Me when I think about DC unintentionally making Batman so female coded. We’re constantly reminded his identity is based and fed by a shitty man. That he wouldn’t exist without him.His trauma is either diminished to be a point of ridicule, or invalided entirely. He’s expected to know everything, to have a perfect reaction all the time, to be somehow devoid of emotion yet shamed for having empathy. DC trying so hard to push the father optic on him yet the fandom sees him as a mother. He’s the problem and the solution and the root of destruction. He keeps Gotham alive, but he’s not raising it. He makes everything and belongs nowhere.
The foxes asked in the group chat how Neil was doing with the new freshmen, this is the photo they get as an answer (Neil got put in air jail after pissing off everyone that day.)
I cannot overstate how much I love Tom Lehrer's story. It sounds so fake but is entirely real.
He's a goddamn genius- he started studying mathematics at Harvard when he was 15 and graduated magna cum laude. He worked at Los Alamos for a few years before being drafted and working for the NSA, where he claims to have invented jello shots to get around alcohol bans.
He then went back to Harvard for a couple years before starting to teach political science at MIT.
Through all of that, he was writing and performing both some of the funniest shit you'll ever hear (Poisoning Pigeons in the Park, Masochism Tango) and absolutely scathing political satire (Who's Next, Wernher von Braun, Send the Marines). Until the mid/late 60s counterculture gained momentum. He didn't like their aesthetic, so he stopped making music.
Shortly after, he moved to California and started teaching math and musical theater history at the UC Santa Cruz for the next 30 years.
I don't know if non-Californians understand just how goddamn funny that is. It's where stoners and math (and now computer science) kids who couldn't get into Berkeley go. Leaving Harvard/MIT for UCSC is peak academic phoning it in. And by all accounts he had a blast.
Plus the whole putting all of his music in the public domain thing. That fucked.
if i was 26 and had just woken up from a 70 year suicide-induced coma with no one in the present remembering who i am and instead conflating me with the ever changing image of the role i played in ww2 that now serves as american propaganda and 2 weeks ago i was watching guys get half of their faces blown off and a week after that the love of my life fell off of a moving train with me only being able to watch and then i had to like... deal with a billionaire nepo baby war profiteer calling me an old man and saying there's nothing special about me i would have started killing people. but unfortunately it happened to steve rogers. and he has, like, morals. so
canon: they died
fanfic: fUCK YOU
Cooked him fried him boiled him alive
maybe this is just me idk
when ur just a funky little skater punk hedgehog
(idk if u can tell but only his bangs are straightened, he has braids)
there is something to be said about how the the two major “socially inferior” characters—wei wuxian and jin guangyao—were shown to be extremely skilled at people-reading and cognizant of the social, hm, dynamics throughout the story. not in the same exact way, of course. wei wuxian’s social competence was about knowing how to approach people and endear them to him and knowing what to ask to receive what he wants, usually in terms of information. jin guangyao was amazing at anticipating other people’s needs and what they want to hear and thereby delivering things in a way that would placate them.
i bring this point up because these were two characters granted the least amount of social grace and yet the expectation was that they must maintain the niceties or be deemed singularly arrogant (we see this happen with wei wuxian because he does end up going openly against the sects; where behaviour previously considered unobtrusive is now labelled as attitude problems lol). i mean, while i do commend wei wuxian’s attempt to present his request about the wen remnants to jin guangshan with politeness, it’s also so bafflingly out-of-place in a situation where he’s rightfully calling out the unfair atrocities the wen remnants were being subjected to. jin guangyao’s entire character is built on his specific method of rising through ranks using his honeyed tongue and ability to not let the naysayers get to him. “son of a servant” and “son of a prostitute” are thrown at them and these tags can reduce everything good they have done for the cultivation society in the blink of an eye because they are, infact, considered to be valid criticism of their character. it’s the dichotomy of it where jiang cheng and nie mingjue and jin guangshan can be crude and aggressive and predatory and receive, at most, hushed criticism but have their authority intact, while wei wuxian and jin guangyao’s very standing is threatened by the callback to their social status. how they are forced to be so aware of people and their ways of thinking and make all these interpersonal considerations while the other characters are allowed to be way less self-aware about their behaviours in social settings because their position was never threatened to begin with. how wei wuxian’s “manipulative” abilities and jin guangyao’s “cunning” were products of their treatment by the cultivation world in the first place.