I think I've worked out (part of the reason) why there's been such a huge uptick in folks who don't reblog things on here.
This post has like 14k notes right now, and the tags and comments and reblogs are FULL of people who didn't know about fast-reblog, and -- you guys have been slow-reblogging this whole time!?!??!?!?
In the interests of a) making your lives easier, and b) encouraging you to reblog posts, which is what keeps this site alive, here's how you fast-reblog:
On mobile: press and hold the reblog button. Your blog icon will appear. If you have sideblogs, all of the different icons will appear. Drag to whichever blog you want to reblog to, and release. Job done.
On desktop: hold down the E key and click reblog. Job done.
You're welcome. Now get reblogging.
half formed thoughts about jaewon after kissing jihyun: he’s retreating.
when his friend(?) asks if he remembers he kissed someone last night. when jaewon pauses, asks with who? and it’s taehyung not jihyun and he breathes out in relief? in exasperation? in disappointment? i’m not sure
i think a typical response to almost being caught kissing someone anyone you’re not supposed to would be panic or giving excuses or plausible deniability.
but jaewon’s reactions always seem so minimal to me. so causal. so nonchalant. so oppressed.
depression is numbing. i wonder if a lot of how jaewon acts is the depression talking and guiding him. all this numbness and then the masking, the walls pulled up tight and around himself.
he’s also so so so tired. when he confronts taehyung in the washroom after being paired with eunji, he’s annoyed. so very annoyed. but he doesn’t fight. is it politeness? is it just him wanting to avoid conflict? when eunji says no they should work together on the presentation jaewon is so annoyed. but he doesn’t fight again.
there’s only so much one person can take before they break
me a couple hours ago: wow everyone on my tl is posting about the eighth sense lmao i just saw 8 posts in a row screaming about it so i’m excited to watch
me now: I GET IT I GET IT I GET IT IT’S SO LOVELY, SO OVERWHELMINGLY QUEER, I’M CLEARING SOME SPACE ON A SHELF IN MY HEART AND PUTTING THIS SHOW ON DISPLAY THERE
God works hard but the shop owner at the rest stop giving away free stuff works harder. He said be gay. listen to trot. do minor crimes like setting off fireworks at the beach
Cozy kitties based off of my own cat and my friend’s Grafit!
How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)
AAAA THANK YOU!!
I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugar’s boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, but….. her expressions man…. she was always able to convey so much with SO LITTLE. (SU’s expressions are on another level of course, but I think AT’s are just so impressive to me because they’re dot eyes)
But the thing is!! I’m also a fan of deadpan. Which AT also does very well. It’s tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really don’t need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!
for example, a panel where the contrast between big and subtle expressions sells the contrast:
I don’t really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! You’ll feel a little stupid but it’s funny.
some misc expression tips:
Definitely prioritize eyebrows, eyes, and mouths!
Noses aren’t as important BUT flared nostril can totally sell an expression, so it depends!
Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!
Just subtly changing the placement of eyelids and location/size of irises can completely change an expression
Don’t be afraid to make your characters look weird or stupid.
Don’t reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA
Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters don’t say can speak louder than what they do.
some expressions I’ve done that have varying levels of nuance:
Also framing!! You can use the composition to help project how the character feels:
As for body language!
Having a better sense of three-dimensional form and anatomy isn’t necessary, but it sure helps a lot
Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people don’t just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.
Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful
Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.
Ultimately, if you want more lifelike expressions and poses, study from life!! Don’t worry about your drawing being “good” or “bad”, instead think about what can make it successful. Ask yourself, “is this conveying the expression I want to convey?” and if it’s not, figure out what you need to change to get it there.
our fates are entwined whether you like it or not you stupid bastard
blogging about (mostly queer) media i'm watching 🎬📚enjoy your visit to my internet abode!
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