A/N: So someone came up with the idea of Will and Celine having a kid, and my heart got really sad. So have some word vomit. (Credit to @turquoisemagpie for the neato drawing that gave Winnie her look and gave me the idea.)
Dark was mid-meeting when he felt it.
Someone was in the house. After all this time...he was here now, it'd been so long since he'd been back...but the feeling was familiar. He frowned, standing suddenly, earning a curious look from Google, who’d been trying to explain analytics to his uninterested audience. "Where's Wilford?" "He's in his studio, as always," Google replied, narrowing his eyes, "Why the sudden interest? We were discussing the primary-" "Excuse me." Dark moved quickly out of the room, slamming the door behind him. His aura was agitated, greying out the walls of the hallway, making Bim duck into a doorway to avoid it (it was unpleasant to pass through, to say the least) as he strode toward Wil's sound stage. He didn't bother to knock as he shoved the door open roughly. "Warfstache!" Wilford sighed heavily from his position in front of the green screen. "Dammit, man, can't you learn to knock? Jesus." He rolled his eyes and waved his gun at Jim, behind the camera, who quickly cut the take and scurried out of the room. Everyone in Ego Inc. knew what Dark slamming into a room would lead to. "Have you been back to the house?" "Are you out of your mind? Why would I go to Mark's house at this hour? I've been here, recording my new show all day. It's a real winner this time, Dark-" "You know damn well I don't mean Mark's house, idiot, have you been back to that house?" "What are you talking about?" Dark scowled at Wilford for a long moment. The fool couldn't remember, of course he couldn't. But that meant it hadn't been him. Of course it wasn't him, mumbled an annoyed voice in the back of his mind, how would he have gotten there and back so quickly? Besides, I still feel it so it can't be him. This bothered Dark even further. He hadn't heard that voice in years. Shut up. Dark turned on his heel and walked out, much to Wilford's confusion. He walked quickly, until he found an empty hall, and reached for one of the doors, concentrating. When he opened it, he found himself on the second floor landing. He stared at the railing for half a second, before huffing and walking down the stairs, looking around him for the intruder.
He found her in the foyer, looking...looking in the mirror.
The shattered reflection showed a pair of large, round lenses in bent black frames over two wide brown eyes, the arms curled under bobbed black hair. Her face was angular, but not particularly sharp, and she was smiling curiously. A small slip of a thing, really, her red collared shirt and high waisted black slacks clearly a few sizes too big for her, and the fact that she was lugging a massive leather carrier bag with the strap slung across her body didn't help with the delicate image. Definitely not your typical looter. She looked so much like him, the same silly smile and bearing, hands clasped behind her back as she inspected the antique before her, that Dark stumbled back a step as the old voice in his head yelled out in surprise. The noise alerted her to his presence and she whipped around, slapping a hand to the cover flap of the bag as if to grab something from it. "Oh my-! Oh, jesus, I-I'm sorry, I didn't know anyone still...but I mean the-the woman in the library said no one had lived here for...no, but that's no excuse, I'm sorry, I-I'll just go-" "Shut up," Dark said calmly, having collected himself a bit, but still reeling from the shock. She nearly bit her lip to stop herself, looking down at the ground and clasping her hands behind her back again. God, the resemblance...how...? "Who are you, and what are you doing here?" "I-I'm Winnie Ford, sir, a-and I'm researching for a school project, about abandoned buildings-" "Don't lie to me." The stairs below him went grey, and Winnie's face paled, but he was too distracted to notice. Ford? Her name was Ford? "Why are you here?" He repeated, more quietly. The air seemed to buzz between them. "I...I..." She seemed to be looking for an escape, but sighed as she found none, standing up a little straighter, as if to accept her fate. The confidence is impressive. No. Stop that. "I'm looking for information about my parents." She said it with false calm, the illusion of which was shattered as she retreated a few steps into the room as Dark descended the stairs and approached her. She bumped into the wall behind her, still trying to appear casual. "And why would you