kind of life is this that makes a father or mother beg to prevent their child's death? What kind of world is this that makes us count our children's breaths as money?
Please... don't let me embrace his cold body and apologize to him for not being able to save him.Don't let this day come... don't let his soul fly away because we are poor.Help me... before the light in my eyes is extinguished forever.
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Vetted by @gazavetters, my number verified on the list is ( #576 )✅️
@sawasawako-archived @memingursa @schoolhater98 @rickybabyboy @valtsv @komsomolka @prisonhannibal @hotvampireadjacent @r0zeclawz @marxism-transgenderism @teaboot @boobieteriat @chokulit @3000s @ot3 @90-ghost @apas-95 @punkitt-is-here @b0tster @vampiricvenus @ankle-beez @punkitt-is-here @b0tster @vampiricvenus @ankle-beez @feluka-blog-blog @postanagramgenerator @memingursa @certifiedsexed @afro-elf @11thsense @spacebeyonce @dailyquests2thequestening @beserkerjewel @beetledrink @spaghettioverdose @specialmouse
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#Mohammed_is_dying
#A_call_from_the_grave_of_pain
#Don't_extinguish_his_breaths
#I_am_burying_him_alive
#Help_me_save_my_soul
throwing ideas back and forth with @sakihime02 helps get brain juice flowing for ditoeftv/vadd
Through the bullshit that is the game system, when Callisto follows Siyeon back, he has identification and other basic necessary stuff(I'm lazy k)
Anyways, Siyeon tracks Callisto down after she recovers in the hospital and they move in together
Sidenote, he looked at her original run-down apartment and had to be held back from going over and killing her first brother
Sadly, no murders happened, and out of guilt Siyeon's dad provides her with a bank account with monthly deposits of money and a luxurious penthouse apartment
Siyeon shows everyone just how driven she can be when she tears through the coursework that she missed when she was in a coma due to her stomach cancer and being thrown into the game, graduating early with flying colors
At the same time, she teaches Callisto about the modern world
Like Siyeon, Callisto has a natural drive to be good at everything, which stems from his time as Crown Prince
So he gets adjusted to modern life pretty quick, but ngl he misses Eorka sometimes because then he could kill whoever looked at Siyeon with lustful eyes
Anyways, Siyeon travels around doing archaeology, Callisto basically hitching a ride and getting to travel with his beautiful girlfriend around the world
Years later, they come back to Korea and settle down, Siyeon becoming an archaeology professor
Callisto's a househusband and a damn good one at that
Let's be honest. If he wanted to, he could've been a supermodel, he had enough scouts approaching him
But he didn't want to leave Siyeon, so he stuck onto her like a tick LMAO
When the two go shopping, heads turn at their collective beauty
They usually get stopped for streetwear photography accounts
Callisto runs a popular Instagram account filled with pictures of their trips, Siyeon being focused on her work, couple outfits and pictures, Siyeon waving back at the camera-
Later on, there are a lot of pictures of Judith
On a side note, when he played "The Lady's Love Project" he was super frustrated and basically spent nights hugging and kissing Siyeon after he chose his own route in hard mode, or when the player succeeded Callisto's route and Penelope died
Ok so when Judith is born, Siyeon begrudgingly lets her family come see Judith
Her dad cried, and her brothers are awkward but trying to do their best(better than Derrick)
Anyways, Callisto is super smitten with their little bundle of joy
He's the one who usually wakes up in the middle of the night to soothe Judith back to sleep, patting her back and telling her stories
As she babbles back at him
Because Siyeon usually has long hours working and lecturing, she comes back exhausted most of the time
So she's tired, but plays with Judith and basically has mother-daughter bonding time in the evenings and early mornings
Callisto is the gold-standard papa y'all
He tries to hold onto some reminder of Eorka in his modern life
Like, for example, he commissioned a jeweler to recreate his mother's keepsake, the pendant Penelope gave him, and has a replica of the cufflinks she gave him
He also incorporates some of Eorkan fashion into Judith's clothing, because "our princess should look like a princess"
Callisto: Looks at Korean children's fashion "psh I can do much better"
He learns how to sew and basically makes/modifies most if not all of Judith's clothing
He made a bunch of clothes for Siyeon, too
The tiny family matches
They rescued a dog a little before Judith was born when they first settled back down in Korea
Big floofy dog, very gentle :D head empty no thoughts
Callisto definitely learned how to do Judith's hair
Ok so- once Siyeon was in a rush to get to a lecture and forgot the lunch that he made for her
So Callisto bundles up Judith, gets the lunchbox, and drives all the way to her university
*He's a car person but goes for safety when driving with Siyeon and Judith
Callisto arrives looking like a goddamn SNACK with his white trenchcoat, black slacks, burgundy sweater, and swept-up blond hair- MMPH
He has Judith balanced on one hip with a bag slung over another, holding Siyeon's lunch
"Hi I'm looking for Cha Siyeon?"
"She's in a class right now, can I get a name and reason for visiting?"
"Callisto(or whatever Korean name he gets), her husband. She forgot something at home"
The receptionist sends a message to Siyeon and cooes over a sleepy Judith, who's still incoherently whining quietly and burying her head into Callisto's chest
Siyeon's like "let them in" and so they get in
He gets to her classroom and opens the door, it's a period for their class to go over their research projects and discuss with partners, so that's why she lets them into the classroom, otherwise she'd just have him drop off the lunch with the front desk
"You forgot your lunch, love," as he plonks down the lunchbox and kisses her cheek
The students are squealing, even more as Judith yawns and rubs her eyes sleepily
"Mama!" Judith stretches her arms out as Siyeon scoops up her daughter, kissing her forehead. "Look, look! Daddy helped do my hair today!" Even more awws from the crowd of students
"This is a new dress, did daddy make it for you?" Her voice is soft but still could be heard by all of the students
"mhm!! look, look, we match now! Daddy let me choose the lace!" Pastel purple outfits, because Siyeon's outfit in the manhwa was basically a pastel purple shirt and white pants
Instant KO for the students
The female students are all crowding around like "PROFESSOR WHERE DID YOU GET A GUY LIKE HIM"
the guys are like "goddamnit why's he so perfect"
Soon enough the two became known as the "perfect couple", cemented by the fact that someone caught Callisto calling Siyeon "my darling empress" tenderly
Siyeon has him come in for a demonstration when she's doing a unit on weaponry found in archaeology, and how to look for specific wear and tear on weapons
Callisto is just happy he gets to use a sword and other weapons again
Judith is like giggling and clapping her hands in Siyeon's lap "again! again, servant emperor!"
“Kill them with kindness” wrong. 5th level lightning bolt
hello! my name is luace, also known as lucy. I absolutely find CONSANG people disgusting.If ur stalking because i told u to KYS then go on lmao.
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