It's the happy couple!! and him.
One thing I’ll never not find interesting is the intersection between Irish and English. Especially how young people navigate this.
Gaeltacht colleges/ courses are an excellent example of this. Gaeltachts are Irish speaking areas in Ireland. There are very few of them left (most being in the Republic). A big source of income for these areas are setting up colleges or courses where young people can come and participate in for a week or two or even three. They’re basically summer camps where you’re only allowed to speak Irish. You do classes as well as fun activities. They’re really useful for young people to learn Irish and do well in their exams.
The linguistic example I was thinking of is what we say when we’re trying to get by someone. Most cultures will say “excuse me”. We sometimes do as well, but most Irish people will say “sorry”. This then translates over to Irish where people say “(Tá) brón orm”, meaning “I’m sorry”. Even when excuse me is “gabh mo leithscéal” in Irish.
Where young people and gaelcholáistí come into this is with the hilarious “brónzies”. I don’t know if this is exclusive to Ireland, but in text talk people shorten sorry to “soz”. Then that developed into “sozies”. And thus young people use “brónzies” a lot (mostly ironically) at Irish speaking summer camps.
People have conflicting opinions of “brónzies”. Most think it’s an abomination, which I agree with. But I think that’s what makes it so funny.
Spoiler warning for Cinderella's Castle under the cut.
While I will say (even this early in her time with the company) that this show was Bryce's finest hour, we need to draw attention to Ella's death scene.
Every time I watch it, I have such a visceral reaction, but I still pay attention to it because of her acting in this scene.
How Ella cries out to her parents as Putrice and Rancilda restrain her. It brings to mind soldiers fatally wounded in combat, calling out for a loved one that they wish to see one last time.
Her attempt to pray to the Nine Good Gods; even after the Fairy Queen disproved her faith, it's still the only faith that she knows. It was probably one of the only things that she had left after her father's death.
She truly sounds like she's in pain when the Stepmother makes the first cut to her leg, only reduced to sobs because she's in too much agony to speak.
But she still has enough defiance left in her to curse the trolls.
Even if the way the sequence is written and acted out makes it seem as if Ella dies pretty soon after her leg is severed, I can easily imagine her drifting in and out of consciousness as she continues to bleed out onto the table.
Maybe she's ready to give up.
Maybe she's afraid that, if there are no Nine Good Gods, there's no greener field beyond. And that means that she'll never see her parents, or Justine and Lucy again.
So death isn't even a comfort anymore.
was scrolling through the "the mechanisms was Jon Archivist's college band" tags on ao3 and misread "martin finds out Jon is the lead singer of his favorite band" as Melanie, and i honestly think that would be a hundred times funnier. imagine your eldritch boss who you fucking hate but sounds vaguely familiar asks what you're listening to one day out of awkward obligation to make British Small Talk and you roll your eyes and tell him he probably doesn't know them and then you drop their name and he goes very still and flushes and suddenly Jonny D'Ville is speaking in your airpods and you're looking at your boss (who again, you fucking hate) and your world crashes and burns
“We sing it once a day, not twice”
Love the new lore that the trolls cannonicly sing facade once a day every day.
'life to the fullest' by arman, 1960 in on everyone's lips: the oral cavity in art + culture - uta ruhkamp (2020)
I actually adore the ending of Cinderella's Castle. Like some people wish there was more to it (which is valid ofc!) but IT'S literally so perfect to me. Ella showing up in the audience? Always love when that happens in theatre. The reveal of how she's back through the shoes technically being on her feet again? Gotta love a suprise loophole. Her standing on the block like the Fairy Queen was to indicate the power she now has? Wonderful parallel. Her throwing the Step-Mother's words back at her? Especially the 'allow me to reacquaint you with your fear' ? Absolutely DELICIOUS eating it up. And of course the cherry onto is the Ash to Ash reprise with Bryce's angelic vocals. It's absolutely perfect.
ah ha ha no girl don't use Vampirism, Religion, and/or Cannibalism as a metaphor for all consuming love and obsession you're so sexy ah ha
actually, frankenstein is the name of the scientist. the horrible emo monster nobody wants to fucking talk to is named lord byron
Aine/Áine was one of the first images I came up with for the Tuatha De Danann, although I first depicted Dagda and Morrigan. But now it's her turn, and she is absolutely gorgeous
greek mythology musicals my beloved
She/They/It ○ Proof that can Classic Lovers Stupid ○ TMA Brainrot ○ "We Irish are too Poeticial to be Poets, A Nation of Failures but the best Talkers since the Greeks" - Oscer Wilde ○ The Autism is Strong with Me ○ Of Course I'm Queer Aswell○
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