If Hadestown has a moral, she says, then it’s “you have to try, you have to have hope, not because success is a given – it’s not. Orpheus fails. We heroicise” – here she breaks off to apologise that jet lag has led to her making up words – “we heroicise Orpheus not because he succeeds but because he tries, and that endeavour alone is worthwhile. How to live, and not merely survive, is to believe things could change.”
Anaïs Mitchell on her musical Hadestown: 'I worked on it so long I was afraid I'd never make another record'
Jonah Magnus being irish whil me hating the irish is honestly great cus I can imagine him trying to hide it while everyone is completely underwhelmed by his secret
My friend's headcanon of Jonah Magnus (and by extension, Elias) hating Irish people is so ingrained into my mind that I actually thought it was real and spent ages thralling through the wiki to fact check it
you gotta be as gay as possible on the computer otherwise alan turing died for nothing
So I decided to read Book of Bill and managed to finish right before the countdown ended
Tá Aimsir Dracula buailte linn a chairde
ive got a pitch for a third ending of the movie
"Irish is a dead language" "no one uses irish anymore" you can pry this language from my cold dead hands. It's not dead and if it was I would still love it (my ancient greek and latin homies know what's up)
Is breá liom ag caint gailege agus ní féidir leat stad mé <33
no but NOT ONLY does the Dracula novel explicitly show that the men's well-intentioned but extremely sexist decision to exclude mina because she is a woman makes her more afraid and unhappy and also puts her at risk BUT ALSO it shows that after they realize their mistake and start including her again she is actually noticeably happier, despite the dire circumstances, less worried AND she is able to meaningfully contribute to their efforts as a valuable member of the group, thus making them all stronger
it's so striking. many of the characters display very typical attitudes for the time that the book was written but the narrative...kinda doesn't. yes it was written in the 1890s so it's still dated by modern standards, but it makes a very conscious effort to question a lot of traditionalist attitudes and views that would have been prevalent at the time. like, the male characters all think that it makes sense that a woman's nerves would be too sensitive to participate in a vampire hunting mission...but the narrative does not validate this and in fact shows them to be wrong. and only when they change their behavior are they able to succeed.
Also notable that Jonathan is the first one to be able to injure the Count, and is ultimately the one who kills him. And he is the least traditionally masculine and most gender nonconforming of the male characters.
tldr lowkey in the books dracula was defeated with the powers of friendship feminism and gender nonconformity and I think we should talk about that more
saw a theory that the SmokeStack twins were posing as one man in Chicago, which helped them get away with stealing from both sides. i'm poised to believe that because visually their clothing was very clearly of the two mobs. smoke was full irish— tweed, bowler hat. while stack had the full mafia look. yk italian leather shoes, fedora etc etc . like the details!!
(+ my designs for Sir Hop-A-Lot and Crumb)
Close ups under cut
art block is unforgiving so i keep making non-stop shitposts (because that’s the only thing i’m willing to draw)
i used dan hentschel’s youtube thumbnails for reference by the way
+ happy pride
She/They/It ○ Proof that can Classic Lovers Stupid ○ TMA Brainrot ○ "We Irish are too Poeticial to be Poets, A Nation of Failures but the best Talkers since the Greeks" - Oscer Wilde ○ The Autism is Strong with Me ○ Of Course I'm Queer Aswell○
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