Like he gets so salty and bitter when it gets close to Christmas and none of the other egos can work out why
He just haaates it so much, and everyone’s like “yeah typical.” lol
Not a theory, not a fic, just a thank you, because I totally agree. I love my fellow Jims (lol). :)
Can I just say it has been so much fun, and such a pleasure to work alongside the fandom and the other mods on this blog? We’ve all made a super-team, helping each other with our ideas and supporting opposing theories – everyone has been so civil and, well, a pleasure to work with and talk to! Thank you guys so much. @markiplier ’s community is beyond rewarding to be a part of. You guys are great! 💖 - Em
Maybe because after wkm Wilford was a lot more broken than dark he kind of understands what it’s like to be trapped or controlled by him and that’s why he tries to help? Do you haven any ideas for why dark is keeping cc prisoner or is it just because he’s already been threatened by a new comer who he didn’t immediately deal with (anti) and he doesn’t want to make the same mistake twice?
I cri, thank you for that. lol
And I think that line of reasoning is good, and I think his imprisonment does stem from Dark needing to control and manipulate his environment. Dark is psychologically impaired (obviously) by his one-track mind and singular, obsessive objective. He will do anything and everything to hold power and control over Mark, and if that means holding captive and manipulating any remotely powerful being to work for him, he’ll do it. He has no more remorse or grief, hasn’t for a long time; he is fueled by rage alone. So torturing this young android? Totally in his ballpark.
I believe that Dark still has a softspot for Wilf, but only for him. And not enough of one to honor big requests, for instance, for the freedom of a captive. But Wilf’s influence does make CC’s stay a little easier.
WE’VE GOT MORE EVIDENCE MOTHERFUCKERS! Time to look at the new information (AND THE NEW CHARACTER) we’ve been given.
My first post, covering Chapter 1 and the Jims. Just in case you want to follow along with my theory thread.
First of all, let’s talk about Mark’s room.
-On the way there, we learn that the Detective and Mark have been working together for years, and that recently, Mark’s gone “quiet as of late”, and that he was worried about something, but he doesn’t know what it was.
-The room is a mess, pillows, books, sheets all over the floor, the bed in disarray. There's an envelope on the ground, which I think might be important.
-On the table are four pictures. The first is Mark, the Mayor, and the Colonel. The second is the three of them again, but Mark has the Woman (more on her later) on his arm. The third is Mark and the Mayor, both smiling. The last is a broken picture of the Colonel.
-Here’s the questions and the guesswork so far: The Colonel, The Mayor, and Mark were all once great friends (the first pic, the Colonel’s conversation with us). Then, Mark got more famous, and the Woman became involved (Maybe Mark’s girlfriend?). The Colonel had a falling out with Mark, while remaining friends with the Mayor (pic 3, the Colonel’s conversation). That fourth, broken picture of the Colonel is significant. How did it break? Who broke it? Was it Mark, angry and betrayed by his friend? Was it the Colonel, furious at his abandonment? Did it break when Mark was attacked? In terms of the messy room, there are two options: either Mark was attacked in there and there was a scuffle, or it’s been ransacked by one of the party members. That envelope on the floor might hold case files or information about the guests from the Detective. If so, is that what the searcher was looking for?
Next, let’s talk about the Colonel:
-In this chapter, he’s acting more and more suspicious, more and more violent and flippant about the subject of death. But a lot of his statements don’t line up. He wants the “privilege” or shooting the possible zombie, but refuses to “speak ill of the dead” during our walk with him. He knows we’re friends with the Mayor, and calls him a good man and a good friend, but seems to be avoiding him (jumping in the pool, running to the golf course).
-We learn that he and the Chef have a history, apparently with the Chef working for the Colonel. Apparently they also worked together when the Colonel was just a private, so it was a long time ago.