come here for that?" "Because this was the last place they were seen alive." He froze. Something must have registered in his face, becaues the girl frowned at him. "You...you live here, don't you? Do you...do you know what happened?" "What happened in 2017. The poker party." "Yes," she said, nodding slowly, taking a step closer. He flinched and she reflexively stepped back. "Yes, so you do know about that." He couldn't seem to move. "Your parents were...there, that night?" "So the newspapers say. So the orphanage said." "My god..." The voice coming out of his mouth was one he hadn't used in a very long time. He hadn't known he could use it anymore, hadn't known that the feelings now exploding in his chest, could still exist within this corpse of his. "Did...did you know them?" "I...no." He glanced over at the mirror, then back up at the stairs, then looked back at her, barely able to hold himself together. Being here, seeing her, it was too much, he wasn't going to be able to sustain himself, he should leave, shut down these feelings, eliminate the cause of them...no, that thought made a spike of pain shoot through his chest, and he gripped the table suddenly. Winnie took a few steps toward him, moving as if to put her hand on his arm. "Are you-?" "Don't," he said harshly, and she stopped, still looking concerned. She was stood right on the edge of his aura, couldn't she see it? If she touched it...but why did he care? "Don't...don't touch me. Don't come any closer. Please." The word sounded awkward, unfamiliar on this tongue. "Okay...Alright, I won't." Her tone was one you would use with a wounded animal. She's not afraid of me. Yes, she is. Shut up. "What do you know?" She leaned against the wall again, still trying to look casual. Why was he relieved when she stepped away? "Well...I know my mother's name was Celine Noir. But I don't know who my father was. That's the only name the orphanage had on file, and," she quirked a small smile, "that was hard enough to find. I was some kind of cover up, apparently." His eyes were blown wide, he could see them in the mirror, he could feel it. One hand twitched toward her, and he could see himself touching her face, cradling it, hugging her tightly and not having to lose them all over again. He could see himself taking her back with him away from this house, he could see Wil seeing her, coming back to him, he could see himself and this young girl and his best friend, a family once more, remembering, moving on, forgetting this place, forgetting what...what he'd... What he was. It came rushing back to him, but...but for this brief moment, he was still himself. He was here, and he was looking at her, and she looked so much like her mother, stood like her father, and god he missed them so much. Suddenly, he was talking, before he could stop himself. Stupid, stupid boy, what are you doing? "Your father's name was William Ford. You're a bastard, that's why she gave you up. She hated herself for it, wanted desperately to keep you, but..." But Mark, when he found out he wasn't the father, went berserk, nearly killed Will right then and there, if he hadn't stopped him... He took an unnecessary, deep breath. She was staring at him, the bluntness of his answer apparently surprising her. "William Ford...that's where the last name comes from, I guess. I wondered about that, why it wasn't Fischbach..." "No...no, she'd never let you take his name." Why were his eyes stinging? They shouldn't be able to do that anymore. "What...happened to him? To both of them?" Her voice was very quiet, but god she sounded just like Celine. "Who are you?" "I'm...not important." He took a few steps back. He couldn't be here anymore. "You should go. Get away from here." Get away from me. "But-" "Get. Out." He spoke quietly but the glass divider nearby cracked loudly. It didn't seem to phase the girl. "You haven't told me who you-" "You don't need to know that." She frowned, giving him a determined look. "Yes. I do. I want to know what the hell is going on. I want to know who I am. I want to know who you are." She put her hand on the table, it was too close to his, the grey was touching her fingertips. "At least tell me your name." He stared at the hand, trying desperately to pull his aura back into himself, but it wasn't easy to control when his emotions flared up, and it hadn't happened in so long he had nearly forgotten how. His eyes slowly moved to meet hers properly for the first time, and... He was face to face with a teenage boy with a goofy grin and a gun license and a draft haircut, asking this stupid kid