Tale As Old As Time

Death in Star Wars, and How Ben Solo Was Shafted: A Mini Meta

Something has been bothering me about Ben’s death in The Rise of Skywalker. While I’m upset that he died, I echo the sentiments of other fans that just as offensive was the way that he died and how his death was treated in the context of the film. It bothered me because death has always been a part of Star Wars, but usually handled much better.

And so this meta was born.

I will be doing a brief analysis of significant character deaths from the Star Wars movies. I don’t want to touch on all of them because there are simply too many, so I’ll focus on the ones that were either major characters (i.e. trio billing or main villain) or narratively important (i.e. Shmi Skywalker).

This list will be approached chronologically within the Star Wars universe, beginning with:

Qui-Gon Jinn; portrayed by Liam Neeson

Personal feelings: I cried like a baby. Qui-gon holds a special place in my heart. His death was both epic and sombre. It hurt to watch other main cast celebrating their victory after defeating their respective challenges and then cut to Obi-wan cradling his master’s head in his lap, crying.

Mode of death: Killed by Darth Maul at the end of The Phantom Menace. His actual death takes a few minutes of screen time, an outburst/scream from another main character (Obi-wan). He has last words to say to the person he has the closest on screen relationship with.

Aftermath: Held by a visibly devastated Obi-wan while he died. Sombre funeral pyre. Death discussed on screen by the council and Obi-wan.

Narrative purpose: To enable Anakin’s training under Obi-wan, which is pivotal to the overall arc of this trilogy. To provide a tangible loss and character growth for Obi-wan, who failed to save his master from a Sith–later mirrored by Obi-wan’s inability to save Anakin from becoming a Sith in Episode III, thereby providing a narrative ‘tail-end’ to Obi-wan’s journey in the trilogy. To cement the master/apprentice relationship as loving, emotional, familial, which then adds narrative depth to the bond between Obi-wan and Anakin. To introduce a cohesive theme of death, failure, and loss at the hands of the dark side that would pervade this trilogy.

Overall response: This death is both emotional and narratively important. It’s given the weight and time it deserves to have an impact on the characters. 

Shmi Skywalker; portrayed by Pernilla August

Personal feelings: Rough acting aside, watching a person die in their family member’s arms is always sad. It’s an extremely dark moment in a film that otherwise leans heavily into romance, action, and detective-mystery storytelling.

Mode of death: Tortured by Tusken Raiders. Died from her injuries. Again, her actual death takes a couple of minutes of screen time. She is able to say some last words to her son, the most important character relationship for this character.

Aftermath: Dies in the arms of her visibly devastated son. Anakin murders the Tuskens for revenge. On screen funeral where she is mourned and memorialized by her family/loved ones.

Narrative purpose: To drive Anakin further to the dark side by taking advantage of his love and compassion and turning this into anger and hate (revenge against the Tuskens). To plant the seeds of Anakin’s inability to save the ones he love. To emphasize his failure to keep his promise to return to his mother and free her. (Despite being freed off screen, she essentially died in captivity anyway, and Anakin was not the one to free her.) To further the cohesive themes of the trilogy: death, failure, loss, the power of the dark side.

Overall response: While not as moving for me personally as Qui-gon’s death, it has a very relevant thematic purpose and furthers the story. Shmi’s death is given adequate time on screen and we are able to observe the responses and aftermath of that loss.

Padme Amidala; portrayed by Natalie Portman

Personal feelings: We make jokes about how she lost the will to live, but her funeral was beautiful and Natalie’s delivery of the line “you’re going down a path I can’t follow” feels extremely important in this story.

Mode of death: Up for debate. She has lost the will to live after giving birth to Luke and Leia in the wake of Anakin’s fall to the dark side. Some have theorized that her life force was taken (or given?) to keep Anakin alive, but this is not made explicit in the movies. She dies beside Obi-wan Kenobi, and has the time to say last words–words of hope for Anakin’s eventual redemption. Her death itself takes several minutes and is followed up with screen time for a funeral where characters acknowledge her death.

Aftermath: The gorgeous and enormous funeral, mourned as a queen and a senator and a good woman. Anakin (as Darth Vader) mourns with a devastated and poorly acted “nooooo”.

