бже, это прекрасно!!!! Я буду это смотреть и восхищаться,

бже, это прекрасно!!!! Я буду это смотреть и восхищаться, плакать слезами счастья😭😭😭😭😭

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults. Still young, but adults, in the mid to late 20s range. Mystery Inc. is a private detective type business that they run together. In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost. The stakes can be higher; sometimes a bad guy is legitimately trying to kill them. Sometimes the mystery they’re trying to solve is a murder. Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind. Like, give a stranger the shirt off his back kind. The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind. He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too. While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money. Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing. She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her. Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe. Dating, engaged, married, I don’t care. They are stupidly in love, ride or die for each other. There’s no will they, won’t they, no worries about cheating. They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma! His wife is standing right there!” “Oh. Sorry.”). She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes. She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws. Is breaking and entering really so bad? Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense. He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option. He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him. Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices. The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it. Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

Golden Paint |2|

Next: | Blue and Yellow makes great colors | Previous: Golden Paint | 1 |

82 notes View Post

littlesparrow-chan

1 month ago

A digital painting of Jay Walker from Ninjago. Two polystyrene containers sit on a light blue back ground, one containing a slice of steak wrapped in clingfilm with a nutrition label stuck on top, and the other containing a squirrel, exposed directly to the air. To the left of the containers sits a plastic fork, and to the right, a knife.

In front of the steak and the fork is a rendered drawing of Jay from Ninjago in his Administration suit, with his arms folded loosely in front of his stomach. He is pointedly looking away from the steak, with a slight blush.

In front of the squirrel and the knife is a rendered drawing of Jay in his wolf clan outfit. His visible eye is red and wild looking and he is clutching his arm with one hand and biting the index finger of the other. His gaze is more in the direction of the squirrel.

🍽

A close up of the section of the painting of Administration Jay in front of the steak and fork.

A close up of the section of the painting of Wolf Jay in front of the squirrel and the knife.

834 notes View Post

littlesparrow-chan

2 months ago

super secret special mission!!

(want a chance to get a comic or illustration by me? I'm doing prizes for a charity raffle for @fandomsforpali, more info here!!)

17K notes View Post

littlesparrow-chan

8 months ago

Okay. I watched Lupin Zero a while back and I’m losing my goddamn MIND over the metaphor of Lupin, a thief, stealing Jigen’s heart. It has been MONTHS and it plagues my mind still. I’m practically tearing my hair out.

Like… Imagine you are a boy. A lonely boy, a boy who’s been hurt his entire life, a boy who was given a gun at the age of five and taught to kill mercilessly without hesitation. You’re constantly told you’re not good enough, that nobody will ever want you for you, that you’ll only ever be a weapon; you’re worth nothing more than that, nothing less. The more skill you have, the more value you hold; if you do a job well you’ll be worth something, if you fail you’ll probably get beat or tossed out, considered less than dirt by your own shitty father. You’re not a boy, not really. You’re a gun, and the minute you miss a shot you’re worthless. You learn that no, you can’t be a kid—being a kid is not for you. You don’t have time for stupid birthday parties or immature little kid games when you’re too busy fighting in war zones or getting shot at in Cambodia. You teach yourself not to feel; remorse and regret are pointless when you’re a hitman, and so is love—you never have childhood crushes or fancy any of the pretty girls at your school. You think it’s stupid. You’ve never been interested in girls anyway, and your father once threatened to shoot you if you ever tried the alternative, so you lock your heart away, stuff it into a box and cram it into a safe and set fifty different code-combination locks and wrap chains around it so that you can’t feel.

And then one day, some skinny rich kid with sticky fingers shows up, and just won’t leave you alone. Okay, you think to yourself. No biggie. He’s just some spoiled brat with too much time on his hands who doesn’t know what he’s getting into. But then this kid starts treating you like you’re worth something, like you’re some sort of treasure he values, something he wants to chase; and not for your quick draw, either. This monkey-faced little brat seems to only want to know more about you, and play stupid kid games with you. He’s annoying, but the trouble he gets into is fun enough, even if you always end up having to bail him out. You find out that this kid is a thrill-seeker, and much to your surprise, he considers you thrilling. You’ve never had friends before, but this feels like something else. The way he looks at you makes your stomach fuzzy with a feeling you’re not entirely sure what to think of, and no matter how many times you walk away you always find yourself drawn to him. You’re reminded of what your father threatened to do at that, so you tuck that feeling away with all the others.

But then, this bastard “friend” of yours does something you never expected; he chips away at the walls you’ve built, carefully picks the locks holding chains around your heart with nimble, practiced fingers. He pries at that safe of yours like it’s fun, like it’s some sort of challenge for him (he likes challenges, you’ve come to find) and finds out those combinations of yours with thieving expertise. And then, as if none of your past matters, as if all those thousands of walls of defence you built and security lasers you set and safety precautions you took are absolutely nothing to him, he reaches forward and places a skinny hand over your chest and takes what he wants, like he’s always done. He holds you in the palm of his hand like you’re something precious, a valued piece of artwork in a renowned museum that he’s taken the liberty of nabbing, and you let him. You let him steal you like some pretty piece of jewelry. You let him pull you from the shitty life you live with that shitty dad of yours and steal you away, even though you’re scared out of your mind of intimacy. You’re alone in the dark of that cramped little safe that you’ve locked yourself away in your entire life, and he picks the lock with a bobby pin and reaches for you and grabs your hand; and then suddenly, you’re not so alone anymore. Suddenly you’re more than a gun, you’re Jigen Daisuke, and Lupin the Third wants you like he would a priceless ruby on display in the hall of a rich man’s mansion.