with a sweater vest and too many political science books on the table in front of him in the lunchroom why he was sat on his own. He was looking at his sister as she asked him for help, tears in her eyes, she was begging him not to let Mark find out, one hand on her stomach, where a bulge would soon grow. He was looking at this girl, maybe twenty years old, who'd grown up in an orphanage, never knowing anything but her own name and her mother’s, and never even knowing her father’s name, who had his confidence and her smile and god, she even looked a bit like him, and his mouth was opening without his consent. "Damien." She smiled, a little confused. "Damien." Why did that name sound so natural in her voice? "Well, it's...it's nice to meet you." She offered him her hand again. Why was his hand moving toward hers? He stopped it, pulling it back sharply as he retreated. "You should go." "But..." "Winnie...I...you need to leave this place, it's..." Not safe. He was here. "It's not where you need to be. You need to go. I've told you all I can." His voice dropped in volume, but not the same way it usually does. This time, there was only one layer, and he sounded so much like...himself. "Please go." He wasn't sure what she heard in his voice, but it seemed to convince her. Maybe she was finally noticing his aura, maybe she was too afraid to stay with him any longer. She stepped toward the door. Pulled the handle. Took a step. Looked back over her shoulder. "It really was good to meet you, Damien." She had more questions than answers, he knew. She'd probably be back to this place. Her little frown, and the look in her eyes...he remembered seeing that look on another young girl's face. "You know, there's something terribly familiar about you." He didn't answer. Instead, he turned back to the stairs, and climbed back up them, and it was as if he were stepping back in time. He heard the door slam behind him, and paused. He was alone again. "It was nice to meet you, Winnie." But there was no one to hear the darkness return to his voice. No one to witness as he left this place, empty again.
WE’VE GOT MORE EVIDENCE MOTHERFUCKERS! Time to look at the new information (AND THE NEW CHARACTER) we’ve been given.
My first post, covering Chapter 1 and the Jims. Just in case you want to follow along with my theory thread.
First of all, let’s talk about Mark’s room.
-On the way there, we learn that the Detective and Mark have been working together for years, and that recently, Mark’s gone “quiet as of late”, and that he was worried about something, but he doesn’t know what it was.
-The room is a mess, pillows, books, sheets all over the floor, the bed in disarray. There's an envelope on the ground, which I think might be important.
-On the table are four pictures. The first is Mark, the Mayor, and the Colonel. The second is the three of them again, but Mark has the Woman (more on her later) on his arm. The third is Mark and the Mayor, both smiling. The last is a broken picture of the Colonel.
-Here’s the questions and the guesswork so far: The Colonel, The Mayor, and Mark were all once great friends (the first pic, the Colonel’s conversation with us). Then, Mark got more famous, and the Woman became involved (Maybe Mark’s girlfriend?). The Colonel had a falling out with Mark, while remaining friends with the Mayor (pic 3, the Colonel’s conversation). That fourth, broken picture of the Colonel is significant. How did it break? Who broke it? Was it Mark, angry and betrayed by his friend? Was it the Colonel, furious at his abandonment? Did it break when Mark was attacked? In terms of the messy room, there are two options: either Mark was attacked in there and there was a scuffle, or it’s been ransacked by one of the party members. That envelope on the floor might hold case files or information about the guests from the Detective. If so, is that what the searcher was looking for?
Next, let’s talk about the Colonel:
-In this chapter, he’s acting more and more suspicious, more and more violent and flippant about the subject of death. But a lot of his statements don’t line up. He wants the “privilege” or shooting the possible zombie, but refuses to “speak ill of the dead” during our walk with him. He knows we’re friends with the Mayor, and calls him a good man and a good friend, but seems to be avoiding him (jumping in the pool, running to the golf course).
-We learn that he and the Chef have a history, apparently with the Chef working for the Colonel. Apparently they also worked together when the Colonel was just a private, so it was a long time ago.
