quickly: a grieving mother grows a monster from the lung of her dead child (the grieving process / emotions made manifest / folk magic and wives’ tales / hunger pains and sharp teeth / friends who could be lovers / women who work by the hour / the mystery of metamorphosis / sleeping in trees in the park / taming wild things / loving and letting go).
This is the story of four people (Magos, her partner Joseph, her friend Lena, and Monstrilio) adjusting to the loss of one person (Santiago). Santiago, a young boy born with one lung, succumbs to his condition at 11 years old and his parents’ lives are halted and darkened. His mother, Magos, in her grief, takes a piece of his lung to remember him by. After going home to Mexico City and hearing an old folk tale about a woman who grew a man, she decides to feed the piece of lung. It grows… but it grows into a monster, whom she calls ‘Monstrilio’.
Transferring her attachment from Santiago to Monstrilio, Magos binds herself to this hungry and uncontrollable creature whom she sees as her son returned.
The concept is interesting but weighed down and dulled by the portrayal of this story through four different people. What should have been an outstanding work of family horror (i.e. Hill House, Hereditary, Servant, etc.) is instead just an *okay* story about a family, with a ‘creature’ running around in the background. There is no horror. A monster, but no real ‘horror’. The close falls flat and does not meet the ambition of the emotions called forth at the opening. There are some poetic moments, but overall, not enough to speak to the heart. For how little horror Monstrilio’s ‘monsterness’ brought to the story, Magos may as well have adopted an unruly dog from the local pound.
★ ★ ★
more thoughts: NO SPOILERS!
After reading THE SHARDS by BRET EASTON ELLIS, 500+ pages of cocaine-fueled private school kids, I wanted something that would bring me back down to earth a bit. I’d previously read HUMAN SACRIFICES by MARÍA FERNANDA AMPUERO and was so moved I checked it out again, immediately after returning it to the library. SACRIFICIO by ERNESTO MESTRE-REED was incredible as well. Both writers deal with the heavy heavy stuff, but with such incredible worlds and characters, grief is an active part of the story. It shifts and changes as the characters change. It is an antagonist almost, something to resist and have conflict with. Here, it is just some abstract thing, unintentionally drawing energy away from the center.
I was disappointed at where the story ended up (as well as how it got there). I can’t tell an author what to write, but there just seemed to be so many missed opportunities!! (I wonder what audience this was written for?) It had a beginning, middle, and end… the characters were distinct… the core plot is intriguing… but I couldn’t find the unique and horrific tear-jerking story I thought that I would find in this book.
Separately, I’m also starting to become annoyed at how loosely the genre label ‘horror’ is applied to stories. Several reviews of this book mention this being ‘truly’ or ‘genuinely’ scary… to quote Tiffany Pollard, “It was nothing like that… nothing of the sort”. Horror should be horrific! And more than just blood, guts, and scares; good horror unashamedly examines the darkness and gives air to the things we’d rather not talk about.
quickly: a collection of short stories where death and endings are the main characters (people falling from the sky / predacious teachers / taxi driver serial killers / breaking up / psychiatrist offices / father-killing daughters / devious cats / dead people on the moon / laughing at funerals / eating to feel / ceiling holes / caged birds / suburban bands / men in dark tunnels).
This is a strange collection of stories that I really wanted to love, but having read it, can’t wait to return. The writing leans freely into surrealist mystery, horror, and romance. Death seems to be the primary meditation, but there are also streaks of feminist and patriarchal struggles, conflicts between life and death, and questions of fate.
Most of the stories had amazing setups with promising openings. Unfortunately, the bizarre plotting and exposition often washes the stories out, with almost all of them ending with unsatisfactory conclusions. It felt like the last few V/H/S movies… montages of moments that are merely emotions and feelings, but not true stories.
Only one story, in particular, will stay with me… Earth. A daughter’s hasty reaction to her father’s temperament draws dire consequences for her mother and herself. Another, maybe, was Mary Carminum, about two devious men who have the tables turned on them by their dates. The rest of them are lost in a sea of metaphors, similies, and Rupi Kaur-esque poeticism.
★ ★
"Everyone in the world was programmed by the place they were born, hemmed in by their beliefs, but you had to at least try to grow your own brain. Otherwise, you might as well be living on a reservation, worshiping a bunch of bogus gods."
Scott Westerfeld, Pretties
comfy culty cozy library haul for fall:
THROUGH THE NIGHT LIKE A SNAKE (LATIN AMERICAN HORROR STORIES) by VARIOUS AUTHORS
A FEW RULES FOR PREDICTING THE FUTURE (ESSAY) by OCTAVIA E. BUTLER
PARABLE OF THE TALENTS by OCTAVIA E. BUTLER
THE GATHERING DARK (FOLK HORROR ANTHOLOGY) edited by TORI BOVALINO
THE SALT GROWS HEAVY by CASSANDRA KHAW
BLACK OBSERVATORY (POEMS) by CHRISTOPHER BREAN MURRAY
PARABLE OF THE SOWER (GRAPHIC NOVEL) by OCTAVIA E. BUTLER*
*read Parable of the Sower earlier this year, ★ ★ ★ ★ ★!! The story is even more poignant, now that her predictions have come true. Rereading this in graphic novel form before I move on to the sequel, Parable of the Talents!