Narrative purpose: To fulfill the themes of death, loss, and failure (Anakin’s failure to keep her alive) at the hands of the dark side. To provide a character loss that mimics the loss of democracy, freedom, and goodness that has fallen to Palpatine’s control. To provide a visual and narrative parallel between the death of Anakin (through the death of his love) and the birth of Darth Vader.

Overall response: While this death was definitely poorly handled it did have narrative significance and it was arguably necessitated by having to have this trilogy line up with the original trilogy. Her short funeral was one of my favorites in the series.

Obi-wan Kenobi; portrayed by Sir Alec Guinness/Ewan McGregor

Personal feelings: I feel weird having an opinion about this one because this movie was made well before I was born, and so I didn’t feel a real connection to/nostalgia from these characters the way I did with the prequels and sequels. Ewan McGregor as Obi-Wan was a huge part of my childhood, so watching A New Hope in retrospect makes this death sad for me.

Mode of death: Killed by Darth Vader/becomes one with the Force. Essentially sacrifices himself so that Luke doesn’t try to come after him.

Aftermath: Luke shouts “no!”. In a later scene, Luke further acknowledges his death–”I only wish Ben were here”. Ben is later seen as a Force ghost in Episodes V and VI, continuing to acknowledge his character’s death and ongoing influence on, importance to, and relationship with Luke.

Narrative purpose: To provide growth for Luke’s character as he grapples with losing a mentor and surrogate father figure who was also the last person (he believed) who was a link to Luke’s (supposedly) dead hero father that Luke looked up to–and setting us up for this narrative complication in VI. To demonstrate that the Jedi/good guys of the film win through self-sacrifice and not through anger, hate, or fear, which is very thematically resonant in this trilogy.

Overall response: Narratively meaningful, and the character’s death is immediately recognized. We get to see the response of the characters who he has the closest relationships with.

Yoda; portrayed by Frank Oz

(I just love The Last Jedi, okay??)

Personal feelings: It was kind of sad, in the way any person dying of old age is. It did feel more overtly spiritual than Obi-wan’s death.

Mode of death: Dies of old age, in his own home, in his own bed, with Luke beside him. His death scene lasts a few minutes and he has some last words.

Aftermath: We see Yoda again as a force ghost, which we are expecting as an audience since his body fades like Obi-wan’s did. There is sufficient closure. Luke is present for Yoda’s death and, at this point in the films, is the only character relationship Yoda has left alive–therefore this is the most significant his death can be to someone. Luke doesn’t look overly upset but this is not painted to be a sad death, as death by old age is usually more a fact of life and a nice reprieve from untimely losses.

Narrative purpose: Honestly, it’s been a long time since I watched the original trilogy so I’m kind of stretching here. I’m going to borrow from The Last Jedi and say that Yoda’s death allows Luke to grow beyond his master and stand on his own two feet as a fully autonomous agent of goodness. He no longer has the crutch of wise older men to lean on and must make his decisions on his own. Yoda’s death frees Luke to be the master of his own destiny, now knowing the truth of his parentage and no longer being guided by others to do what they think is best (kill Vader).

Overall response: One of the less impactful deaths in the series, but I do appreciate how it adds to Luke’s growth as a character and transition into Jedi Master.

Anakin Skywalker/Darth Vader; portrayed by James Earl Jones, Hayden Christensen, and Jake Lloyd

Personal feelings: This is the big one™ of the trilogy, and it shows. Watching Luke trying to literally drag his father to safety is raw and heartbreaking. Seeing him unmasked for his son is chilling. The funeral pyre is beautiful. This definitely made me feel the feelings.

Mode of death: Sacrificed himself to kill Palpatine. Death lasts several minutes. Dies in Luke’s arms and Luke cries as he dies.

Aftermath: Funeral pyre. Force ghost Anakin bringing peace to Luke and cementing his redemption.

Narrative purpose: Too much to list! Reinforcing that good guys sacrifice themselves to protect the people they love. Bringing balance to the Force by killing the Emperor (thanks JJ for messing that up by the way). Finding peace with Obi-wan as a force ghost. Showing that the belief that people can be saved from themselves is validated. I’m sure there’s plenty more besides but this one is so narratively rich that it would take forever to mine.

