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Currently on view at KP Projects in Los Angeles, California is artist Todd Carpenter’s masterfully brooding solo exhibition, “In The Spaces Between.”
“In the Spaces Between” brings us a new way of seeing the world around us. Bringing new meaning to the phrase “can’t see the forest for the trees”, Carpenter recognizes the tendency to consider a subject for only its material parts. We categorize, organize, and reduce things into their utility, or disutility in seconds. Snap judgements define how we see and interpret the world, and as a result, what we see becomes less and less of what really is, and is replaced by a shallow projection. Our affinity for labels and the search for belonging within only a few superficial restrictive categories leave many feeling isolated and alone, inhibiting a broader view of what surrounds us. Carpenter reminds us through the quiet resilience of a single beam of light, piercing steadily through the arms of a tree, to appreciate a subject’s surroundings as well as the subject itself.
“In The Spaces Between” will be on view until July 28th, 2018.
Don’t miss Supersonic Art on Instagram!
by Jack Davison for AnOther Magazine
Metropolitan (Whit Stillman, 1990)
Weimar Girls, by Louis Braquet. Drawings, paintings, and prints at Louisbraquetart.etsy.com
Amazigh woman drinking water from the river, Atlas mountains, Morocco
(by Jordan_Ography)
Pedro Covo (Colombian, b. 1988, Cartagena de Indias, Colombia) - Swimmers series Paintings: Acrylics/Oil on Canvas/Paper Instagram
Edie Campbell reading a map in “Stardust” for Vogue US, June 2013. Photograph by Peter Lindbergh.
“Pale rider. Setting out from Marrakech, the young English model (born into a family of fashion-industry insiders) scans her map in a thirties-garden-party frock. Band of Outsiders silk habotai dress. Saint Laurent by Hedi Slimane felt hat. Ann Demeulemeester ring and boots.”
And you’re standing here beside me I love the passing of time Never for money Always for love https://www.youtube.com/watch?v=o9gK2fOq4MY&feature=share
communication is the foundation
“The student should practice in front of a mirror to observe every detail.” Tricks and magic made easy. 1919.
secret..,.,,.,
Chuck Close up
The Kiss, 1927, Max Ernst
Size: 161.2x129 cm Medium: oil, canvas
Sanford Roth • James Dean 1955
Bathing children at Korshavn Bay - .Fritz Syberg, 1908.
Danish,1862-1939.
Oil on canvas. 42 x 62 cm.
Photo extraite du livre sorti en 1972 We Live by a Lake de la photographe néo-zélandaise Ans Westra
UK quad for SANSHO THE BAILIFF (Kenji Mizoguchi, Japan, 1954)
Designer: unknown
Poster source: Heritage Auctions
How to Attract the Wombat, Will Cuppy, 1949
Gli occhi, la bocca (Marco Bellocchio, 1982)
Sewer alligators aren’t just a myth. Here’s the original video
The Work - Lynette Yiadom-Boakye, 2015.
British,b.1977-
oil on canvas, 27.7 x 23.8
A giant helium balloon bearing the face of an ojisan (middle-aged man) appeared in the sky in Utsunomiya on Sunday, in an event organized by the Utsunomiya Museum of Art to bring artwork to the public outside museums.
The balloon measures 15 meters in diameter and features the face of a man who lives in the city. The man was selected from 218 applicants.
Unknown, Damaged Nitrate Home Movie, 1920′s
Paco Pomet
Émotion (Nobuhiko Obayashi, 1966)
Charlie in The Waitress’ Apartment, dir. Daniel Attis (2006)
Venus, Henri Pierre Picou (1824-1895)