-The Colonel says “I will not be called a murderer in my own home!” He claims to own the mansion, which doesn’t make any sense. It’s Markiplier Manor, isn’t it? Unless he and Mark are either related, or Mark took the house from him, and that caused the break.
Also, let’s talk about that final fight scene between the Colonel and the Detective:
-We hear a shot, and a vase breaking (pointed out later by the Butler), and run in after the Mayor.
-Inside, we find the Detective and the Colonel pointing guns at each other. The Colonel claims that the Detective attacked him, while the Detective claims that the Colonel tried to shoot him. The Colonel claims that he was doing target practice inside because he couldn’t get to the grounds that the Chef was blocking (much to the incredulity of the Butler).
-This is the crucial point in the video where we learn that the Colonel used to work with the Chef, and when the Colonel claims to be the owner of the manor. BUT ALSO!
THE WOMAN:
-Okay so we know from the pictures on the table that she’s an old friend/lover of Mark’s, and at least slightly knows the Mayor and the Colonel.
-She also appears out of nowhere, apparently expecting violence or tension, but possibly unaware of the death. The biggest questions are: who is she? Why is she here? Was she invited?
-UPDATE ADDED AFTER ORIGINAL POSTING: Apparently her “name”/designation is the Seer. Did she have a vision about the murder and come running to check on Mark and the gang?
Ooooh BOY I am loving this! I love a good mystery, and the hints and characters feel straight out of a silly version of Agatha Christie. The whole team did so well, and again I’m super impressed with the acting and the level of detail they went into. But tell me what you guys are thinking! Who did it, do you think? Did this new evidence change your mind about the killer? Who is the Woman? What happened between Mark and the Colonel that led to their falling out? And is there new evidence I don’t know about yet?
This is exciting!!
Pairing: Nothing really, Sam/Reader ish
Rating: PG for language
You were asleep. Everyone was, it was 2 am. And you were having a damn good dream, too.
And then they rolled up. Doors slammed, there was a lot of shouting, and you were suddenly wide awake, standing in the middle of the motel room, pointing a sawed-off shotgun loaded with salt at the door.
"Dean we have to talk about this at some point!"
"Not tonight, Sammy! It's 2 am, and I wanna get some shut eye!"
So do I, you thought in annoyance. You froze, poised for action, when you heard the unmistakable sound of a key turning in the lock. Then the door handle twisted, and it opened to reveal two hulking figures, shadowed and possibly malformed. The lights clicked on.
"Who the hell are you and how the hell did you get my key?"
It turned out that neither boy was malformed at all, just covered in about four layers of shirts each for some reason. The shocked looks on their faces made you pause. Had they expected you to sleep through that racket? Both boys' hands shot up, and the taller one dropped the set of keys he'd been holding. The shorter one, stepped forward, blocking what he could of the big one, and smiled in what he must have thought was a charming manner. It might've been, too, at any other time of day.
"Um...hi. Sorry, we must be in the wrong room, so if you don't mind, we'll just-"
"Don't move, Model Boy." He blinked, glanced at the bigger one and mouthing "Model Boy?". He shrugged, and Model Boy looked back at you, not moving. You stepped closer, pulling a flask out of your bag as you went and unscrewing the cap with one hand, using the other to keep the gun pointed. When you got it off, you splashed the contents at them, and when the did nothing but flinch and sputter a little, you relaxed a little more.
"Okay, not demons. Still doesn't explain why a moose and a model are standing on my doorstep."
"Again with the moose thing?" the bigger one complained, and after a jab in the ribs from the model, he sighed and said, "Are you (Y/N) (Y/L/N)?"
"Who's asking?"
"I'm Sam, and this is Dean. Bobby Singer sent us. Said you needed some help with a pack of demons down here?"