Overall response: Extreme narrative importance. Basically ties together six movies. Emotional, beautiful, resonant.

Han Solo; portrayed by Harrison Ford

Personal feelings: Ouch, ouch, ouch! This was… this was angsty. I love angsty. I cannot possibly find adequate words to describe how well done this scene and this death was. One of my top three moments of The Force Awakens.

Mode of death: Struck through the chest with a lightsaber by his son, Ben Solo (under the alias of Kylo Ren), after an attempt to save him from the dark side and bring him home. His body falls into the pit on Starkiller Base.

Aftermath: So. Much. Rey screams “no!” Finn is visibly upset, too. Chewie roars in agony and shoots Kylo Ren with his bowcaster. Leia can be seen feeling Han’s death and cannot find the strength to keep standing. Kylo/Ben looks immediately shaken by what he has done. Rey and Leia share a sad hug at the end of the film. In The Last Jedi, reactions continue. Luke is shaken by the revelation of Han’s death and spends a quiet moment in the Falcon mourning him. Kylo/Ben’s reaction continues to spiral. Snoke, in one of my favorite lines in the film, announces that “the deed split [his] spirit to the bone”. Rey grieves Han and accuses Ben of hating him. Luke warns Kylo that he will always be with him, “just like [his] father”. Han’s shadow is felt all over The Last Jedi without him being present. Even without the further reactions in The Rise of Skywalker (Rey saying Ben is haunted by him, the literal memory scene on the Death Star), the impacts of Han Solo’s death are the most significant in the entire franchise.

Narrative purpose: To advance both internal and external character conflicts. Kylo killing Han provides an external conflict between him and the heroes–particularly between him and Rey as Rey yearns for parents who love her and Ben (seemingly) rejects/kills his that do. It also provides a meaty internal conflict for Kylo Ren/Ben Solo, who is the most nuanced villain I have ever seen in film. While Han’s death doesn’t seem to serve a main theme in The Force Awakens (it is my perspective that JJ does not have cohesive overarching themes in his two entries in the saga), it does blend in pretty well with The Last Jedi’s preoccupation with killing the past. The thematic takeaway from The Last Jedi is that you can’t and shouldn’t kill the past, you should learn from it and move on–and Kylo killing Han neatly fits into this theme by showing that Kylo tried to kill his past by killing his father, and yet he was unable to move on because of it.

Overall response: Poignant. Purposeful. Well-crafted. The effects are long lasting and felt throughout the trilogy. This is not a meaningless death. Of the entire saga, this is the death that is given the most acknowledgement.

Supreme Leader Snoke; portrayed by Andy Serkis

Personal feelings: I was on the edge of my fucking seat. This is not emotionally resonant because we don’t care about Snoke but it was huge and shocking and had these enormous narrative implications moving forward.

Mode of death: Cut in half by Kylo Ren while he narrates his own death.

Aftermath: The Praetorian guards spring into action to avenge their master. In a later scene, we see Snoke’s severed legs topple to the floor. Hux is visibly shaken and angry. Kylo Ren acknowledges the death (by blaming it on Rey) and takes Snoke’s position as Supreme Leader (”the Supreme Leader is dead”, “long live the Supreme Leader”). I’m… going to ignore how The Rise of Skywalker handled Snoke. It was unnecessary to have Snoke clones from a storytelling perspective. It added nothing to the narrative, just used as a clumsy way to justify that Palpatine was really pulling the strings all along.

Narrative purpose: To deepen the perceived conflict within Kylo Ren and showing his unwillingness to kill Rey. This further complicates their relationship moving forward as we’ve established that the new head honcho powerful villain has no real desire to hurt the hero. The narrative implications of this moving forward were so rich. Pity JJ ignored them. Additionally: To show Kylo Ren symbolically surpassing Darth Vader. In Episode III Anakin claims he will overthrow the Emperor and rule the galaxy with Padme. He never achieves this. But Kylo Ren does (minus the Empress by his side). To deepen the theme of Kylo Ren trying to kill/bury the past in order to become stronger (and ultimately failing). To add Snoke to the list of characters in the movie who embody the theme of failure. To shake up an expected narrative trajectory and provide new pathways for future storytelling. (Again, JJ, looking at you.)