-The Colonel says “I will not be called a murderer in my own home!” He claims to own the mansion, which doesn’t make any sense. It’s Markiplier Manor, isn’t it? Unless he and Mark are either related, or Mark took the house from him, and that caused the break.
Also, let’s talk about that final fight scene between the Colonel and the Detective:
-We hear a shot, and a vase breaking (pointed out later by the Butler), and run in after the Mayor.
-Inside, we find the Detective and the Colonel pointing guns at each other. The Colonel claims that the Detective attacked him, while the Detective claims that the Colonel tried to shoot him. The Colonel claims that he was doing target practice inside because he couldn’t get to the grounds that the Chef was blocking (much to the incredulity of the Butler).
-This is the crucial point in the video where we learn that the Colonel used to work with the Chef, and when the Colonel claims to be the owner of the manor. BUT ALSO!
THE WOMAN:
-Okay so we know from the pictures on the table that she’s an old friend/lover of Mark’s, and at least slightly knows the Mayor and the Colonel.
-She also appears out of nowhere, apparently expecting violence or tension, but possibly unaware of the death. The biggest questions are: who is she? Why is she here? Was she invited?
-UPDATE ADDED AFTER ORIGINAL POSTING: Apparently her “name”/designation is the Seer. Did she have a vision about the murder and come running to check on Mark and the gang?
Ooooh BOY I am loving this! I love a good mystery, and the hints and characters feel straight out of a silly version of Agatha Christie. The whole team did so well, and again I’m super impressed with the acting and the level of detail they went into. But tell me what you guys are thinking! Who did it, do you think? Did this new evidence change your mind about the killer? Who is the Woman? What happened between Mark and the Colonel that led to their falling out? And is there new evidence I don’t know about yet?
This is exciting!!
Okay but we were in Damien’s headspace...this could very well have been the same moment.
I feel like these parts fit together!
@markiplier
“A tulpa is an entity created in the mind, acting independently of, and parallel to your own consciousness...a tulpa is like a sentient person living in your head, separate from you.”
“Note that the form doesn’t have to just be a visual image; the word is often used as umbrella term for a tulpa’s looks, voice, their smell, the feeling of their skin—everything that you can sense of their imaginary form.“
“A clearer way of sensing your tulpa before you can communicate with them directly is through emotional responses, which can be described as feeling emotions that aren’t your own.”
Brought to you by: https://www.tulpa.info/what-is-a-tulpa/
I thought I’d make the information from my survey available in a more fun format. Enjoy!
A/N: Alright so a surprising amount of people actually liked the first part of this (thank you @alix-the-skeleton for asking for more!), so I decided to do a follow up. Lemme know if you guys wanna see some more of this! I think it’s an interesting story to explore. Anyway, let’s see what happens when Dark gets home, shall we?
He was still shaking, physically shaking, when he returned to Ego Inc. His shell was cracking horribly, and his aura was all over the place, cyan and scarlet spikes shooting left and right, cracking the walls and bursting lights. Everyone that saw him come down the hallway ducked away as fast as they could. Everyone, that is...except the one person Dark did not need to see right now. "I saw, old man, where'd you scamper off to in such a hurry? Google's been doing nothing but complain since you left, he's insufferable." Wilford laughed as he tried to clap an arm around Dark's shoulders, but raised an eyebrow in amusement when he shrank away, sucking in a sharp breath as the pain of the sudden movement hit him. The pain of his shell cracking was enough without the extra weight of someone else. "Don't touch me-" he attempted to snarl, but cut himself off. No. Oh God, no, he still sounded like- "What's wrong with your voice?" Wil blinked, looking puzzled. He couldn't not speak to Wil, that would raise too many questions, but the more he talked, the more he knew he was running into dangerous territory, and why did he suddenly care so much, after years and years of feeling nothing but deep-seated anger and frustration? No, he knew why, but still, the sudden shift was unsettling, and he was spiraling. "I...nothing. Nothing, just leave me-" "I didn't know you could turn off the echoes, that's a clever trick. Have you always been able to do that?" He laughed again, twirling his mustache thoughtfully, seemingly oblivious to Dark's rising panic. "You know, without the effects, you almost sound like Mar-" “Shut up.” “Well, I was only saying, I know you hate him, but still, the resemblance is uncanny-” I know you hated him. His own voice rang in his ears and he shut his eyes, trying to block it out. “Shut. Up.” “You’re really not looking well, are you sure you’re-?” "Shut up, William!" Before he could think, his hand was shooting out from his side, and Wil grunted in surprise as he banged into the opposite wall, sliding down to the ground with a dull thud.
