Writers face this question at every stage of their creative journey. Whether you’ve been writing for two weeks or 20 years, the challenge remains the same. Will the time that I put into this project pay off? Will it do what I need it to do?
When you’re just starting out, most of the uncertainty centres around if you can even finish the story, and if yes, will it be any good? Later on, as a published author, you may wish for your book to hit the bestseller lists. As a best-selling author, you might want to be shortlisted for various awards. And when you’ve won everything there is to win, you will worry about your work being at least as good as what came before. The struggle never really ends.
Writing books is particularly uncertain. When starting a novel, you’re months, perhaps even years away from the finish line — more than enough time to question everything about the project. The more words you write, the stronger the voice in your head becomes. Is this the right thing to work on? Is it going anywhere? The majority of would-be authors quit at this stage.
Other writers struggle before they start. They keep analysing and researching, trying to convince themselves that this is going to work. But no matter how good your idea is and how many notebooks you fill with notes, the uncertainty will never go away. How do you deal with that?
The only way to figure out whether a project will work is to start writing. For smaller projects like short stories and novellas, just power through the first draft. The first draft will tell you more about whether the story has legs than any amount of advance research ever can.
Thinking about writing a novel? There are ways to do this too. Take what you expect to be the most dramatic scene of the book and write that first. Get a feel of the characters, the setting. If you’re a pantser, try writing a short story with the same characters. See how you feel about it. Any red flags?
Thinking about writing something and actually writing the thing are two very different things. If you never start or never finish, the question will remain unanswered forever.
Will it work? Writing it is the only way to find out.
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#179: Throwaway Stories, January 2021
#178: Progress Over Perfection, January 2021
#177: Change Is Good, January 2021
#176: Start Before You’re Ready, January 2021
#175: Writing Without Expectations, December 2020
me_irl
I was shocked when I realized this 😳
Did y’all catch last week’s upload? I chat my top ten (underrated) writing techniques, including some that I made up lol! What are your favourite writing techniques?
a bitter story exploring loss, trauma and healing gone wrong.
GENRE: literary fiction.
POV + TENSE: first-person referral, retrospective.
SETTING: a fictional commune, unspecified time period.
TONE: bitter, sharp, resentful, lonely.
STAGE: completed first draft, 2769 words.
LOGLINE: years after her childhood and its horrors, angry, resentful emily writes a letter to her dead sister— the one whom she sees as the cause of her trauma— in an attempt to come to terms with how horribly wrong her life is now.
LITERAL LOGLINE: when you decide to scream into the void as a substitute for therapy except surprise! it doesn’t help.
our first-person, extremely unhinged narrator. she’s a very bitter woman and is someone with nothing to live for, the way she sees it. a lot of her apathy + the disarrayed state of her life and mind was a direct cause of her childhood trauma and the unhealthy coping mechanisms that followed said trauma. she’s perpetually angry at her younger self and is overly conflicted towards her feelings towards her family, mainly her sister.
emily’s older sister. she was a role model for her when they were kids, and emily used to worship her. she was a loving and emotional person, and was very reckless— and rebellious— with a streak of massive unchecked anger [directed mostly at her father]. emily doesn’t recall much about her anymore, due to how young she’d been when lilee had died.
Keep reading
There is no right or wrong way to experience grief. Just as there is no right or wrong way to write it. Everyone is different, each set of circumstances are different.
The point of this post is to show you how different people react in different ways, and give points on how you might write that, depending on your character and story.
Reactions to Grief
Numbness: Your character may go into auto-pilot and be unable to process the events that have unfolded.
Anger: This can be aimed at other people, at a Higher Being, or at nothing in particular.
Unsteady: Your characters may be unsteady. For example, unable to stop their voice from shaking or they may find it difficult to stand.
Focusing on Others: Your character may disregard their own feelings because they are so overwhelmed and instead concentrate on someone else’s well-being.
Seek out routines: Amid upheavals, your character may seek comfort in tasks that are familiar and “safe,” such as working, cleaning, making their bed, making absurd amounts of tea or taking a morning walk.
Pretending that Everything Is Okay: Grief is viewed as an emotion that should cease or be concealed once the funeral is over. So people mention the news in an offhand comment, then talk and laugh as if all is right with the world.
Denial: Some people deny the reality of death and convince themselves that the news is a joke or can’t be true.
Reactions from people surrounding your character:
People may avoid your character as they do not know what to say or simply can’t find the right words.
Some may even go as far as to cross the street when they notice your character approaching.
Even people that the character has known for years may act strange or standoff-ish, simply because they don’t know what to say.
On the other side of that, some people may be overly helpful and friendly.
It is not uncommon for estranged friends, family or others to suddenly reappear in a person’s life after they have experienced grief.
Either because those people want to offer their support and love or because they’re being nosy and they want to be kept up to date on the “drama”.
Most people will move on from the event fairly quickly if they weren’t emotionally invested.
Some people may even get annoyed at your character for still being upset weeks or months later.