Overall response: Loved it. Loved it. Not as resonant as some of the other deaths but by far to me the most shocking.

Luke Skywalker; portrayed by Mark Hamill

Personal feelings: Okay, this is a big one. Here’s the thing. I did not grow up with the original trilogy. I never really cared for Luke (didn’t dislike him either, just ‘meh’). But this movie. This movie. I went on a journey with Luke. I saw him as fallible. As human. Making mistakes. Failing. Falling into depression. And overcoming it. I cried when Luke Skywalker died. I did not think that would happen. I did not think I would ever love Luke so much.

Mode of death: Force projects himself across the galaxy to face his nephew and save the Resistance; the effort kills him. Luke’s death takes a couple of minutes of screentime, and it is gorgeous. Hamill acts his ass off. The music, the visuals, everything combines to make this the most emotional death in Star Wars–a fitting end for its first hero.

Aftermath: Leia and Rey feel his death in the Force. They speak to each other quietly about it. They know it was peaceful. Luke, knowing he was going to die, came and saw his sister first and gave them beautiful closure and a message of hope. Just before Luke dies, he warns Kylo/Ben that he’ll always be with him. Just like his father. Luke fades into the Force and we know we will see him again as a force ghost (which we do, but JJ managed to trash even that). The boy on Canto Bight and his friends are inspired by the legend of Jedi Master Luke Skywalker. He ignites hope throughout the galaxy once more.

Narrative purpose: Multiple. As above, inspiring hope throughout the galaxy once more. To serve the theme of self-sacrifice. Achieving victory without violence (pacifistic). Preventing Kylo Ren from killing more people he cares about (Rey, Leia, Luke) and thereby protecting him, at least a little, from himself. Also serves a similar purpose to Yoda’s death–with both Luke and Snoke dying, Rey and Kylo Ren are without masters, the arbiters of their own destiny (thanks again JJ for fucking that up too).

Overall response: I can’t decide if this or Han Solo’s death is more emotionally impactful to me. They are both so, so moving, and so essential to the narrative.

Leia Organa; portrayed by Carrie Fisher

Personal feelings: This is hard. I don’t think her scenes in The Rise of Skywalker worked. They were cut from The Force Awakens for a reason–and then cobbled together like some kind of Frankenstein’s Monster for this movie. As much as I love Leia and Carrie, I couldn’t feel emotion for her death because it was so wooden and artificial.

Mode of death: Uses the last of her energy to reach her son (it is unclear exactly how she is reaching him. Force projection? Did she create the Han memory? Who knows.) Even with so little to work with, they still managed to focus on her death with her lying down, her hand falling to the side–trying to give this some weight.

Aftermath: Chewie mourns. Ben and Rey both feel her death and are clearly devastated. The Resistance gather around her body in mourning. Her body fades at the same time as Ben’s (wtf, JJ) and then we see her as a force ghost with Luke (but not Ben because fuck him apparently). 

Narrative purpose: To bring her son back to the light, something that has been a central struggle of this trilogy. Sacrificing yourself to save that which you love.

Overall response: It has a purpose, but I can’t help but think it wouldn’t have gone this way if Carrie hadn’t died. It doesn’t seem as organic as the deaths of Han and Luke.

NB: I’m skipping Palpatine because his death was literally nothing else than “defeat the big bad”. It wasn’t even fulfilling a prophecy, it had no significant narrative weight for Rey, it was a nothing burger.

Ben Solo/Kylo Ren; portrayed by Adam Driver

Personal feelings: Twofold. In the cinema, I felt nothing. Nothing. I actually laughed in surprise. Like, “what was that”? The next day, at home, I cried. I don’t think I cried because he died. I was open to that possibility. I cried because I was so, so angry at how poorly his arc and death was handled. Like he was a footnote in his own fucking story. I think him living was a much more interesting story, narratively and thematically, but I wasn’t necessarily opposed to his death if it was done well. And it wasn’t.

Mode of death: Uses the last of his life energy to resurrect Rey. Falls over. (Plop, there he goes.) Fades into the force.

Aftermath: Like, none? Rey looks kind of surprised and blinks for a couple of seconds. No words are exchanged. He just tips over and dies. Cool.