Dark's eyes widened. "Wil...Wil, no, I didn't mean..." "What the bloody hell was that for?" Wil snapped furiously, clambering back to his feet and rushing to grab Dark by the lapel, his other hand coming up in a fist. Dark braced for a hit. "What the actual hell, Damien?" Both men froze. Wil's eyes widened to match Dark's, seemingily more out of surprise than anything else. "Wait...no, your name isn't...why would I...?" "Wil," Dark said slowly, "let me go. Please." Wil glanced down at his hand, which had a death grip on Dark still, and dropped him as if he were being burned. Dark grunted as he stumbled back, bumping into the wall. Cracks appeared immediately. Wil backed up a few steps, still staring at him. "Thank you," Dark muttered, voice shaking nearly as much as he was, "Now, please, I have to-" "Yes. Yes, of course." Wil gestured off down the hall, shaking his head as if he were trying to clear it. There was an uncharacteristic frown on his face, his eyebrows knitting together in confusion. "You're...you're a busy man, after all, and...and of course, I am too. I should...I'll...I'll see you later." He walked away so quickly he was nearly jogging.
Dark stared after him. So he did remember, at least subconsciously. There was still some of the Colonel behind the bubblegum facade. But...if forgetting had done this to him, what would remembering do? And if he found out about her...
What have I done?
A/N: I’ve never written Robbie in his own story before, but he’s a sweetheart and I thought I’d give it a try, and also try to explain his name, maybe. Enjoy!
He doesn't know how he died. All he knows is that one day, he woke up, and he was staring at the open blue sky. He sat up, looked around at the lonely street he was on, stood slowly, and wandered off. That's what he does best; he wanders. He's not much for deep thought, and trying to plan out where you're going, trying to find things or do things that take a long time, they take too much of his energy. But wandering? It lets him enjoy the quiet. Sunshine in a forest. An empty highway at night. A beach in the off season. Well, he supposed every season was the off season now.
He doesn't remember who he was before he died. Doesn't even know if he had a name, not that there's anyone to call him by it anyway. He supposes he was young; the glances he's gotten of his reflection make him think twenties, but he could've been in his thirties. A little bit of facial hair is eternally stuck at the same length on his face, a short scruffy beard and mustache, and two bushy eyebrows that've all turned an ashy brown with death. Pale, grey skin sits tight over a smaller, fairly slim frame. Grey eyes stare at the grey-scale world through a thin white film (it doesn't affect his vision that much). A striped white and black shirt and black jeans cover him with relative modesty, though they’re ripped and dirtied with who knew what. No shoes. It’s not too bad, but he is easily pleased. Something he very much likes about the way he looks, however, is that he's got a mop of unruly, electric purple hair on the top of his head. It's the only bit of bright color in his appearance, and he feels like maybe Living-him would've liked that. He sometimes wonders who Living-him was. What did he do for a living? He isn't particularly muscular, or big, so nothing sporty or physical. His clothes are very casual. Had he worked from home? Been off-duty when he died? He doesn't know.