When talking about the person they have lost:
Your character may recall a memory or tell a story about their loved one, these are possible reactions. (I have encountered all of them.)
Your character may being to cry or get upset at the thought of the person they have lost.
The person they are talking to may become awkward and avert eye contact when your character brings up the person they have lost.
Others may ask or tell your character to stop talking about the person they have lost. They may roll their eyes, cough awkwardly, or cut off your character mid sentences so that they can change the subject.
Some people may ask inappropriate questions about the circumstances in which the character’s loved one passed away. Depending on the personality of your character then may react differently.
Other things to note:
Grief is not constrained by time.
One of the main problems with grief in fiction is that a character is typically heartbroken for a couple scenes and then happy again. But grief does not evaporate because the world needs saving.
Allow your character to wrestle with their grief.
Your character may feel guilty. Your character may feel a twinge of guilt when they laugh or have a good time with someone else; when they do something to remind them that they’re alive, and their loved one isn’t.
Grief is a game changer. A previously outgoing character may withdraw and isolate themselves. Some people may take grief and/or bereavement as a sign that life is too short; they may make big decisions in an attempt to make themselves feel better and grow away from their pain.
Sometimes grief can help you find your purpose.
At first grief can be all consuming. It hurts and you can’t really control it. It may seem unrelenting. Eventually the grief will become easier to deal with, your character may find the days to be better, but that doesn’t mean that when the grief hits it doesn’t hurt any less.
For most people, grief never really goes away. “Sometimes you have to accept the fact that certain things will never go back to how they used to be.”
It is rare that a person will ever give a long speech about their feelings, a lot of people struggle to even find the words. But that’s okay. Show the reader how your character feels, rather than just telling them.
Don’t pause the plot to deal with the aspect of grief. This could overwhelm the readers and drag the pace down. In reality, life doesn’t just stop due to grief, the world keeps spinning and things still need to be done. Use the character’s grief as a backdrop for the story’s events.
Yes, grief affects the character’s day-to-day life, goals, and relationships. But it shouldn’t drive readers away or stagnate the story. Instead, should engage readers and produce empathy that keeps them turning pages.
You don’t need to tell your readers that everything will be fine. You don’t need to provide all of the answers.
“Skirting grief and treating it lightly is easy. But by realistically portraying it through a variety of responses and its lasting effects on the character’s life, readers will form a connection with your characters.“
i like how enigmatic life can always be. are you having a good day? well, tomorrow might be shit. or is it a bad day? maybe tomorrow you'll be the happiest version of yourself. you can't expect anything from life yet it disappoints sometimes. it's is so beautifully strange.
It's embarrassing. It really is just embarrassing.
Now wait, before you go rushing to the comments or my inbox to yell at me behind the anon button, keep reading.
You're mad because there are some people who don't experience attraction or gender the same way you do?
You think they should be cast out until they can qualify as "normal" by your standards?
Do you know who you sound like?
You sound exactly like the cishets who hate us.
Just wait. Keep reading. You'll get your chance.
Here's some advice, from an "older" queer who has seen this before: homophobic cishets will never accept you, because in their eyes, you are fundamentally Different.
And that is not something to be upset about or mourn. Your difference is what makes you powerful.
But what does it say about you when you use that difference, that power, to hurt and oppress others?
Others with whom you have more in common, than you will ever have with any cishet?
Keep going.
Do you know why we have this merged community? Why we stand together instead of apart?
Because together, we are stronger. This community is meant to be a source of strength, of love and acceptance, in a world that thinks we're wrong, or broken, or diseased.
We have all suffered. Some more than others. Many of our people aren't here anymore. We have lost so many of our community over the years.
But turning against each other? Its weakening the entire community. And the cishets know this, and they love it.
If we are too busy fighting each other, we cannot fight them when they come for us. When they come for our rights and our very lives.
Is that what you want?
I love this community. I was hurting so badly, growing up in a homophobic household. Having slurs thrown at me by family, friends, and bullies alike, before I was even self aware enough to realise they applied to me personally.
When I figured it out, I was terrified. I was depressed, suicidal, and so scared of letting people down. All because I was different.
Then I came here. And I found people like me for the first time. I found a home. Within the blogs of strangers that I'd never met, whose names I didn't even know, I had people tell me that I'm normal. That my attraction isn't bad, or wrong. That I am not broken.
It saved me. This community saved me. And it has saved so many others.
Do you really want to be the reason that legacy ends?
So the next time you sit at your keyboard, and you start up another post about how X Group doesn't "belong" here, I want you to sit and think for a moment. How would you feel if someone said that about you? About your sexuality or your gender identity?
And then after that, I want you to do some genuine research into your community and its history. Chances are, you don't know as much as you think you do. And that's okay. You can learn.
My DMs are open. If you're willing to learn and be civil, I'm willing to speak with you and help you educate yourself.
However, if all you're willing to do is mock me, the community, or anything I've said in this post? I will not hesitate to block you. This will be your only warning.