Narrative purpose (or failure thereof): I am fucking reaching here because all of the previously established trajectories and themes are dashed by this ending. We could argue that this is a self-sacrifice to save what you love theme point. Which is fine, but like, no one mourns. He doesn’t become a Force Ghost. No one acknowledges his death. Ben fading into the Force is a metaphor for him fading from people’s minds. It’s like he doesn’t even exist in the context of the story anymore. Which is insanely baffling because all three of the original trilogy heroes sacrificed their lives, at least in part, to save Ben Solo. So that he could in turn save Rey? So he’s just another cog in the machine? This was always about Rey and never about the love Han and Leia had for their son, or that Luke had for his nephew? If you think about it, the only other ‘main’ characters to die during the course of their trilogy were Qui-gon and Padme. And both of those characters had funerals, and people mourning, and huge narrative implications. The death of Ben Solo reads like the death of a minor character. It serves one very narrow and already over-represented theme. The death of all of the rest of the Skywalkers had huge emotional ramifications for the other characters in the films. With Ben Solo, the Skywalker legacy fades as well, as if JJ is telling us that this saga was not about this family at all, but their whole story existed only for the point of saving Palpatine’s granddaughter. How fucked up is that?

Overall response: Narratively, this just doesn’t make sense. It’s lazy and not impactful. When a character dies in films, you want the audience to feel something, so you show other characters reacting to it. Are they sad? Then we should feel sad too! Are they elated? We should be celebrating! No one reacts to Ben’s death, so we’re not sure how we’re supposed to feel, either. The people who are devastated by this death are the ones who love the character itself and are upset that he got treated this way–the death itself was hollow and emotionless.

So, there you have it. Ben Solo was shafted. Death is extremely prevalent in these movies, and yet, being the only new Skywalker of the sequels and half the protagonist (thank you Rian), Ben Solo has arguably the least emotional or narratively impactful death in the franchise.

Rian Johnson would never do this to Ben Solo.

🦋 "Playground" Part 1 🦋

I'm very impatient, so I've coloured and finished part of my jayvik comic - this is the result!

It's not finished yet though, it will take some time 😅

▶️ The story takes place after season 2

(1/x)

Hey Virgilius. What’re your opinions on the popular SPOP episode Save The Cat and the very cool VLD episode The Black Paladins? Also can I kiss you directly on the mouth??

I’m so glad you asked >:) and yes you may receive a kissy.

SO I have many, many emotions about Save The Cat and The Black Paladins (and catradora/sheith parallels overall) and many, many screenshots to go with it ASDLKJH

Listen, if your best friend who you may or may not be yearning for hasn’t been captured by the leader of a genocidal alien empire leading you to fly across the universe in an ancient-tech alien ship to get them back, and then be forced to fight them while they’re being mind controlled because said leader of genocidal alien empire knows how much you mean to one another is it even really love?

Okok actually infodumping, I’m putting this under a cut because I KNOW it’s gonna get long (spoiler: it did, and I spent hours going over this).

So from that description alone you Probably have an idea of what the fuck is going on for both eps. There’s a lot of similarities, even down to the lines between the characters.

Okok small things, maybe not that big of a deal, right? But they just keep coming.

They both take a route of trying to get the other to give in as to end the pain–

Even the parts where Catra and Shiro break out of the mind control for a bit hurts me.

Shit, man, they even both get electrocuted,,,

And that part when Catra falls to her (presumable) death and Adora jumps after her? Keith chooses to fall with Shiro after realizing he can’t save them both, even if it means dying and risking the safety of the universe.

Both pairs also have their own little things about not giving up on each other (which is also where I have to start bringing up more episodes for this discussion).

Right at the start of season 3 after Shiro’s gone missing and presumed dead, Keith tells the rest of the team that "Shiro is the one person who never gave up on me, I won't give up on him." Later, at the start of season 7, he begs Shiro to stay alive because he can’t bare to lose him again. Meanwhile when Adora is dying, Catra begs her to live and says: "You can't give up. You have never given up on anything in your life. Not even on me." And it’s this love that’s able to give the other the will to survive. As Adora is dying, Catra tells her she loves her, and when Adora survives she tells Catra she loves her too, and they kiss. When Shiro wakes up, he tells Keith that he was dreaming and that he saved him, to which Keith responds telling Shiro “We saved each other.” and he leans in before pulling Shiro into a hug.

