Twenty Years Across The Sea

The fun and sad thing about being a writer is that, if you feel anything, you can just write about it.

Happy? Summer Coming of age

Horny? SMUT

Lonely? A full book with a character's internal monologue trying to find its people.

Using motifs to create thematic depth.

Motifs are one of the most powerful tools a writer has for weaving deeper meaning into a story.

What Is a Motif?

A motif is a repeated element in your story that highlights a theme. While similar to symbols, motifs are more dynamic and can evolve as your characters and story progress.

Symbol: A single red rose representing love. Motif: Flowers appearing throughout the story to represent different aspects of relationships—love, decay, growth, and loss.

Why Use Motifs?

They deepen your story’s meaning. Motifs give your readers something to latch onto, creating a sense of unity.

They enhance immersion. Repeated elements help ground readers in your world.

Tips for Crafting Effective Motifs

1. Choose a Motif That Fits Your Story’s Themes

Ask yourself: What’s the central idea of my story? Your motif should subtly reinforce that idea.

Theme: Resilience in the face of hardship. Motif: Cracked glass—a recurring image of something that’s damaged but still functional, reflecting the characters’ inner strength.

2. Use Motifs to Reflect Character Growth

A well-designed motif can evolve alongside your characters, reflecting their arcs.

In the beginning, a character always wears a watch to represent their obsession with time and control. By the end, they stop wearing the watch, symbolizing their acceptance of life’s unpredictability.

3. Keep It Subtle (But Consistent)

A motif shouldn’t feel like a flashing neon sign. It should quietly enhance the story without overpowering it.

If your motif is rain, don’t make every scene a thunderstorm. Use it sparingly—maybe it rains during moments of emotional turmoil or reflection, creating a subconscious link for the reader.

4. Use Recurrence to Build Meaning

The more your motif appears, the more it will resonate with readers. The key is repetition with variation.

In a story about family bonds, food could serve as a motif.

Early on: A tense family dinner where no one speaks. Later: A shared meal where characters open up and reconnect.

5. Connect Motifs to Emotion

Motifs are most effective when they evoke a visceral reaction in the reader.

Motif: A recurring song. First appearance: A father sings it to his child. Later: The same child hums it as an adult, remembering their father’s love. Final scene: The song plays during the child’s wedding, tying past and present together.

Examples of Motifs in Action

Motif: Mirrors

Theme: Self-perception vs. reality. A character avoids mirrors at first, unable to face their reflection. They slowly start using mirrors to confront their flaws. The final moment shows them standing confidently before a mirror, accepting themselves.

Motif: Keys

Theme: Freedom and control. A character collects keys, searching for one that unlocks their past. They find an old, rusted key, which leads them to uncover family secrets. The motif shifts to symbolize freedom when they lock a door behind them, leaving their past behind.

Motif: Birds

Theme: Longing for freedom. Early scenes show a bird trapped in a cage, reflecting the protagonist’s feelings. Later, the bird is released, symbolizing a turning point in the character’s journey.

Motif: The Ocean

Theme: Emotional depth and uncertainty. Calm waters reflect peace in the protagonist’s life. Stormy seas mirror moments of inner conflict.

Practical Exercise

1. Identify your story’s central theme.

2. Brainstorm objects, actions, or images that resonate with that theme.

3. Introduce the motif subtly early on.

4. Repeat it with variation, tying it to key emotional moments.

5. Bring it full circle by the end, letting the motif reinforce the resolution.

ai does not belong in creative spaces. period.

Flying is effortless, landing can be a little bit harder, Cornell Lab / DoC (northern royal albatross) (part 1)

When Orpheus looked back at Eurydice , maybe it was not solely because he yearned to look at his beloved again.Maybe when he heard her footfalls, he was afraid she would slip away again like the last time when the snakes bit her.Humanity’s greatest battle has always lied in the quest of not succumbing to the ghost of our regrets. At the end , all of us are doomed to become doubtful of the universe.We all look back everyday, over and over again. Just to make sure their shadow is still behind us.Just to see if we grasped their hand tighter this time against the clutches of evil. I have already lost you before , can I atleast look and memorize the shades of your skin incase fate repeats itself ?

Hey OP, by any chance can you give us some sources to look at?

a quick psa to anyone recently getting into greek mythology and is a victim of tumblr and/or tiktok misconceptions:

-there is no shame in being introduced to mytholgy from something like percy jackson, epic the musical or anything like that, but keep in mind that actual myths are going to be VERY different from modern retellings

-the myth of medusa you probably know (her being a victim of poseidon and being cursed by athena) isn't 100% accurate to GREEK mythology (look up ovid)

-there is no version of persephone's abduction in which persephone willingly stays with hades, that's a tumblr invention (look up homeric hymn to demeter)

-as much as i would like it, no, cerberus' name does not mean "spot" (probably a misunderstanding from this wikipedia article)

-zeus isn't the only god who does terrible things to women, your fav male god probably has done the same

-on that note, your fav greek hero has probably done some heinous shit as well

-gods are more complicated than simply being "god of [insert thing]", many titles overlap between gods and some may even change depending on where they were worshipped

-also, apollo and artemis being the gods of the sun and the moon isn't 100% accurate, their main aspects as deities originally were music and the hunt

-titans and gods aren't two wholly different concepts, titan is just the word used to decribe the generation of gods before the olympians

-hector isn't the villain some people make him out to be

-hephaestus WAS married to aphrodite. they divorced. yes, divorce was a thing in ancient greece. hephaestus' wife is aglaia

-ancient greek society didn't have the same concepts of sexuality that we have now, it's incorrect to describe virgin goddesses like artemis and athena as lesbians, BUT it's also not wholly accurate to describe them as aromantic/asexual, it's more complex than that

-you can never fully understand certain myths if you don't understand the societal context in which they were told

-myths have lots and lots of retellings, there isn't one singular "canon", but we can try to distinguish between older and newer versions and bewteen greek and roman versions

-most of what you know about sparta is probably incorrect

-reading/waching retellings is not a substitute to reading the original myths, read the iliad! read the odyssey! i know they may seem intimidating, but they're much more entertaining than you may think

greek mythology is so complex and interesting, don't go into it with preconcieved notions! try to be open to learn!

Being a writer is wild, because I’m really sitting here, contemplating how much I should break this man, with a smile.

Ways I Show a Character is Deeply Lonely (Even if They’re Surrounded by People)

Loneliness isn’t always a dramatic soliloquy in the rain. It’s quieter than that. Sadder. Here’s how I like to show a character is lonely without ever using the word “lonely”

They make plans just to cancel them. The thought of being alone is scarier than the energy it’ll take to bail last-minute.

They scroll through their contacts looking for someone to talk to, but never text anyone. Because no one feels “safe” enough. Or worth the effort. Or like they’d get it.

They talk too much when someone gives them attention. Oversharing not because they trust you, but because it might be their only conversation all day.

They linger too long in shared spaces. Grocery stores, coffee shops, post offices. Anywhere that buzzes with humanity. Even if they don’t interact with a soul.

They create little rituals just to feel seen. Same café, same order, hoping the barista notices. Same bus seat. Same podcast, pretending someone’s talking tothem.

They fill their life with noise. Music, TV, background YouTube videos of people talking—anything to mute the silence they’re drowning in.

Persephone with cuteness agression.