DAD JOKE
I kind of wish disney’s ~weird period~ had lasted longer. Like all of a sudden we were getting these films like lilo & stitch and Atlantis and the emperor’s new groove and treasure planet and they were so fun and DIFFERENT. Just thinking about what the pitches for those movies had to have been like is so surreal?? A little blue criminal alien crash lands on a Hawaiian island and gets adopted by two sisters dealing with social services that teach him about the value of family. An Inca emperor gets turned into a llama and john goodman helps him get back to his palace and one of the bad guys talks to squirrels. Treasure island but in SPACE. Like, on the surface, the premise for these films seem so random but they all TOTALLY WORKED IN REALLY GREAT WAYS??? idk I just really miss that early 2000s spark of offbeat creativity in Disney’s timeline.
Take her fucking phone
Here’s a 2016 look-back even though there’s a month left in the year, and I’ll probably have one or two more things to post before then. I was all over the place this year (compared to last year, when I focused mostly on backgrounds), but I’m proud of how much experimenting I did with color. <3
Animator Island’s 51 great animation exercises to master
#15 Walk Cycle
Rashomon (1950, dir. Akira Kurosawa)
A lot of fans did not like that Hiro and Tadashi were portrayed as being mixed race. It’s like these studios are pretending to give us diversity but instead of going all in, they throw us this whitewashed, mixed race mess. No. Go all in. All or nothing. This isn’t real diversity. This is so big film execs can pat themselves on the back and all-white fandoms can feel good about how ‘diverse’ they are. Stop it.
Mind blown 😂
Emile-Auguste Hublin (French, 1830-1891)
Stuff I like that I reblog, and stuff that I post .... Luke
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