He discovers he's in Brighton, and that he can read still (though not very quickly), when he finds a yellowing newspaper on a bench by the pebbly beach. An old copy of the local news, warning about the deadly outbreak of something, and somewhere testing nuclear weapons, and other sad things. He puts it down again and walks away. He's glad he remembers where Brighton is, and that he has a vague impression of what the city would've looked like way back then: a woman's laugh and the pressure of her hand in his, the sound of cars driving by on his quiet street. He wonders if Living-him had lived here all his life, or if he'd come from somewhere far away. He turns slowly toward the sound of something moving, which wasn't his imagination.
A man is staring at him, standing, frozen, on the other side of the street. He is fairly tall, with short brown hair and wide-open eyes, the blue of which are overwhelmed by the black of his pupils. He has a gun slung over his shoulder, and seems to be considering reaching for it. Surely he's not afraid of him? One dead man against a living man isn't much of a match; guns have quite a reach, and rigor mortis tends to slow down your running speed significantly. He doesn’t see any other option for it. Might as well be polite. He waves. The man frowns, confused. Stares at him for a few moments longer.
Waves back.
He smiles, glad that his gesture has been returned, and turns to move on down an alley. "Wait!" He raises his eyebrows and turns back to look at the man, who is now crossing the street toward him cautiously. He stops a few feet away and considers him. "Can...can you understand me?" It amuses him that he remembers enough to know that this is not an English accent, but is disappointed that he can't remember what accent exactly that it is. "You don't have to talk," the man continues as he receives no response from the purple-haired stranger, "you can just...y'know, nod, or shake your head?" He thinks for a moment, then nods. The man smiles. "Really? Cool." They watch each other for a moment. "Do you have a name?" He shrugs, slowly. "Okay," the man nods, folding his arms with a smirk. "Well. You don't look like you're in a big rush to kill me, which is nice." He extends a hand. "I'm Robin." He stares at Robin's hand. "You're...supposed to shake it?" Oh. He shakes Robin's hand, and is surprised that he doesn't flinch away from the cold of his skin or the unnatural stiffness of his movements. He does note that Robin's easy-going smile quirks slightly at the contact. Their hands drop back to their sides, and he decides to try something new.
"R...R..." His voice is rusty and crackly from disuse, but apparently still functional, much to both of their surprise. Robin huffs out a laugh. "You can talk! Why didn't you tell me?" He frowns slightly and tilts his head. "I'm kidding, man, relax," Robin grins. "Were you trying to say my name?" "R..Ro...b..." He nods as he tries again. Robin puts a hand over his heart as if he's touched by the gesture, then chuckles again as he starts to walk. "You wanna come with me? I've never met a zom' that can talk to me. Let's see if we can't get your voice to work." "Y...eah." Robin looks so proud of his first proper word that he can't help but smile back, the muscles in his face tight with the movement. "C'mon then, uh..." He falters slightly, and the purple-haired man shrugs. "Well...pick a new name then. I have to call you something." "Ro...b...?" "You want me to pick?" "Mm...hm..." "Hm..." He thinks for a minute, then smirks. "Well, the only thing you seem to be able to pronounce is the first half of my name. So let's call you Robbie!" "R...Ro...b...bie.." "See, you're getting better already!" Robin moves off down the street, still laughing and swinging his arms at his sides. Robbie (he likes the ring of it) stumbles after him, listening to him ramble. It's a nice change from the usual silence.
And then there’s me:
She looked like sunlight on the water, warm and cold at the same time, eyes like whiskey and hair like ice, a too-soft cardigan over a Metallica t-shirt and ink all over her fingers when she reached for the book in my hand. When she spoke, it was like listening to the ice crack under your feet as you slip through to the freezing depths, or the first chord in a rock song shredded out on the steel strings of an electric guitar.
“Please let go of my book. You’re gonna rip it.”
Are you a “can’t write dialogue” writer or a “can’t describe anything” writer
Just a writer obsessed with her characters, from Supernatural and Sherlock to the Dark Side of Youtube. Your source for the Egos of Jacksepticeye and Markiplier, theories thereon, and random oneshots and short series. I take requests!
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