“Anything dead coming back to life hurts.”
Toni Morrison, BELOVED
quickly: a collection of dark and surreal tales from the twistedly creative minds of a handful of latin american writers (carved bone animals portend a family annihilation / serial killer fan clubs / leaked sextape leads to loss / mirage in the mountain mist / parasitic hauntings / alien thoughts / a living man’s dying flesh / giant rabbits / giant vultures / compassion at a price).
A decent collection of stories. My favorites were THAT SUMMER IN THE DARK by MARIANA ENRIQUEZ, author of OUR SHARE OF NIGHT (two serial killer-obsessed girlfriends are stunned when one of their neighbors kills his family), SOROCHE by MÓNICA OJEDA (a woman struggles with crippling shame after her husband leaks their extremely explicit sex tape), and THE HOUSE OF COMPASSION by CAMILA SOSA VILLADA (a gender-defying sex worker becomes entangled with a convent of nuns with a secret). I’d liked to have liked more of them.
★ ★ ★
quickly: diary of a young woman preparing herself for the collapse of american democracy and discovering a new faith in the process (god is change! / every neighborhood has its walls / r*pe, murder, cannibalism / burn the witch! / narcotics in utero / empathy is a weakness / bad cops / landslides, drought, fire, and famine / eat the rich, then the middle class, then the poor too / fascism dressed as christianity / no one can read, but everyone has a gun / pyromania in pill form / little fires everywhere / waiting for the end to come / survival of the most prepared / slavery sponsored by capitalism (just like old times) / survive, at all costs / heaven is in the stars)
The year is 2024. The climate has finally changed liked they’ve been warning us for years. The trickle-down economy has failed everyone but the rich, like we knew it would. Society has failed everyone but the 1%. Water costs more than gasoline, and food to feed one person for two weeks may cost you thousands of dollars. The government will kick you out of your home, and then arrest you for being homeless. Slavery has been reinvented by venture capitalists, and co-signed by a neo-confederate president. Don’t think about running off to another state or another country. You’ll probably never make it past the highly militarized state borders without being, r*ped, tortured, slain, or eaten.
This is a stark depiction of what happens when humanity collapses under the weight of capitalism… OEB is not shy about the violence of a dying world.
At the center of this story is Lauren Olamina, a young black girl who has taken a critical look at the world she is coming of age in and deduces that The End is near. The religion, philosophy, and morality of her parent’s generations have failed her. She believes our collective destiny as a species was never to be stationed here on Earth forever. We were meant to spread across the Universe. To fulfill that destiny, humanity must undergo the difficult task of maturation. Our petty wars, religious debates, and moral shortcomings are the traits of an immature species. Only a mature species can build the communities and pool the resources necessary to leave a dying Earth and spread beyond our Solar System to build something greater. All Lauren has to do is survive long enough through America’s downfall to be able to convince the rest of the world of Earthseed’s philosophy.
★ ★ ★ ★ ★ An outstanding survival guide, if read as the author intended.
quickly: a witness in a cold-blooded murder case is stalked and hunted by the gunman (1960’s new york city vice patrol / a bigot with a badge / working the night shift / automats and lunch counters / crossing 110th street / crossing the blue line / cats vs. mice / “did he use a silencer or was he silenced” asked oprah / going by way of Fat Sam / double crossing and double-talking / hot head with a hot rod / stairwell chases / parking lot shootouts / man against the world).
Jimmy is a Harlem youngster working nights at a cafeteria factory when a drunken maniac detective is overcome by white psychosis and kills all of his co-workers in cold blood. By a stroke of amazing grace, he survives the attack, but his survival places him in the crosshairs of a certified psycho who is set on eliminating all witnesses.
Don’t pick this up if you aren’t ready to sprint. This one-day read is a fast-paced NYC crime thriller full of race-based angst, socioeconomic division, and catchy 50s and 60s one-liners. Reading between the lines of this action-packed thriller, you’ll find poignant observations on race and interesting opinions on gender. Add a tablespoon of sex, jazz, and liquor, and you’ve got yourself a good time.
★ ★ ★ ★ Short, fast, and loud.
"One thing seldom asked of those on whom disaster had laid its hand is what their future plans were before the flood. "
John Darnielle, The Devil House
"Create no images of God. Accept the images that God has provided. They are everywhere, in everything. God is Change— Seed to tree, tree to forest; Rain to river, river to sea; Grubs to bees, bees to swarm. From one, many; from many, one; Forever uniting, growing, dissolving— forever Changing. The universe is Godʼs self-portrait."
Earthseed: The Books of the Living, Octavia E. Butler
can you tell that it’s spooky season reading list:
A FAMILY OF KILLERS by BRYCE MOORE SURVIVE THE NIGHT by RILEY SAGER EYNHALLOW by TIM McGREGOR (not pictured) THESE SILENT WOODS by KIMI CUNNINGHAM GRANT YOU LIKE IT DARKER by STEPHEN KING
life's archive... of meaningless reviews and praises and criticisms across the vast landscape of digital, aural, and written media during this brief short span of incredibly dense time. ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★
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