It’s also worth noting that before these scenes, Adora is dreaming of a future with Catra while Shiro is dreaming of his past with Keith. It’s during all these flashbacks that we meet Shiro’s ex-boyfriend, Adam, who the producers admitted was meant to parallel Shiro’s relationship with Keith. Where Adam failed to support Shiro and was willing to give up on him, Keith supported him the whole way through.

At some point, Adora did have to give up on Catra – at least in terms of trying to make her change. I don’t think Adora ever doubted that Catra was capable of being good, but I do think she was right to not make it her responsibility to see that through. Either way, the reunion after Catra and Shiro are both revived after their battles are very sweet (and bonus points for Keith and Adora both having the “we’re going home” line during their scenes).

There are other little things too, like how Keith gets Kosmo, a cosmic wolf that can teleport, and Catra gets Melog, a magic cat that responds to her emotions and can turn invisible that I just think are neat.

“All she ever wanted was you.” from the original Save The Cat script and “Your friend desperately wants to see you right now.” in The Blade of Marmora hit me right in the chest every time I think of them. Also the way other characters perceive their relationships and try to use it as a weakness, like how Horde Prime states that Adora means something to Catra, and Haggar points out that Keith’s connection to Shiro is deeper than any of the other paladin’s.

 Anyway, they both mean a fuck-ton to me in terms of representation (even if Voltron’s writing got fucked over in the end). That said, thank you for coming to my TED Talk, I had fun with this KSJDCH I leave you with two of my favorite moments:

Final Thoughts on Mons(TROS)ity

I’m not even just upset that Ben died. That’s the rotten cherry on top of how every single character in the entire Skywalker Saga was fucked up in this film.

As much as I love Rey, the fight against Palpatine was most certainly Ben’s. This man has been mentally torturing him and manipulating him since he was in the fucking womb. He poisoned his relationships with his family. He convinced him that he had to kill his own father in order to ever be or mean anything. Yet he gets yeeted off a cliff in the final fucking battle. He doesn’t get revenge for all that’s been done to him and the past two generations of his family before him. Not to mention he only holds the legacy saber for all of 3 minutes at most. He doesn’t even set foot on the Millennium Falcon or talk to Uncle Lando and Uncle Chewie. He doesn’t get to hear the real voice of his hero/grandfather. He’s a mentally ill abuse victim that ended up killing himself. That leaves a really shitty taste in my mouth despite the fact that he did it for the girl he loves.

Am I really supposed to believe that Rey being sold into slavery to an extremely abusive guy on a desert wasteland is a good thing??? And what about the message that she made herself who she is and the Force chose her to be powerful because she is strong and compassionate despite how terribly she’s been treated her whole life? That she didn’t get her power from a legacy bloodline, but from herself?? Nope. She’s powerful because she is a Palpatine. And despite surviving in the desert all her life so that she could someday have a family, she ends up all alone in a different desert. Exactly where she began, but now she has trauma and the loss of her soulmate to deal with. Fuck everything.

Why didn’t Leia train Ben herself if Luke had trained her? She gave her son away when he was a kid because she just didn’t have time to deal with her only child while he was struggling with depression and anxiety? His powers reacting to his inner turmoil was just too inconvenient to her career?? Yeah, sure, totally sounds like Leia Skywalker Organa Solo to me.

Finn being a former stormtrooper that’s defected to the resistance is more of an after thought than a real plot line?? This is something we’ve never seen before. We’ve seen desert kids become powerful Jedi. We’ve seen powerful Jedi fall to the dark side and “redeem themselves” through death. We’ve seen Palpatine be defeated and killed before. Finn’s story was fresh and interesting and in the end all he does is make eyes at Rey and provide occasional comic relief.

What the hell is the point of Poe’s story? He doesn’t really have one. He was supposed to die in the first film and it shows because he hasn’t served much purpose at all since the first 10 minutes of TFA besides being attractive and acting like an ass most of the time. So inspiring.

