Feburary 25th, 2025.

Okay, doodle request:

Reigen meeting Serizawa before Claw got to him. Maybe helping him start leaving his room?

I had a lot of fun with this one. I wanted it to parallel the scene of Serizawa meeting Suzuki, and so pages 6-8 are directly referenced from the manga (just in a flipped format so it reads left to right like the rest of the pages) and I also referenced some shots from the anime (like the final panel of page 10). For the dialogue in those middle pages, I referenced lines from the unofficial English translation of the manga, the official English translation of the manga, and the anime. (I was picking and choosing which lines I liked better). I also had fun with the colouring, which is something I love to do in comics especially. It starts out with Reigen in a muted, paler, desaturated palette with no highlights. But when he meets Mrs. Serizawa (I gave the name “Azumi” because it means something along the lines of “safe home/harbour”), she’s much more warmer and saturated and she has highlights. Once she starts explaining her son’s situation, that’s when Reigen has the variation of colour as well as the introduction of some small highlights. Then, the colour palette changes in every panel after that point. Serizawa is done with a grayscale palette, with the only colour on him being the bright light of the TV screen (reflecting video games as his only joy and his escape from reality). As Reigen talks to him, Reigen slowly start to lose some of that variety and saturation (AKA hope) he got from Mrs. Serizawa until he goes grayscale as well when he thinks that Serizawa might know he’s a fraud. He decides to switch up his approach and actually open up, which is what causes the variations in colour to return. Serizawa stops being grayscale in the panel where Reigen reveals that he too is lonely. (He’s a gray-blue palette, but it’s not true grayscale). The next page is in bright colours as Reigen opens up and doesn’t lie, which causes Serizawa to have bright colour as well, since now there is light and hope. In the page after that, Serizawa’s colour fades until he is grayscale again because it’s him not believing fully and still having doubts, while Reigen maintains that bright colour. (Also silly Falsettos reference on that page). I have Reigen’s colours shift from yellow until he reaches pink which is the colour I just have assigned as His Colour (since his tie is pink). Serizawa gains colour again and he shifts from that muted dark blue to finally orange (which is his colour) as he finally accepts Reigen’s help. The light from the TV is no longer coloured, and is just white, because Serizawa now has a new source of colour in his life (that being a real friend.) It ends with them being in their normal palettes at a normal happy saturation, contrasting the muted colours of the start of the comic. With the umbrella, I still wanted to include it and give it a role in the story, but in a different way from how Suzuki used it. While Suzuki used it to directly manipulate and control Serizawa, Reigen used it as a way to open up a choice for Serizawa to either let Reigen stay or make him leave. He asks Serizawa if he can sit and stay for a while since it’s raining outside and he didn’t bring an umbrella, despite clearly having done so. And then I ended the comic with a shot of the umbrella to emphasize that point.

Sorry for the long and probably unnecessary explanation. I just really love explaining my intentions and symbolisms in my art. Yeah I just had a good time over the last few days doing this :) I thought it was an interesting idea and I couldn’t think of a way to reflect it better than in a comic (which was also partially inspired by this wonderful Ageswap AU comic made by @fend13th about Reigen helping Serizawa)

next tumblr sexyman: the angel dude from "a christmas journey" by scott cawthon

art prompt: draw your Stanley getting boiled if you want

I like the fact that Apollo's circle of acquaintances is just... completely batshit. like he knows/knew and is/was on good terms with

a (presumably) very famous rockstar

gangsters

a popular foreign singer (who is also his mother)

a famous magician troupe

astronauts

multiple high-profile legal professionals

the literal public enemy number one of a small asian country

the princess of said country

Studio Investigrave x undertale 😋

Me combining both of my special interests 😍

I hope Phoenix and Edgeworth become canon but it’s like 20% offensive. I hope it comes off like it was written by a gen xer who was trying to be supportive but did not do their research. I hope they become so extremely stereotypical (a la Jean Armstrong) that it circles back around to being iconique. I hope Maya calls someone a metrosexual again. She should call someone a fairy too. I hope they give Apollo another backstory where he was childhood friends with a character called Eaton Cox

He stinks. He needs that shower.

it's officially January 2025, which means that sometime this month, Guy Eldoon will take over his father's noodle stand

yay

I feel like SAWTOWNE’s “Confessions of a Rotten Girl” is so good partially because of how it makes even people who may dislike fujoshis sympathize with Miku, and it’s interesting that it’s not actually done by painting her as “one of the good ones”. Everything that’s despised about fujoshi culture, Miku explicitly is portrayed as doing.

Disliking female characters on the basis of them “getting in the way” (and being quite misogynistic about it to boot), sexualizing and shipping men in real life (the men portrayed in the song are her teachers), and even the yaoi paddle known for being used to sexually harass cosplayers…

… all these aspects are there. Hell, one of the most disliked part about fujoshi culture from a social justice standpoint — the language of describing queer relationships as “sinful” — is the whole basis behind the song.

However, SAWTOWNE, instead of lessening that toxic trait, “yes, and”s it. “Yes, she calls queer relationships sinful, as a (presumably) heterosexual woman who finds their relationship gratifying. AND, the reason she does that is because she is a sexually repressed Christian who feels guilty about having any sexual desire whatsoever.”

I think that one (very clever!) addendum makes it so any discomforting aspects to the song takes a backseat. Instead of being a song about trying to resist an interest in yaoi / The Gays specifically, it more so becomes a song about trying to resist any “abnormal” sexual desires, which makes it very easy to like this version of Miku, even as someone who very much dislikes the aspects of fujoshi culture she represents.

Plus we need more gooner girl rep anyway, lol. (As a comment on the video said: close enough! Welcome back Plus Boy!)

i know that a thousand people before me must have drawn trucy in edgey's case but i'm a basic bitch and i HAD TO cos i finally played soj and my brain is effectively rotten :v