At that, you finally smiled, dropping the gun to bounce against your side. "Oh, so you're the Winchesters! Bobby talks about you boys all the time. I didn't know he'd be sending you to help me out." You laughed, gesturing for them to come in. The relief on their faces as they did, sitting at the little table and dropping their bags around them, made you laugh again. You plopped down on the corner of the unoccupied bed after shutting the door and locking it again, dropping the gun back by your bed.
"Tell me something, guys," you said conversationally as Sam set up his laptop and Dean pulled out a rather heavy looking old leather book, "Why are you in my room and not your own?" The boys exchanged a look, then Dean said, "The uh...the manager said that this one was free." You rolled your eyes and muttered, "Damn idiot's never gonna remember I'm here, is he?" All three of you laughed. "We'll get our own in a couple of minutes, once we're set up in here. No point in having two work stations, right?" Sam said, smiling at you goofily.
"No point in having two rooms either, I think." They looked at you curiously. "What? I'm perfectly willing to share a bed if you are."
You could almost hear them yelling "Dibs!" at each other, and you giggled. "Just for sleeping, you overgrown teenagers." The offended looks this earned you had you trying desperately not to fall over laughing. When you'd calmed down enough to speak again, you stood and walked back over to your bed, slipping back under the sheets.
"Fight it out amongst yourselves. As for me, it's too damn early for research, don't ya think? I'm hitting the hay again, as I was doing before I was so rudely interrupted."
The following whispered argument lasted twenty minutes before the lights snapped out again.
Sam won.
BOOOOOST
Let’s Fight Back Against Coronavirus
Thank you for doing this, @therealjacksepticeye. Share this! Spread this like wildfire! Tell everyone about this! If you have multiple blogs, reblog or post it on all of them! Here’s Sean’s detailed account of who, what, and when his fundraiser is, and how exactly it’s going to help. SPREAD. THIS. The donation page is open right now, so if you can give, give, if not, SPREAD THE WORD!
DAMIEN
In case you’re missing the oddball excitement that’s going on right now. Also, @markiplier is hanging out in the chat with us now!
(Sorry I disappeared the snow really messed up my WiFi!) like dark will never talk about wkm unless he’s really angry and is going on a revenge rant
(You got snow??? Lucky! I wish it snowed here.)
Mhm, and even then, he tries not to do that when Wilf is in the room. Sometimes he slips up, though, and he’ll rant about having his body stolen, or he’ll rant about “what happened to Will”, and he’ll just clam up suddenly and panic. Which is not good for anyone else in the room.
Pairing: Reader/Sam
Rating: G
Your favorite moments, you decided, were when you and Sam were alone in the library, researching some case or just reading for fun. You'd sit on opposite sides of the table, noses in books and coffee mugs in arm's reach at all times, for hours and hours on end, occasionally muttering a few sentances to each other, perhaps a joke that would set off silent giggles for a long time afterward, perhaps asking if the other was done with their joe yet, did they want another cup? Most of the afternoons, and often late nights, would pass in near complete silence.
Occasionally, you'd fall asleep in your chair, and you'd wake up hours later to find that someone had dropped you off in your bed, going so far as to tuck you in. You'd smile to yourself and at Sam the next time you saw him, but neither of you ever brought it up.
There was one time that the situation reversed, and you came back into the library from a bathroom break to find a shaggy haired Sam asleep on a pile of books, snoring softly and looking generally like a giant puppy. That thought had you struggling to stay quiet as you giggled.
Given that it would've been completely impossible for you to pick him up without serious injury to one or both of you, you settled for simply finding the softest pillow and cuddliest blanket you could and wrapping him in them. The fact that he didn't do more than grunt quietly and pull the blanket closer proved to you that he needed the sleep, and, seeing that he was out so deeply, you got a little brave and leaned forward, pressing a gentle kiss to his temple and whispering, "'Night, Sammy."
Sam woke up a few hours later, and smiled when he saw you, going slightly pink. Neither of you said anything about it.