Rose barely exists in this movie. She’s more of a cameo than anything. Her beautifully heartbreaking story about her sister, her kindness in the face of evil and destruction, her strong will and determination to do the right thing, her passion for justice, and her inspiration to a whole new generation of rebels and Jedi are all thrown out the window.

Luke, Han, and Leia all died so that Ben could live and finally feel light and happiness in his life. Well that didn’t work. He died. And why would Rey take the name Skywalker instead of Solo? She was in love with Ben Solo, her personal hero is Han Solo, and her real Jedi master was Leia Organa Solo. The Millennium Falcon is her ship and her best friend is Chewie. But she goes with fucking Skywalker?? Ok.

All the Jedi rushed to the aid of Rey in her moment of need but not a single one of them could be bothered to ever help Ben throughout his entire life despite being the grandson of the Chosen One. No one ever raised so much as a finger when he needed help, not even his grandfather that he loved and admired deeply to the point of following him down the path of his mistakes.

Anakin couldn’t talk to him and convince him to stay good or return to the light, but he gives his power to Rey and tells her to Rise?? A girl he doesn’t know at all??? Obi Wan “BEN” Kenobi couldn’t help and teach the child named after him?? A name that is synonymous with HOPE in SW. What a joke.

The Chosen One means nothing. The Skywalker bloodline means absolutely fucking nothing even though this entire universe was built around them. They aren’t the Balancers of the Force. They aren’t super powerful Force demigods despite having the Force literally woven into their DNA because of how Anakin was born, not just in midi-chlorian form. They’re all dead. The “Rise of Skywalker” indeed. Cruel irony at its finest.

In conclusion, this is how I feel about the movie. Take it away George:

JJ singlehandedly ruined an entire lifetime of lore and storytelling for who the fuck knows or cares why. Rian is the one who truly respected SW and handled the lore beautifully while also introducing new concepts to the franchise.

I will always love Reylo, Star Wars, and the Skywalkers. I hope they get Ben back in canon books or something, but I’ll always be bitter about the awful way every single fucking character in the Skywalker Saga has been so completely disrespected.

This fandom is wonderful and very inspiring and I can’t wait to see what gorgeous art and fanfics y’all come up with. I’m truly so grateful to be part of something so much bigger than myself; something JJ Abrams will never understand.

Ah shit, here we go again

I had a strange feeling of deja vu during the whole freakin' game! It's literally a genderbender version of reylo Jesus fuckin' Christ!!!

Btw, am I the only one who believes Trilla is still alive just wounded?

We saw reverse The Force Awakens, get ready for reverse The Last Jedi, bitches!

Kylo Ren + close-up gloved hands

Let me get this straight…

They decided to make a movie taking into account feedback and complaints that certain fans had about the first two films in the trilogy. That resulted in a fan service and nostalgia filled mess that made little cohesive sense and has been slammed by critics and fans and is now the worst reviewed Star Wars movie.

They had a stellar cast, in particular Academy Award Nominee Adam Driver, one of the best actors of this generation.

He played Kylo Ren/Ben Solo, arguably the best and most popular character of the ST.

They gave him no dialogue in the second half and completely underused this immensely talented actor yet he still gave it his all and stole the movie.

They killed off his character in the most tragic, unsatisfying way.

Now, a month after the movie was released, this character they killed unceremoniously is all anyone can talk about. The one thing everyone can agree on is that Ben Solo and Adam’s portrayal of him was the highlight of the film and the ST.

#BenSoloChallenge was trending.

In memory of this character over $80k has been raised for Adam’s non profit organisation, Arts in the Armed Forces.

Reylo has skyrocketed in popularity and the fandom has created so much new content.

The Rise of Kylo Ren #1 was one of the best selling comics of 2019, even though it was only released on December 18, two weeks before the end of the year.

Adam Driver has been nominated for an Academy Award for the second year in a row.

No one is talking about the trio, Palpatine’s return, Rey Skywalker or any of the nostalgic fan service. It’s all about Ben Solo.

They in no way did this character’s journey justice. They threw him under the bus for their own selfish reasons even though it didn’t make sense for the narrative. They tried to throw him into a pit never to be seen again but the jokes on them because now Ben Solo is more alive than ever!

I hope Disney realises they made a huge mistake in killing off this character and prioritising their childhood nostalgia over a well written story.

Don't let go