A few days later, you got brave again. You left a note on Sam's side of the table with his name on it that read simply, "You're a cute sleeper."
A few days after that, you got one back that said, "You are too."
Neither of you talked about it, but now you sat on the same side of the table. And Sam became your favorite pillow.
Ok people have been so nice about Last Words. I’m so happy. :)
you nailed it!
I’ve never written fanfiction before in my life and honestly I’m shocked people like it
Just wanted to say, thank you, Jack, for everything you do with the Egos. This is by far one of the most amazing stories I had ever seen, and one of the most long-lasting. These characters, completely original and complex in their own way, interact not only with you and each other, but with US. DIRECTLY. It’s amazing! I’m in the story that I’m helping to tell! This is exactly what fiction is supposed to be, an interaction between creater and audience, and almost no other medium allows for this level of interaction. Thank you for working so hard on these amazing characters and their stories, and for interacting with us to give us more to work with and expand the story even more, and for allowing us, the fans, to make this story bigger than any of us could ever dream.
That being said, please please know that whatever you want to do with these characters will be fun for us. Small glitches? Awesome! So fun to catch! The occasional spoofy moment in videos? Wonderful! It’s fun to see our faves cameo! Small parodies with the different characters? Great! Hilarious! Serious works that take longer to put together? Oh hell yeah!! It’s all part of the fun of this unusual story, big or small.
You don’t have to go all out to make something fun, and you don’t have to make a lot of things, either. There’s no quotas, it’s all just something to enjoy, together. We love it, and you, and are just happy to be sharing in the creative process. We’ll happily support whatever you want to do with them, and if you want to take a break? Take it! We’ll fill in the gaps with fanfics, art, edits, and memes while you chill out and just enjoy the creations. <3
I wanna talk about the egos for a second.
They have been by far one of my favourite things that have ever come out of this community and my own brain. I love characters, I love story and I love a good mystery so to have our own lore and plot in this community based around content that I put out there is nothing short of surreal and amazing. Recording let’s plays is awesome but this was something I created and put out there intentionally with high hopes and no one else at the time was doing it and it went over super well. It was incredibly creatively fulfilling.
However in the mix of all this has come a lot of frustration and headaches too. I am constantly beating myself up over not doing more with them and putting things off because what I want to do with them is so fucking ambitious that I stop myself from trying sometimes out of fear of not living up to it and messing the whole thing up. I feel like I have one good shot at a story with them and don’t want to put out something that doesn’t make sense or is safe or is just badly written and kind of lame. I want it to be GREAT but that’s a really hard thing to do, especially when almost the entire creative process for all of this is resting on me. It doesn’t have to of course but it’s my baby and I want to treat it well so I get frustrated when things don’t go EXACTLY how I want with the characters.
Not only that but people fucking LOVE these characters (which is the sweetest thing in the world) so I want to do them justice for all of you as well. Use them as a way of telling a good story with characters you can relate to and designs/imagery that inspires you. Sometimes those expectations aren’t met or are set WAY too high, far too early and what comes out disappoints some people or isn’t exactly what you wanted either. This constant cycle and back and forth in my head has been a huge creative and motivational road block for me. I have ideas and plot points and places I want all this to go but trying to get there has proven hard for me because again, I don’t want to fuck it up. The stuff that I’m trying to do is also just taking so fucking long to talk through.
This is why teases have been slow and sparse. All of this is way bigger than I thought it would be initially so thank you for that. I love these characters so so much and I want to see them fly high. I do love all the theorising though and the stories people write about them and how creative you all are. It inspires me. Keep theorising, keep having fun, keep your stories going. I want to have more fun with it and not put so much pressure on it all anymore.
Just a writer obsessed with her characters, from Supernatural and Sherlock to the Dark Side of Youtube. Your source for the Egos of Jacksepticeye and Markiplier, theories thereon, and random oneshots and short series. I take requests!
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